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Exclusive Interview on “The Little Big Beat Book” (UK)

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Home > Topics > Media/Press > Interview > Exclusive Interview on “The Little Big Beat Book” (UK)
Categories: Interview and Captain Funk. Tags: Magazines & Books.
Jul 18, 2018
The little big beat book
The Little Big Beat Book

Oe contributed an exclusive interview to “The Little Big Beat Book,” authored by a British DJ/writer Rory Roy and published by New Haven Publishing Ltd. Looking back on the Big Beat era in the late 90’s, he discussed how the Japanese club music scene was as well as Captain Funk’s “Bustin’ Loose EP” which had been acclaimed by top-notch Big Beat DJs such as Fatboy Slim and Freddy Fresh.

The official street date is the 10th of September 2018. The author has been working on a lot of promotions including an interview with Craig Charles for his BBC6 Funk & Soul Show, which will be broadcast on the 15th September – he will play a 30 minute DJ Mix on the show including ’Twist and Shout’ by Captain Funk.

“The Little Big Beat Book” on Waterstones (UK)

Publisher: New Haven Publishing Ltd
ISBN-10: 1912587092
Amazon US

Here is a sample of the contributors to this book (except for Tatsuya Oe/Captain Funk).

Fatboy Slim (Norman Cook), The Prodigy (Liam Howlett and Keith Flint), Chemical Brothers manager Robert Linney, Damian Harris (AKA Midfield General – Founder of Skint Records), Mark Jones (Founder of Wall of Sound), Jon Carter, Bassbin Twins, Propellerheads, Wiseguys (‘Ooh La La’), Freestylers, Derek Dahlarge, Bentley Rhythm Ace, Stephen Hall who ran Junior Boys Own Record Label (Chemical Brothers’ First Label), Cut La Roc, Dub Pistols, John Mekon, Robin Turner (Heavenly Social Founder and Promoter), Gareth Hansome (Big Beat Boutique Founder and Promoter), Justin Robertson (from Lionrock), Lindy Layton (Beats International ‘Dub Be Good To Me’), Howie B, Freddy Fresh, Fuzz Townsend, Apollo 440 (‘Stop The Rock’ and ‘Lost in Space’), Simon Shackleton, Mr. Scruff, Jadell, Nick Faber, Robert Luis, Kidda, Max Sedgley, Aldo Vanucci, Gramma Funk (‘I See You Baby’), Alex Hardee from CODA Agency (Liam Gallagher’s Agent), etc.


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Magazines & Books
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Tatsuya Oe Updated: December 12, 2025

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アメリカは利下げ、日本は利上げと誰もが神経を尖らせているが、本来大事なのは、労働者一人一人や個々の企業が付加価値や生産性を高めることなのに、それよりも中央銀行の動きが世の中の指針を決めるかのような錯覚に囚われている。企業の業績よりも、中央銀行の一言やマネタリー・オペレーションで株価や市場心理が大きく揺らぐような経済状況は健全ではない。社会が「頑張りがいのある」場所であるように「陰で」支えるのが、政治家や役人の仕事。

『国富論』を図解してわかりやすく解説します |MindMeister https://mindmeister.jp/posts/Wealth-of-Nations

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僕の曲は映画やテレビ番組から企業のプロモーション映像まで幅広く使用されている。コンテンツの内容によって選ばれる曲のタイプが異なるのはもちろんだが、国や地域によっても好まれる傾向は大きく異なる。Dark Modelの曲では、日本では『Moment of Truth』や『Close to Infinity』のようなアップテンポの曲が好まれ、欧米では『Abandoned』のような重く、スローな楽曲が人気。いずれにしても、様々なプロの現場で引きがあるのはありがたいことです。

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