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OE “New Classics Vol. 2” Nominated for the 17th Independent Music Awards

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Home > Topics > OE > OE “New Classics Vol. 2” Nominated for the 17th Independent Music Awards
Categories: OE and Awards/Charts. Tags: Independent Music Awards.
Apr 12, 2019
The 17th Independent Music Awards Nominees

OE’s latest release “New Classics Vol.2” has been nominated for the 17th Annual Independent Music Awards (IMA) in the Dance/Electronica Album category.

Winners of the music industry judged awards are to be named in June 22nd, 2019, from Symphony Space Performing Arts Center in New York City. The 17th annual IMA judges include Tom Waits, Robert Smith (The Cure), Todd Rundgren, Gloria Gaynor, Lee Ann Womack, and Paquito D’Rivera.

Also, voting on The IMA site for the fan selected Music, Video & Design winners runs until May 24th, 2019 at https://fans.independentmusicawards.com/. So please register and cast your vote to your favorite artist (which I hope will be OE).

Learn more about OE’s nominated album, New Classics Vol.2 at Discography page


About the Independent Music Awards (IMA)

Official website: https://independentmusicawards.com/

Now in its 17th year, The IMAs honor the most exceptional music, video, concert photography and designs by established and emerging talent. And connects them to a wider audience.

Iconic Artists, Music Fans, Programmers, Press, Music Supervisors & Talent Buyers throughout the Americas, Europe and Pacific Rim choose the year’s best self-released & indie label projects.


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Independent Music Awards
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Tatsuya Oe Updated: December 12, 2025

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テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

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陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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