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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Survivors (Audio)

Home > Video > Dark Model – Survivors (Audio)
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Language:

  • English
  • 日本語
Categories: Saga. Tags for Video: Orchestral Electronic and Electronic Funk/Synth Funk.

This orchestral electro-disco/funk track features an anthemic chorus part with full strings and brass arrangement, emphasizing a heroic feel of this track.

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”
(For Folk’s Sake)

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark.”
(Obscure Sound)

BPM: 112
Keyword for this track: Dance, Orchestral Disco Funk, Swagger, Emotive, Powerful, Heroic, Epic, Dramatic, Confident, Anthemic, Positive, Driving, Baroque, Classical, Thematic, Brave, Synth, Trumpet, Electronic Beats, Midtempo, 70s

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

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These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (Audio) Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption (Audio) Dark Model - LabyrinthDark Model – Labyrinth (Audio) Dark Model - Storm GoddessDark Model – Storm Goddess (Audio) Dark Model - PreludeDark Model – Prelude (Audio)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
10 August 2026

これまで限界費用がゼロに近い高収益モデルで「いとも簡単に」莫大に稼いできた企業が、なぜインフラのような「しんどい」重厚長大ビジネスへ突進するのか不思議でならない。広告からサブスクへのシフトも、DisneyやNetflixのようにうまくはいかないだろう。ゴールドラッシュで本当に勝ったのはツルハシ屋やジーンズ屋で、一攫千金を狙って西に突進した山師達は彼らを潤す労働者と化してしまった — そんな歴史の皮肉を思い出す昨今のAI。

カリフォルニア・ゴールドラッシュ 1849 (The Wild West) https://youtu.be/iydRkC0gMZI

No Title
8 August 2026

岡本太郎氏は「芸術は爆発だ」と言った。僕にとっての芸術もしくは創作は、初期衝動、怒り、問題提起といった「ヤケクソ」を美に換える作業だ。衝動のまま形にするのもいいが、ヤケクソを手なずけ、冷静に、丁寧に編集・構築・物語化することで作品に昇華する。そのために不可欠なのが、経験に裏打ちされた技術(アート)なのだと思う。ただ、技術があれば作品めいたものは作れるが、肝心のヤケクソを生み出すことはできない。

BANDAI【オデくん&ゴブリン】ちいかわ シールコレクション https://link.amazon/B0iHFEggb

No Title
5 August 2026

年齢を重ねるほど好奇心が広がり、学びたいことが増えて忙しくなる。日々の制作に加えて勉強したいことが山積み。だが、そこに焦りはない。制作に1000時間かかるアルバムを100時間で完成できても、そこに楽しさはないのと同じだ。自発的な学びや創作の醍醐味は「過程」にあり、効率やタイパとは全く次元が異なる。やってもやっても終わらない感覚。それは時間が足りない焦りではなく、「終わりなき充実感」の中にいるということだと思う。

R.L.スティーブンソン「希望を持って旅をすることは、目的地にたどり着くことに勝る」 https://www.brainyquote.com/quotes/robert_louis_stevenson_162816

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