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Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa

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Home > Topics > Music Production > Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa
Categories: Music Production, Music Placement, and Media/Press. Tags: Museum and Japan.
Oct 1, 2004
The 21st Century Museum of Contemporary Art, Kanazawa

Tatsuya composed musical pieces for the 21th Century Museum of Contemporary Art, Kanazawa, which will open on Oct 9th, 2004. They were composed as soundtrack for an introduction movie of the museum, directed by Noriyuki Tanaka. The movie presents major and typical collections stored in the museum with a fast-moving, cut-up technique.

We hope you will check the movie if you have a chance to visit the museum.

This movie includes introductions of the collections such as “The Swimming Pool (by Leandro Erlich),””Color Activity House (by Olafur Eliasson),””Blue Planet Sky (by James Turrell).”

The 21th Century Museum of Contemporary Art , Kanazawa: https://www.kanazawa21.jp/

Wikipedia: the 21th Century Museum of Contemporary Art , Kanazawa

The 21th Century Museum of Contemporary Art , Kanazawa

By 金沢市 (https://open-imagedata.city.kanazawa.ishikawa.jp/) [CC BY 2.1 jp], via Wikimedia Commons


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Tatsuya Oe Updated: July 1, 2015

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Microblog

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10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

No Title
9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

No Title
7 March 2026

『ピクサーの舞台裏という記録映像を観た。脚本や衣装など、専任の担当者が作った雛形に対し全参加者が意見を出し、それが原案よりも良ければ即座に採用・修正される、徹底的に民主主義的なチームワークが貫かれていて驚く。「最大公約数的なベスト」を追求するのはピクサーの真骨頂だが、近年のディズニー周辺のクリエイションの傾向として「“正しく”作らねばならない」という道徳的/倫理的な規律が強くなりすぎて、現場が窒息しないか心配も少々。

Inside Pixar | Official Trailer | Disney+ https://youtu.be/BmYhYPNbhtw

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