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Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use. We also added a brief explanation of how YouTube Content ID may apply.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Tatsuya Oe Updated: June 19, 2026

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Microblog

No Title
11 October 2026

手軽に陶芸気分を味わえる素材として「オーブン陶土」というものがあるが、海外では「ポリマークレイ」という素材が圧倒的に主流。しかし仕上がりは樹脂っぽくて、目指す方向性も質感も全くの別物。100均などでも買えるこのオーブン陶土は、陶芸文化が身近にある日本だからこそ生まれた、本当にユニークで素晴らしいクラフト素材だと思う。とは言え、造形に関しては今のところ、自分で作るよりも達人が作るプロセスを動画で眺める方が楽しい。

【オーブン陶土】 雨やどりペンスタンド https://youtu.be/8kCCH-FhEh4

No Title
9 October 2026

先日の話の続き。僕は「価値が価格を生むのであって、逆はない」と思う。価格(お金)は価値の引換券でしかない。それが今は「価格が価格を生み、吊り上げる」だけで、誰もその背後にある意味を直視しようとしない。「インフレ」や「デフレ」という都合の良いラベルは、その本質を問う重みを失わせる。さらに言えば、世の中には「価格化されていない価値」が山ほどある。数字や統計も、現実を切り取った不完全な影絵に過ぎないのだ。

ジョナサン・ハスケル『無形資産が経済を支配する: 資本のない資本主義の正体』 https://link.amazon/B0aYR16th

No Title
8 October 2026

渡米直後、モノやサービスの「価格」と「価値」の乖離に驚く毎日だった。デフレ時代の日本の企業努力や工夫に馴染んでいた自分にとって、価値に対して適正と思える値段の数倍から数十倍を支払うために猛烈に稼がなくてはならない人生は幸せなんだろうか?そんな疑問を抱いていた頃に出会った『メイカーズ』。著者が理想郷として描いた「デジタルと製造/DIYの融合」が実際に開花したのは、アメリカではなく中国その他のアジアの現場だった。

クリス・アンダーソン『MAKERS 21世紀の産業革命が始まる』 https://link.amazon/B0bOuWVyn

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