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Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use. We also added a brief explanation of how YouTube Content ID may apply.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Music Business
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Tatsuya Oe Updated: June 19, 2026

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Microblog

No Title
8 July 2026

映画『ブラックベリー』の共同CEOジム・バルシリーは、作中で「冷徹で傲慢な独裁者」として描かれる。米国では実社会でも未だに「獰猛な天才」が崇拝されるが、その手のタイプが仕切るビジネスが安定成長した試しがない。彼らは「ある時期、世の中を引っ掻き回した」だけとも言える。この「人とお金のどんちゃん騒ぎ」をビジネスや経営と呼ぶアメリカのお家芸を、冷ややかに見ている国もあるのではないかと思う。

BlackBerry – Official Trailer ft. Jay Baruchel & Glenn Howerton https://youtu.be/cXL_HDzBQsM

No Title
5 July 2026

久々にこのマイクロブログのアーカイブを更新しました。3週間前の投稿には「南アフリカ、南インド、ポルトガル、ブラジルなどの音楽を聴いている」と書いていますが、最近はトルコ、イラン、アフガニスタン辺りの音楽に触れています。ちなみに90年代にブレイクしたイランのダンスミュージック「Bandari(バンダリ)」は最近何かと話題のホルムズ海峡の港町が発祥。LAの移民コミュニティ「テヘランゼルス」を中心に、渡米したアーティストも多い。

マイクロブログ・アーカイブズ 2026年5-6月 | Tatsuya Oe https://l.tatsuyaoe.com/microblog-june-2026

No Title
4 July 2026

視覚芸術の巨匠カルロス・クルス=ディエスのドキュメンタリー『Free Color』を見た。「何の支えも持たず、自律的な存在として、色を空間に解放したい。」キャンバスすら飛び越え、ただ「色だけ」を宙に浮かべたいという、突き抜けた夢を語る姿が印象に残る。彼は95歳で他界したが、家族や科学者たちの挑戦は今も世界中で続いている。視覚も聴覚も、世界はまだ「できそうで、できていないこと」だらけだ。そう思うと無性にワクワクする。

Free color | Official Trailer https://youtu.be/HsU7nfOF6Js

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