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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Playmodel – Love Supreme

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Home > Topics > New Tracks > Playmodel – Love Supreme
Categories: New Tracks. Tags: Playmodel.
Jul 14, 2015
Playmodel 2014

This is a new track written for my another project Playmodel, focused on elegant, old-school Disco & Disco Funk music which is one of my big influences. A brisk and romantic orchestral disco track which is reminiscent of its heyday in late 70’s. It features melodious strings, groovy bass line and floating electronic piano sound.

(As of Nov 2017) This mix has not been released yet, so please check updates periodically at this website.

BPM:128
Written, Performed, and Produced by Tatsuya Oe (No samples included)
Keywords for this track:
Disco, Dancing, Sophisticated, House, Orchestral, Strings, Romantic, Elegant, Funky, Groovy, Gorgeous, Retro, 1977, 1978

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Playmodel
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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Music Placements for TV, Film & Advertising – Spring 2015 –

Examples of Tatsuya (Captain Funk/Dark Model) music placements in North American TV promos, network programs, and corporate ad campaigns.

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