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Dark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South Australia

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Home > Topics > Dark Model > Dark Model “Judgment Day” Featured in “Hibernation” by State Theatre Company South Australia
Categories: Dark Model, Music Placement, and Topics. Tags: Judgment Day. Formats: Gallery.
Jul 26, 2021

Hibernation

Dark Model “Judgment Day” will be featured in State Theatre Company South Australia’s new play “Hibernation.”

It’s a great honor that the theatre chose Tatsuya’s music. We hope that the performance will be successful.

– About Hibernation (from their official website) –

Dates: 13 Aug — 28 Aug 2021
Venue: Dunstan Playhouse, Adelaide Festival Centre

State Theatre Company South Australia - Hibernation

It’s the year 2030 and there is an immediate climate crisis. With little choice remaining, world leaders make a collective, pragmatic decision to save the planet. For an entire year, all 8.5 billion humans on Earth will hibernate.

Gas will be launched into the atmosphere and the human population will be immediately plunged into a deep sleep, leaving the natural world to reset. The reset of the human world is not what was expected.

A world premiere from South Australia’s Finegan Kruckemeyer and directed by Artistic Director Mitchell Butel, Hibernation takes audiences all over the world as citizens forge their lives in a new wilderness.

An utterly original and transformative theatrical event, Hibernation brings together some of the state’s finest artists to tackle one of the most urgent issues of our time in a brave, unexpected and peculiarly Australian way.

Finegan has written what will surely become a landmark Australian play. The action is played on a global stage, rippling out from South Australia to South America, Korea, Africa and the United States. Boldly ambitious in form, urgent and imperative in content, dazzling in reach, Hibernation will be an unmissable event. Mitchell

Run time: Approx. 2 hours 20 minutes (including interval)

Dark Model “Judgment Day” was included in the album “Dark Model” (2014).
(Tatsuya’s music is not included in the trailer embedded above.)


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Judgment Day

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Tatsuya Oe Updated: February 20, 2022

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効果音(サウンドエフェクト)は巷に出回っているので、わざわざ自分で作らなくても間に合うといえば間に合う。しかし、クセのある音や特徴的な音を作りたい場合は、シンセで波形を一から合成したり、自分で録音したオリジナル音源を加工して作るしかない。これは作曲とは異なる、いわば別の創作魂や忍耐力が試される世界。効果音といえば、ここ十年で最も定番化したのは「BRAAM(ブラーム)」だろう。次の時代を形作るのは、はたしてどんな音なのだろうか。

How to create professional CINEMATIC BRAAMS from scratch https://youtu.be/ZeTCWjfN0LQ

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2年ぶりに、各種がん検査を含めた健康診断を受けた。詳しい結果はこれからだが、現時点では異常なし。毎日2時間体を動かし、毎朝山盛りの野菜を食べ、超規則正しい生活を送っているので、これ以上健康的にしろと助言されても思いつかない(笑)。今も健在な父は「俺は生命線が2本あるから、まだ大丈夫だ」と冗談めかして言う。長寿も素晴らしいが、最後に心の底から笑える人生は、さらに素晴らしい。

ダニエル・リーバーマン『運動は長寿の特効薬か?』 https://youtu.be/hshBTJaFqNY

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創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

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