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Music Placements for TV programs & Promos – 2019 Q3 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2019 Q3 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Oct 21, 2019
CW - Life Sentence

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2019 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CW “Life Sentence”
CW - Life Sentence

Netflix “Comedians In Cars Getting Coffee”
Netflix - Comedians in cars getting coffee

History “Alone”
History Channel - Alone

TBS “Full Frontal With Samantha Bee”
TBS - Full Frontal with Samantha Bee

ESPN “Fight Flashback UFC”
UFC - Fight Flashback

TruTV “Friends of the People”
Trutv - Friends of People

Nickelodeon “I am Frankie”
Nickelodeon - I am Frankie

Viceland “King Of The Road”
Viceland - King of the Road

Viceland “F*ck, that’s Delicious Classics”
Viceland - F*ck thats delicious

Gloob (Brazil): Valentins Season 2
Valentin Season 2

and many more placements.


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TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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Captain Funk’s New Album “Metropolis” Out on Nov 8, 2019

"Metropolis," produced by Tatsuya Oe, an electronic music artist who has raised and lived in Tokyo, Osaka, and New York,...

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