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Music Placements for TV programs & Promos – 2019 Q3 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2019 Q3 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Oct 21, 2019
CW - Life Sentence

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2019 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CW “Life Sentence”
CW - Life Sentence

Netflix “Comedians In Cars Getting Coffee”
Netflix - Comedians in cars getting coffee

History “Alone”
History Channel - Alone

TBS “Full Frontal With Samantha Bee”
TBS - Full Frontal with Samantha Bee

ESPN “Fight Flashback UFC”
UFC - Fight Flashback

TruTV “Friends of the People”
Trutv - Friends of People

Nickelodeon “I am Frankie”
Nickelodeon - I am Frankie

Viceland “King Of The Road”
Viceland - King of the Road

Viceland “F*ck, that’s Delicious Classics”
Viceland - F*ck thats delicious

Gloob (Brazil): Valentins Season 2
Valentin Season 2

and many more placements.


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TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
22 December 2025

昔、あるミュージシャンが「音楽を作るのは畳職人が畳を作るのと同じだ」と言ったという記事を読んだ。出典がなかったので真偽は定かではないが、その言葉を読んだとき、膝を打ちながらも、かなりドライな意見だと感じた。ただ僕自身は長らく、誰かに頼まれて畳(曲)を作ったことがなく、創作を職人気質に捉えすぎないようにしている。それは、畳作りを一生好きでいられる(=嫌いにならない)方法について真剣に考えた結果の、自分なりの答え。

ダ・ヴィンチは職人だった…「芸術家」と「職人」の違いとは? https://gentosha-go.com/articles/-/29391

No Title
22 December 2025

遅ればせながら「ショパン国際コンクール」のドキュメンタリーを観た。1位を獲ったエリック・ルーの演奏スタイルが非常にアメリカ的なのが印象的だった。僕はこれまで、コンクールやコンテスト、ランキング、オーディションといった、他人による優劣の判断や評価システムに対して猛烈な反発心があって、それをバネに生きてきたところがある。演奏者の方々にはコンクールを一つの通過点と捉え、「自分が音楽と演奏を好きでいられること」を最優先に、邁進してほしいと思う。

【ショパンコンクール】審査員の発言に波紋「音楽のためではなく、拍手のために弾いている人もいる」 https://youtu.be/Ja3znTbQZkk

No Title
20 December 2025

何事も経験を積むことは大事だけど、経験を積んだことで「何をすべきか」じゃなくて「何をすべきでないか」が先に浮かぶようになって、結局進めなくなったり、リスクを冒せなくなったら意味がない。知識や経験を得るほど臆病になり、快適領域でものを考え、バカなことをしなくなる。それを防ぐ一つの方法として「好奇心を持ち続ける」ということがあると思う。「これは自分の領域じゃない」と関心を限定しすぎない。ただし、噂話とかゴシップとかじゃなくて(笑)。

THE CURIOSITY GENE(好奇心の遺伝子) https://youtu.be/HhPZ7yx8ttg

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Captain Funk’s New Album “Metropolis” Out on Nov 8, 2019

"Metropolis," produced by Tatsuya Oe, an electronic music artist who has raised and lived in Tokyo, Osaka, and New York,...

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