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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE

Home > Projects > OE

O.E. (pronounced with a long “E,” as in “O.E.”) is a creative outlet of Japanese electronic music producer Tatsuya Oe. He launched the project to explore ideas that fall outside the musical frameworks of his other monikers, Captain Funk and Dark Model.

While those projects are known for their signature, groove-driven identities, O.E. embraces a more open-ended approach—one that welcomes experimentation without being bound by stylistic formalism. Depending on the piece, the music may drift toward contemporary classical, ambient electronica, or even post-rock, always guided by a spirit of curiosity and artistic freedom.

OE Related Pages on Tatsuyaoe.com

OE studio albums
Topics about OE
OE videos
List of digital services and physical stores
List of OE related websites (Wikipedia and Discogs)

Releases

OE - Compositions in Blue

Compositions in Blue (2023)

OE - Suchness 2

Suchness 2 (2023)

OE - Suchness

Suchness (2020)

OE - New Classics Vol.1

New Classics Vol.1 (2018)

OE - New Classics Vol.2

New Classics Vol.2 (2018)

OE-Directors Cut

Director’s Cut (2004)

OE-Physical Fiction

Physical Fiction (2003)

OE-Here and You

Here and You (2002)


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Tatsuya Oe Updated: November 17, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Licensing Our Music (for International Users)
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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Microblog

No Title
11 October 2026

手軽に陶芸気分を味わえる素材として「オーブン陶土」というものがあるが、海外では「ポリマークレイ」という素材が圧倒的に主流。しかし仕上がりは樹脂っぽくて、目指す方向性も質感も全くの別物。100均などでも買えるこのオーブン陶土は、陶芸文化が身近にある日本だからこそ生まれた、本当にユニークで素晴らしいクラフト素材だと思う。とは言え、造形に関しては今のところ、自分で作るよりも達人が作るプロセスを動画で眺める方が楽しい。

【オーブン陶土】 雨やどりペンスタンド https://youtu.be/8kCCH-FhEh4

No Title
9 October 2026

先日の話の続き。僕は「価値が価格を生むのであって、逆はない」と思う。価格(お金)は価値の引換券でしかない。それが今は「価格が価格を生み、吊り上げる」だけで、誰もその背後にある意味を直視しようとしない。「インフレ」や「デフレ」という都合の良いラベルは、その本質を問う重みを失わせる。さらに言えば、世の中には「価格化されていない価値」が山ほどある。数字や統計も、現実を切り取った不完全な影絵に過ぎないのだ。

ジョナサン・ハスケル『無形資産が経済を支配する: 資本のない資本主義の正体』 https://link.amazon/B0aYR16th

No Title
8 October 2026

渡米直後、モノやサービスの「価格」と「価値」の乖離に驚く毎日だった。デフレ時代の日本の企業努力や工夫に馴染んでいた自分にとって、価値に対して適正と思える値段の数倍から数十倍を支払うために猛烈に稼がなくてはならない人生は幸せなんだろうか?そんな疑問を抱いていた頃に出会った『メイカーズ』。著者が理想郷として描いた「デジタルと製造/DIYの融合」が実際に開花したのは、アメリカではなく中国その他のアジアの現場だった。

クリス・アンダーソン『MAKERS 21世紀の産業革命が始まる』 https://link.amazon/B0bOuWVyn

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