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Tatsuya Oe joins “Monsieur Gainsbourg Revisited”

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Home > Topics > Music Production > Tatsuya Oe joins “Monsieur Gainsbourg Revisited”
Categories: Music Production. Tags: Release and Remix.
Sep 29, 2006
serge-gainsberg-revisited

Tatsuya participated in “Monsieur Gainsbourg Revisited” album (Japanese edition). This compilation album is a literally tribute to Serge Gainsbourg (French singer, songwriter, artist, poet, actor, etc). Tatsuya produced an electro-rock version of “Poupee de Cire,Poupee de Son” with a Japanese singer Norico.

Other participants: Franz Ferdinand & Jane Birkin ,The Kills , Portishead, Cat Power , Michael Stipe , Tricky ,Marianne Faithful & Sly and Robbie , Marc almond , Placebo , Gonzales, James Iha , Carla Bruni ,etc

Monsieur Gainsbourg Revisited (Japanese edition, Nov 1st 2006 release Cat: UICO-1116)

Universal International ” Monsieur Gainsbourg Revisited” Page

Amazon.com Product page
Tatsuya participated in Monsieur Gainsbourg Revisited (Japanese edition)


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ReleaseRemix
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Tatsuya Oe Updated: May 25, 2018

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3 August 2026

Carol Robbinsというハープ奏者が演奏するインスト「Caminhos Cruzados」を聴いていて、タイトル(ポルトガル語で「十字路」)からして、以前どこかで聴いたことがある曲だと思っていたものの、調べるまでには至らなかった。先日、何気なく検索してみたら、トム・ジョビン作曲の超有名曲で、しかも大学時代に毎晩リピートして聴いていたジョアン・ジルベルトのアルバムに収録されていたのだった。もうこれで一生忘れない(笑)。

João Gilberto – Caminhos Cruzados https://youtu.be/D3Hf-725Yk4

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
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陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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