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Music Placements for TV programs & Promos – 2019 Q3 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2019 Q3 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Oct 21, 2019
CW - Life Sentence

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2019 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CW “Life Sentence”
CW - Life Sentence

Netflix “Comedians In Cars Getting Coffee”
Netflix - Comedians in cars getting coffee

History “Alone”
History Channel - Alone

TBS “Full Frontal With Samantha Bee”
TBS - Full Frontal with Samantha Bee

ESPN “Fight Flashback UFC”
UFC - Fight Flashback

TruTV “Friends of the People”
Trutv - Friends of People

Nickelodeon “I am Frankie”
Nickelodeon - I am Frankie

Viceland “King Of The Road”
Viceland - King of the Road

Viceland “F*ck, that’s Delicious Classics”
Viceland - F*ck thats delicious

Gloob (Brazil): Valentins Season 2
Valentin Season 2

and many more placements.


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TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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Captain Funk’s New Album “Metropolis” Out on Nov 8, 2019

"Metropolis," produced by Tatsuya Oe, an electronic music artist who has raised and lived in Tokyo, Osaka, and New York,...

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