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Updated: Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Updated: Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use. We also added a brief explanation of how YouTube Content ID may apply.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Music Business
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Tatsuya Oe Updated: February 3, 2026

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  • OE – Plotter (Audio Visualizer)OE – Plotter (Audio Visualizer)

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Microblog

No Title
10 February 2026

ビジネスのアイデア出しや情報収集にAIが役立つことは多々あるが、たまに「なんでそんなこと知ってるの?」的な意外な提案や固有名詞が出てきて驚かされることがある。「音楽の世界で長く活動されてきたあなたにとって、『製造から販売までを自分の美学の射程に収める』というリック・オウエンスの手法は、一つの強力なアンチテーゼ(として参考)になるのではないでしょうか?」いろんな意味で、こんなこと人間は言わないよなあ(笑)。

Inside Designer Rick Owens’s Minimalist Home Filled With Wonderful Objects | Vogue https://youtu.be/zrqqrQmeQS4

No Title
8 February 2026

音楽家のインタビューでよく聞かれる質問の一つが「最初に買ったアルバムは?」というもの。僕はテクノのアーティスト/DJとしてプロのキャリアを始めたけれど、初めて買ったレコードはビリー・ジョエルだし、その後もプログレ、ニューウェーブ、そしてジャズ、現代音楽、R&B、ブラジリアンと渡り歩いてきたので、典型的なテクノ少年的な音楽遍歴ではない。僕にとってテクノとは、それらの音楽のグルーヴや躍動感を結晶化、あるいは抽出した「うまみ」のような存在。

OE – Tessera #pianomusic #minimalism #contemporary https://www.youtube.com/shorts/Syd7wtxF7GU

No Title
7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

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