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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Survivors (Audio)

Home > Video > Dark Model – Survivors (Audio)
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Today’s Popular Videos

  • [:en][YouTube Playlist] Sci-fi / Cyberpunk[:ja][YouTube プレイリスト] SF / サイバーパンク[:][YouTube Playlist] Sci-fi / Cyberpunk
  • [Album Medley] Captain Funk - Heavy Mellow (Deluxe Edition)[Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • [Album Medley] Captain Funk - Sunshine (Deluxe Edition)[Album Medley] Captain Funk – Sunshine (Deluxe Edition)
  • OE - Patterns of Passion (Audio Visualizer)OE – Patterns of Passion (Audio Visualizer)
  • Dark Model - Moment of TruthDark Model – Moment of Truth

Language:

  • English
  • 日本語
Categories: Saga. Tags for Video: Orchestral Electronic and Electronic Funk/Synth Funk.

This orchestral electro-disco/funk track features an anthemic chorus part with full strings and brass arrangement, emphasizing a heroic feel of this track.

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”
(For Folk’s Sake)

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark.”
(Obscure Sound)

BPM: 112
Keyword for this track: Dance, Orchestral Disco Funk, Swagger, Emotive, Powerful, Heroic, Epic, Dramatic, Confident, Anthemic, Positive, Driving, Baroque, Classical, Thematic, Brave, Synth, Trumpet, Electronic Beats, Midtempo, 70s

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

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(As for availability of local record shops in the US, please check the list at the bottom of this page.)
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These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (Audio) Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption (Audio) Dark Model - LabyrinthDark Model – Labyrinth (Audio) Dark Model - Storm GoddessDark Model – Storm Goddess (Audio) Dark Model - PreludeDark Model – Prelude (Audio)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
21 May 2026

ロックはもちろん、R&Bやヒップホップといったアメリカのメインストリーム音楽は、もはや「レガシー」の域に入っていて、型破りで新鮮な音楽に出会う機会が減ったのは確か。そんな中ゴスペルの世界では、「一体どうなってるの?」と仰天するような曲やクオリティの高い演奏にしばしば出会う。「神への賛美と希望」というメッセージさえブレなければ、すべての音楽スタイルがゴスペルになるという、超絶的な懐の深さがあるのだろう。才能が集まるのも頷ける。

You Are Good – Israel & New Breed https://youtu.be/5KiQDoWo5t4

No Title
19 May 2026

音楽以外で時間を割いているのが語学と数学の勉強。教養のためではなく、実用を目指すからこそ現実とのギャップに気が遠くなる。英語だってそうだったから、習得には膨大な時間がかかるものだと割り切り、気長に取り組むのが大事。しかし、なぜ音楽だけは挫折を感じないのか。作曲を始めた時点で、すでに膨大な量の音楽が自分の中に蓄積され「準備が整っていた」のもあるが、一番には「他人と比較して優劣を考えない」からだと思う。ありがたい。

慶應大学講義 物理情報数学C 複素フーリエ級数からフーリエ変換へ https://youtu.be/VQorJcAoy-Q

No Title
17 May 2026

アルバムのタイトルと収録曲が決定。すべて新曲のCaptain Funkが、新たなスタイルで帰ってきます。ところで、このMaxwellのデビュー作を愛聴していた’96年、僕はまだ会社員。帰宅後に欧州のレーベルに送るためのデモ作りに明け暮れていた。翌年のNY出張で、街の至る所で彼の曲が流れていたのを覚えている。幸い、僕もその年にデビューできたのだから、今思えば運が良すぎた(笑)。30年という年月は長いようで、ほんの一瞬。

Maxwell: Tiny Desk Concert https://youtu.be/Zig0cfRdqsE

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