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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > IDM
Tatsuya Oe - May 2003 on stage

OE – CG Movie for “Here and You” Release Tour

Feb 22, 2022

A 55-min CG animated movie for OE “Here and You” release tour in 2002. OE and Paradise Jam worked together on “music live performance in sync with visuals.”  

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OE - Plotter (Visualizer)

OE – Plotter (Audio Visualizer)

Jan 29, 2022

This cinematic and fast-paced IDM/electronic funk track consists of a melancholic synth lead, a counterpart of strings, and the glitchy and intricately programmed electronic beats.Filled with a dystopian cyberpunk and futuristic sci-fi atmosphere.

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OE - Helicity (Visualizer)

OE – Helicity (Audio Visualizer)

Jan 29, 2022

Edgy and dystopian IDM/Gothic electronic funk track, filled with sci-fi and cyberpunk atmosphere. It features contrapuntal, thick layers of church organ on unpredictable, fast broken beats and fat synth bass.  

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Diplegia (OE Version)(Visualizer)

OE – Diplegia (OE Version) (Audio Visualizer)

Jan 29, 2022

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances.

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OE - Crash Course (Visualizer)

OE – Crash Course (Audio Visualizer)

Jan 29, 2022

A quirky IDM Funk track that consists of many fragments of percussive sounds and metallic glitches, modulated synth riffs, and chopped voices.  

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OE - Time Has Told me (Visualizer)

OE – Time Has Told Me (Audio Visualizer)

Jan 29, 2022

A bright and dreamy acoustic-guitar-driven glitch electronica track that features male vocoder vocals and trumpet lead on the fast techno beat.

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OE - Fickle Hound

OE – Fickle Hound (Audio Visualizer)

Jan 29, 2022

A driving, unpredictable electronic jazz fusion instrumental with electric guitar strums, synth riffs, and quirky piano phrases on the odd-beat electronic drums.  

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OE - New Classics Vol.2 Album Sampler

OE – New Classics Vol.2 – Album Preview

Mar 8, 2018

“New Classics vol.2” delves into the contemporary, edgy, and experimental side. This album was nominated for the 17th Annual Independent Music Awards in the Dance/Electronica Album category.  

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Tatsuya Oe Updated: February 22, 2022

Video

  • OE – Moon Landing (Audio Visualizer)OE – Moon Landing (Audio Visualizer)

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  • Music Placements for TV programs & Promos – 2018 Q4 –Music Placements for TV programs & Promos – 2018 Q4 –
  • Dark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South AustraliaDark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South Australia
  • Live Performance with OE band at NHK-FM “Live Beat”Live Performance with OE band at NHK-FM “Live Beat”
  • Music & Sound Design for Uniqlo “Body Tech” TV CommercialMusic & Sound Design for Uniqlo “Body Tech” TV Commercial
  • Music Licensing for Burger King “Bacon & Cheddar BK Toppers”Music Licensing for Burger King “Bacon & Cheddar BK Toppers”

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Microblog

No Title
28 June 2026

僕がお風呂でよく流しているディスコファンク系のラジオから、Alton Edwardsのこの曲が聴こえてくる。とてもキャッチーなシンセ・ブギーだが、実は知ったのは割と最近だ。UK産でアルバムリリースのないアーティストだったため、当時の日本にはあまり入ってこなかったのだろう。六本木の「ウィナーズ」あたりなら12インチが置いてあったかもしれないが、上京したての大学生だった僕は、一人で深夜の六本木にフラっと立ち寄るほどの肝が据わっていなかった。

Alton Edwards – I Just Wanna Spend Some Time With You https://youtu.be/coZEkKsKirg

No Title
26 June 2026

マリー・シェーファーの『世界の調律』は、サウンドスケープを理解する上での大古典。彼は「人類が最初に聴いた音は水(海)の音だ」と言う。一方、僕らは鼻息や心臓が脈打つ音、そしておならの爆発音まで、「自分の身体が出す音」からは終生逃れられないよなあ……。そんなことを考えていたら、それを極めて格調高く、アカデミックかつ哲学的に伝えようとしたのが、かのジョン・ケージだったらしい。上品すぎて今頃気づいたわ(笑)。

『世界の調律: サウンドスケープとはなにか』R.マリー・シェーファー https://amzn.to/4uSPDiR

No Title
26 June 2026

各AIサービスの最新バージョンの優劣を追いかけることには特に熱心ではないけれど、生成AIの思想的な根底にあるアーキテクチャが今後どうなるのかを探るのは面白い。現在普及しているTransformerに対抗して登場したMambaというモデルは、マルコフ連鎖という確率手法と深い関係があるというので、開発者の一人Albert Gu氏の講義を観てみた。AI投資のホラ吹き競争ではなく、このように現場で「知の競争」が進んでいるのを見るのは楽しい。

スタンフォード講義: 状態空間モデルとTransformerのトレードオフについて https://youtu.be/OyimE74UMF8

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