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Music Placements for TV programs & Promos – 2019 Q3 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2019 Q3 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Oct 21, 2019
CW - Life Sentence

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2019 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CW “Life Sentence”
CW - Life Sentence

Netflix “Comedians In Cars Getting Coffee”
Netflix - Comedians in cars getting coffee

History “Alone”
History Channel - Alone

TBS “Full Frontal With Samantha Bee”
TBS - Full Frontal with Samantha Bee

ESPN “Fight Flashback UFC”
UFC - Fight Flashback

TruTV “Friends of the People”
Trutv - Friends of People

Nickelodeon “I am Frankie”
Nickelodeon - I am Frankie

Viceland “King Of The Road”
Viceland - King of the Road

Viceland “F*ck, that’s Delicious Classics”
Viceland - F*ck thats delicious

Gloob (Brazil): Valentins Season 2
Valentin Season 2

and many more placements.


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TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

No Title
29 July 2026

2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

No Title
27 July 2026

年季の入ったブルースマンやR&Bミュージシャンのインタビューを聞いていると、”We was” という表現が出てくることがある。これは標準英語とは異なるが、彼らの間では決して間違いではない。こういうのは Vernacular(自然発生的な日常文法) といって、Slang(俗語・流行語) や、地域的な Dialect(方言) とも少し違う。このバンドの名前 Sho-nuffは、「あたりきよ!(Sure enough)」みたいな、レトロで味のあるスラング。

Sho-nuff – Don't Use Me Up https://youtu.be/oIHRDJbhwUM

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Read previous post:
Captain Funk’s New Album “Metropolis” Out on Nov 8, 2019

"Metropolis," produced by Tatsuya Oe, an electronic music artist who has raised and lived in Tokyo, Osaka, and New York,...

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