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Captain Funk – Endless Possibilities(Electro Shuffle Mix)

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Home > Topics > New Tracks > Captain Funk – Endless Possibilities(Electro Shuffle Mix)
Categories: New Tracks and Captain Funk. Tags: Self-Remix and Endless Possibilities.
Mar 4, 2013
Captain Funk - Versions 2013

An electro mix of Captain Funk feat. Raj Ramayya “Endless Possibilities,” produced by Tatsuya himself. This version was remixed in the manner of Electro Shuffle beat, and it should sound more modern than the original version.

This version is included in Captain Funk’s 2013 release “Chronicles 2007-2013, Vol. 1.” The original version is included in the album “Versions 2011“.

Updated (Nov 2017): this mix was licensed and featured in WWE’s TV Commercial “WrestleMania 33: Orlando Citrus Bowl.” (article)

BPM:135
Written by Raj Ramayya & Tatsuya Oe
Produced and Remixed by Tatsuya Oe
Keywords for this track:
Synth Pop, Electro Pop, Rock, Shuffle, Upbeat, Uplifting, Electronic, Energetic, Male Vocals, Motivational, Bold, Swagger

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


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Self-RemixEndless Possibilities
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Tatsuya Oe Updated: December 12, 2025

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10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

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10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

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9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

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Tatsuya Oe Interview about Music Licensing Business for Billboard biz (US)

Tatsuya Oe discusses music licensing in a long interview with Billboard.biz contributor Mark Frieser, featured on Sync Exchange and Music2Deal.

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