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Dark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South Australia

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Home > Topics > Dark Model > Dark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South Australia
Categories: Dark Model, Music Placement, and Topics. Tags: Judgment Day. Formats: Gallery.
Jul 26, 2021

Hibernation

Dark Model “Judgment Day” will be featured in State Theatre Company South Australia’s new play “Hibernation.”

It’s a great honor that the theatre chose Tatsuya’s music. We hope that the performance will be successful.

– About Hibernation (from their official website) –

Dates: 13 Aug — 28 Aug 2021
Venue: Dunstan Playhouse, Adelaide Festival Centre

State Theatre Company South Australia - Hibernation

It’s the year 2030 and there is an immediate climate crisis. With little choice remaining, world leaders make a collective, pragmatic decision to save the planet. For an entire year, all 8.5 billion humans on Earth will hibernate.

Gas will be launched into the atmosphere and the human population will be immediately plunged into a deep sleep, leaving the natural world to reset. The reset of the human world is not what was expected.

A world premiere from South Australia’s Finegan Kruckemeyer and directed by Artistic Director Mitchell Butel, Hibernation takes audiences all over the world as citizens forge their lives in a new wilderness.

An utterly original and transformative theatrical event, Hibernation brings together some of the state’s finest artists to tackle one of the most urgent issues of our time in a brave, unexpected and peculiarly Australian way.

Finegan has written what will surely become a landmark Australian play. The action is played on a global stage, rippling out from South Australia to South America, Korea, Africa and the United States. Boldly ambitious in form, urgent and imperative in content, dazzling in reach, Hibernation will be an unmissable event. Mitchell

Run time: Approx. 2 hours 20 minutes (including interval)

Dark Model “Judgment Day” was included in the album “Dark Model” (2014).
(Tatsuya’s music is not included in the trailer embedded above.)


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Judgment Day
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
22 December 2025

昔、あるミュージシャンが「音楽を作るのは畳職人が畳を作るのと同じだ」と言ったという記事を読んだ。出典がなかったので真偽は定かではないが、その言葉を読んだとき、膝を打ちながらも、かなりドライな意見だと感じた。ただ僕自身は長らく、誰かに頼まれて畳(曲)を作ったことがなく、創作を職人気質に捉えすぎないようにしている。それは、畳作りを一生好きでいられる(=嫌いにならない)方法について真剣に考えた結果の、自分なりの答え。

ダ・ヴィンチは職人だった…「芸術家」と「職人」の違いとは? https://gentosha-go.com/articles/-/29391

No Title
22 December 2025

遅ればせながら「ショパン国際コンクール」のドキュメンタリーを観た。1位を獲ったエリック・ルーの演奏スタイルが非常にアメリカ的なのが印象的だった。僕はこれまで、コンクールやコンテスト、ランキング、オーディションといった、他人による優劣の判断や評価システムに対して猛烈な反発心があって、それをバネに生きてきたところがある。演奏者の方々にはコンクールを一つの通過点と捉え、「自分が音楽と演奏を好きでいられること」を最優先に、邁進してほしいと思う。

【ショパンコンクール】審査員の発言に波紋「音楽のためではなく、拍手のために弾いている人もいる」 https://youtu.be/Ja3znTbQZkk

No Title
20 December 2025

何事も経験を積むことは大事だけど、経験を積んだことで「何をすべきか」じゃなくて「何をすべきでないか」が先に浮かぶようになって、結局進めなくなったり、リスクを冒せなくなったら意味がない。知識や経験を得るほど臆病になり、快適領域でものを考え、バカなことをしなくなる。それを防ぐ一つの方法として「好奇心を持ち続ける」ということがあると思う。「これは自分の領域じゃない」と関心を限定しすぎない。ただし、噂話とかゴシップとかじゃなくて(笑)。

THE CURIOSITY GENE(好奇心の遺伝子) https://youtu.be/HhPZ7yx8ttg

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