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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Playmodel – Love Supreme

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Home > Topics > New Tracks > Playmodel – Love Supreme
Categories: New Tracks. Tags: Playmodel.
Jul 14, 2015
Playmodel 2014

This is a new track written for my another project Playmodel, focused on elegant, old-school Disco & Disco Funk music which is one of my big influences. A brisk and romantic orchestral disco track which is reminiscent of its heyday in late 70’s. It features melodious strings, groovy bass line and floating electronic piano sound.

(As of Nov 2017) This mix has not been released yet, so please check updates periodically at this website.

BPM:128
Written, Performed, and Produced by Tatsuya Oe (No samples included)
Keywords for this track:
Disco, Dancing, Sophisticated, House, Orchestral, Strings, Romantic, Elegant, Funky, Groovy, Gorgeous, Retro, 1977, 1978

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Playmodel
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Tatsuya Oe Updated: December 12, 2025

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(2/2)実際、面倒なプロセスや試行錯誤こそが、脳を鍛え、能動性を育む力になる。プロセスをショートカットし続けると、クリエイティブになるどころか、選ぶことすらしない「受動的な消費者」が増えてしまう。「その摩擦を取り除くことで、人の能動性や想像力が奪われないか?」という「摩擦の吟味」については、我々アジア人と彼らとの間には相当な文明観や美学の開きがある。世界が一律に同じプラットフォームや検索サービスを使っていた時代は終わりつつある。

顧客体験における「良い摩擦、悪い摩擦」- Macquarie University https://bit.ly/3MQLaNK

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(1/2)アメリカのテックエリートは、「人間が面倒なことを徹底的に排除すれば、もっとクリエイティブなことに時間を使えるはずだ」と考える傾向がある。これを勿体つけて「フリクションレス(摩擦がない)」と言ったりするが、その「面倒なことリスト」の中に、買い物のレコメンデーションや注文、運転にとどまらず、選曲、さらには思考のプロセスまで含まれてしまうと、「じゃあ人間は何をするの?楽しみやワクワクはどこに残るの?」という疑問が素直に湧いてくる。

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Music Placements for TV, Film & Advertising – Spring 2015 –

Examples of Tatsuya (Captain Funk/Dark Model) music placements in North American TV promos, network programs, and corporate ad campaigns.

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