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Tatsuya collaborated with Noriyuki Tanaka for Toppan Art Star “Tesserart”

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Home > Topics > OE > Tatsuya collaborated with Noriyuki Tanaka for Toppan Art Star “Tesserart”
Categories: OE and Music Production. Tags: Collaborators.
Apr 13, 2006
Noriyuki Tanaka-Art Star-Tesserart

Tatsuya collaborated with art director Noriyuki Tanaka for Toppan’s CD-ROM movie “Art Star”. Tatsuya’s track called “Tesserart” literally became the title of the work. We hope you will enjoy the sophisticated, synchronized sequences which are woven by Noriyuki’s minimalistic visual transitions and Tatsuya’s minimalistic (but uplifting) track.

Toppan “”Art Star” page (Japanese)

About “ART STAR” Contemporary Art Series
This product line is a series of famous Japanese artists’ digital works for iPod, which are released in the format of CD-ROM. Each title has one music track selected by the artists so that you can enjoy the music along with the artworks’ slideshow. Artists who participate in this project include:

Yoshitomo Nara, katsura funakoshi, Takashi Honma, Kenji Yanobe, Noriyuki Tanaka, Shinko Okuhara, Atsushi Fukui, Katsuhiro Saiki, Yoshiteru Takahashi

Product page on Amazon.co.jp:Noriyuki Tanaka “Art Star”


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Collaborators
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Tatsuya Oe Updated: February 19, 2018

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Microblog

No Title
3 August 2026

Carol Robbinsというハープ奏者が演奏するインスト「Caminhos Cruzados」を聴いていて、タイトル(ポルトガル語で「十字路」)からして、以前どこかで聴いたことがある曲だと思っていたものの、調べるまでには至らなかった。先日、何気なく検索してみたら、トム・ジョビン作曲の超有名曲で、しかも大学時代に毎晩リピートして聴いていたジョアン・ジルベルトのアルバムに収録されていたのだった。もうこれで一生忘れない(笑)。

João Gilberto – Caminhos Cruzados https://youtu.be/D3Hf-725Yk4

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
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陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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Tatsuya remixed Tsuchiya Anna’s “Somebody Help Me” for the 2006 CD+DVD Taste My xxxremixxxxxxx!!!!!!!! Beat Life!, as Captain Funk and...

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