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Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use. We also added a brief explanation of how YouTube Content ID may apply.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Music Business
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Tatsuya Oe Updated: June 19, 2026

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Categories in Topics

Microblog

No Title
18 August 2026

この数か月、西洋以外の音楽を色々聴いてきた。声楽的には単声(モノフォニー)構造のものが多いのだけれど、リズムに関しては実に複層的で、一聴しただけではつかめないポリリズムや変拍子のものに沢山出会う。しかもそれが大衆音楽として普通に浸透している。意外な発見は、中東では音楽やダンスの発展において、「結婚式」がとても大事な役割を果たしてきたということ。日本はともかく、世界は踊りに踊りまくってるのだった。

Fidan & Volkan / Grup NIWAN ILHAN ICLEK https://youtu.be/KDUb3NwXLGw

No Title
15 August 2026

「沈黙は検索できない」と何度か書いたことがある。沈黙こそ人間に残された最高の知性ではないか。言葉や音の間にある空白をコントロールすることは、表現の本質だ。あえて黙るという選択をコンピュータが「無意味」と捉える限り、シンギュラリティが来ても人間の知性を超えることはないだろう。情報のノイズが溢れる今ほど、「黙る」ことの価値が高まっている時代はないと思う。そして、黙る行為は人間が機械に将来を奪われない防衛策にもなる。

Let Them Come, Let Them Go (Beat Mix) https://youtu.be/JGJLVkR7844

No Title
13 August 2026

90年代半ば、AIではなくAL(人工生命)や複雑系、カオス理論に魅せられ、浅い理解ながら本を読みあさっていた時期がある。現在それらの研究はデータサイエンスやネットワーク科学等に吸収・再編成されたが、当時の複雑系の世界は文字通り混沌とし、遊びと研究の境目もない熱気があった。そのムーブメントの中心にあったのが「サンタフェ研究所」だ。まだ健在だったとは。遊びと研究とビジネスが同義な世界、大好き(笑)。

Inside a real genius club: the Santa Fe Institute https://youtu.be/3KeqjT2xyM0

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