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Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa

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Home > Topics > Music Production > Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa
Categories: Music Production, Music Placement, and Media/Press. Tags: Museum and Japan.
Oct 1, 2004
The 21st Century Museum of Contemporary Art, Kanazawa

Tatsuya composed musical pieces for the 21th Century Museum of Contemporary Art, Kanazawa, which will open on Oct 9th, 2004. They were composed as soundtrack for an introduction movie of the museum, directed by Noriyuki Tanaka. The movie presents major and typical collections stored in the museum with a fast-moving, cut-up technique.

We hope you will check the movie if you have a chance to visit the museum.

This movie includes introductions of the collections such as “The Swimming Pool (by Leandro Erlich),””Color Activity House (by Olafur Eliasson),””Blue Planet Sky (by James Turrell).”

The 21th Century Museum of Contemporary Art , Kanazawa: https://www.kanazawa21.jp/

Wikipedia: the 21th Century Museum of Contemporary Art , Kanazawa

The 21th Century Museum of Contemporary Art , Kanazawa

By 金沢市 (https://open-imagedata.city.kanazawa.ishikawa.jp/) [CC BY 2.1 jp], via Wikimedia Commons


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MuseumJapan
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Tatsuya Oe Updated: July 1, 2015

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No Title
10 November 2026

ミクロ経済の考え方は、ビジネスだけでなく、日々の生活での損得勘定や意思決定のセンスを磨くヒントにもなる。そう思えるようになったのは随分後になってからで、大学時代は他に面白いことがありすぎて、座学に時間を割く気が起こらなかった。この本の著者である伊藤教授は当時から人気者で、授業の雰囲気もなんとなく覚えているが、現日銀総裁の植田さんの授業は全然思い出せない。というか、おそらくほとんど出席していない(笑)。

ミクロ経済学 | 伊藤 元重 https://link.amazon/B01aJzBJj

No Title
8 November 2026

D・J・ティースが提唱した「ダイナミック・ケイパビリティ」という経営理論がある。彼に責任があるわけではないし、得られるものも多い理論だが、近年のシリコンバレーの暴走・迷走は、この手の競争理論を表層的に解釈した「ゴールなき手段の最適化」の結果に見える。『鏡の国のアリス』の「その場にとどまるためには、全力で走り続けなければならない」という強迫観念(FOMO)に近い「競争のための競争」も、そろそろ限界が見えてきたのかもしれない。

D. J. ティース『ダイナミック・ケイパビリティの企業理論』 https://link.amazon/B06p0FKnZ

No Title
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旧約聖書の一部「コヘレトの言葉」第7章8節に、「Finishing is better than starting. Patience is better than pride.」という言葉がある。僕はユダヤ教やキリスト教の信者ではないが、一つのアルバムを作り終えるたび、いつもこの言葉を思い出す。「物事を単に始めるだけでなく、最後まで形にして完成させることが大切なのだ」と。この言葉を知ったのは、15万点近くの作品を残したと言われるパブロ・ピカソの解説本からだった。

コヘレトの言葉を読もう | 小友 聡 https://link.amazon/B04f8EnmT

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