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Captain Funk Plays DJ at ROCK IN JAPAN FESTIVAL 2006

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Home > Topics > Event/Party > Captain Funk Plays DJ at ROCK IN JAPAN FESTIVAL 2006
Categories: Event/Party. Tags: DJ and Japan.
Jul 2, 2006
Rock in Japan Festival 2006

Tatsuya participates as Captain Funk and plays DJ in ROCK IN JAPAN FESTIVAL 2006, which is organized by Rockin’ On and the biggest Japanese rock festivals. Please check out their official website for the detail.

Captain Funk’s DJ will play 90 minutes from 16:50 on August 5th (Sat).

ROCK IN JAPAN FESTIVAL 2006 Event Information

Dates: August 4th(Fri), 5th(Sat), and 6th(Sun)

Venue: the Hitachi Seaside Park, in Hitachinaka, Ibaraki, Japan

Official website: https://www.rijfes.co.jp/

Artists/DJs lists of Rock in Japan Festival 2006 on Wikipedia Japan

Addition: Tatsuya uploaded a report about this event on his Japanese blog “Findings.” Enjoy it as well.

“Rock In Japan Festival 2006 DJ gig report” https://www.tatsuyaoe.com/findings/?p=126


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DJJapan
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Tatsuya Oe Updated: July 1, 2015

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Microblog

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

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Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

No Title
11 January 2026

40過ぎる頃までは、超夜型の生活をしていた。東京に住んで西海岸の連中と仕事をしていると、朝6時になっても、まだ彼らは昼食の時間。時間が押しているプロジェクトになると、いつまで経っても寝られない、なんてこともしばしば。ただ、渡米して彼らと同じ時間帯で仕事ができて楽になったかというと、その手の「他人のペースで動く仕事」自体をきっぱりやめた。それ以降、僕にとっての朝6時は普通に「起床の時間」になった。めでたしめでたし。

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