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Dark Model

Home > Projects > Dark Model

“Discover Orchestral Electronic Music That Ignites Your Inner Fire”

Dark Model is Tatsuya Oe’s project dedicated to edgy, orchestral-electronic music with a strong sense of narrative and impact. The debut album, released in May 2014, earned high acclaim—including a 9.5/10 review from Under the Gun Review. In 2017, the second album Saga won the Independent Music Award for Best Dance/Electronica Album. Tracks like “Judgment Day” continue to reach global listeners, surpassing 6 million streams on NetEase Cloud Music as of March 2025.

For detailed information about Dark Model, please refer to the official website as well.

Dark Model Official website: https://www.darkmodelmusic.com/

Dark Model related pages on tatsuyaoe.com

Dark Model albums
Topics about Dark Model
Dark Model Videos
List of digital services and physical stores
List of Dark Model related websites (Wikipedia, Discogs, and Social Media services)
Dark Model FAQs : Frequently Asked Questions about Dark Model

Albums

Dark Model - Relentless

Relentless (2023)

Dark Model - Impulse

Impulse (2022)

Dark Model - Odyssey

Odyssey (2022)

Dark Model - Odyssey (Instrumental Edition)

Odyssey(Instrumental)(2022)

Dark Model - Driving Orchestral Electro Mix

Driving Orchestral Electro Mix (2020)

Dark Model - Flashback

Flashback (2019)

Dark Model - Saga

Saga (2017)

Dark Model - First Album

Dark Model (2014)

About Dark Model

The music of Dark Model is based on a concept that Oe has unvaryingly embraced throughout his career: incorporating a diverse range of musical ideas and elements into what he calls “Musical Narratives.” As can be heard in his preceding releases such as Captain Funk’s “Songs of the Siren,” chosen as “The Year in Music / Critic’s Choice” by Billboard magazine[1]Critic’s Choice – Billboard Magazine, Sep 8, 2001 , and OE’s “Physical Fiction,” one of his most experimental releases, Oe has had a keen interest in “building and telling an imaginary story through music.”

Oe likens his music production style to making an animated film. Just as one director/animator would do “visually,” he develops several characters, emotions, and actions “musically” into one time-based work. While it is striking that Dark Model’s music features much more cinematic elements and orchestral arrangements than he did previously, it could be said that Oe continues to push forward the concept of “Musical Narratives” under this new project. Unlike so-called “scores,” his priority with Dark Model is to create music which stands on its own (like pop music does) and tells a story, not as subordinate to any specific visual or motion elements.

In 2014 May, the first full album of Dark Model was released in the form of CD and digital downloads. Under the Gun Review magazine described it as “one of the best electronic music efforts in recent memory and easily one of the most grandiose and memorable of 2014.”[2]Dark Model album review – Under the Gun Review, July 7th, 2014 Music journalist Scott Wilson stated, “Crossing genres is tricky to do and be taken seriously, but Dark Model is an example of how it sounds when you do it right.”[3]Taking an auditory Odyssey with Dark Model’s debut album – Quip Magazine, May 19, 2014

In March 2015, Dark Model’s first album was nominated for the 14th Annual Independent Music Awards in the Dance/Electronica Album category.[4]The14th Independent Music Awards – Dance/Electronica Album

Since the launch of this project in May 2012, Dark Model’s music has been featured in numerous media projects, from box office film trailers like “Elysium,”[5]Dark Model Music on “Elysium” First Footage Reel, Jul 20, 2012 “The Paperboy,”[6]Dark Model’s Music on TV Spot for “The Paperboy” Movie, Oct 29, 2012 and “Money Monster,” to advertising campaigns for Lexus[7]Dark Model Featured on “2013/2014 Lexus ES” Campaign, Sep 7, 2012, Sep 7, 2012, Verizon “Droid,”[8]Dark Model featured on Verizon Wireless “Droid DNA” TV Spot, Dec 24, 2012 Xbox “Forza Motorsport 5,” and to a contemporary dance choreography by Northern Ballet (UK).[9]Dark Model “Fire Back” Featured on Northern Ballet (UK), Sep 14, 2013

Dark Model Related websites

Facebook
Model Electronic Records Youtube Channel
Youtube Music(available since 2022)
iTunes / Apple Music Japan
Amazon JP
Spotify
Bandcamp
SoundCloud
Dark Model on Discogs

Reviews – What people say about Dark Model

“Dark Model isn’t selling music. He’s selling a concept. That concept is you as the hero.”

Mobtoronto.com

“Tatsuya Oe has created one of the best electronic music efforts in recent memory and easily one of the most grandiose and memorable of 2014. The fact that his self-titled album as Dark Model is merely a debut should be nothing short of intimidating to all other producers within the world of EDM.” (Score: 9.5/10)

Under The Gun Review

“Dark Model’s self-titled album offers up an electronic sound like no other. The symphonic experience is one of a kind as Dark Model provides listeners with an orchestral theme on 16 cuts.” (5 out of 5 stars Final Grade: A)

Examiner.com


“This disc really surprised me. It’s not exactly my kind of music. This album, though, just blew me away. In fact, it’s likely to make my best of 2014 list. I’m pretty impressed with this. It works really well and is a great ride.”

Music Street Journal

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

References[+]

References
↑1 Critic’s Choice – Billboard Magazine, Sep 8, 2001
↑2 Dark Model album review – Under the Gun Review, July 7th, 2014
↑3 Taking an auditory Odyssey with Dark Model’s debut album – Quip Magazine, May 19, 2014
↑4 The14th Independent Music Awards – Dance/Electronica Album
↑5 Dark Model Music on “Elysium” First Footage Reel, Jul 20, 2012
↑6 Dark Model’s Music on TV Spot for “The Paperboy” Movie, Oct 29, 2012
↑7 Dark Model Featured on “2013/2014 Lexus ES” Campaign, Sep 7, 2012
↑8 Dark Model featured on Verizon Wireless “Droid DNA” TV Spot, Dec 24, 2012
↑9 Dark Model “Fire Back” Featured on Northern Ballet (UK), Sep 14, 2013


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Tatsuya Oe Updated: November 17, 2025

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  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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Microblog

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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