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Exclusive Interview on “The Little Big Beat Book” (UK)

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Home > Topics > Media/Press > Interview > Exclusive Interview on “The Little Big Beat Book” (UK)
Categories: Interview and Captain Funk. Tags: Magazines & Books.
Jul 18, 2018
The little big beat book
The Little Big Beat Book

Oe contributed an exclusive interview to “The Little Big Beat Book,” authored by a British DJ/writer Rory Roy and published by New Haven Publishing Ltd. Looking back on the Big Beat era in the late 90’s, he discussed how the Japanese club music scene was as well as Captain Funk’s “Bustin’ Loose EP” which had been acclaimed by top-notch Big Beat DJs such as Fatboy Slim and Freddy Fresh.

The official street date is the 10th of September 2018. The author has been working on a lot of promotions including an interview with Craig Charles for his BBC6 Funk & Soul Show, which will be broadcast on the 15th September – he will play a 30 minute DJ Mix on the show including ’Twist and Shout’ by Captain Funk.

“The Little Big Beat Book” on Waterstones (UK)

Publisher: New Haven Publishing Ltd
ISBN-10: 1912587092
Amazon US

Here is a sample of the contributors to this book (except for Tatsuya Oe/Captain Funk).

Fatboy Slim (Norman Cook), The Prodigy (Liam Howlett and Keith Flint), Chemical Brothers manager Robert Linney, Damian Harris (AKA Midfield General – Founder of Skint Records), Mark Jones (Founder of Wall of Sound), Jon Carter, Bassbin Twins, Propellerheads, Wiseguys (‘Ooh La La’), Freestylers, Derek Dahlarge, Bentley Rhythm Ace, Stephen Hall who ran Junior Boys Own Record Label (Chemical Brothers’ First Label), Cut La Roc, Dub Pistols, John Mekon, Robin Turner (Heavenly Social Founder and Promoter), Gareth Hansome (Big Beat Boutique Founder and Promoter), Justin Robertson (from Lionrock), Lindy Layton (Beats International ‘Dub Be Good To Me’), Howie B, Freddy Fresh, Fuzz Townsend, Apollo 440 (‘Stop The Rock’ and ‘Lost in Space’), Simon Shackleton, Mr. Scruff, Jadell, Nick Faber, Robert Luis, Kidda, Max Sedgley, Aldo Vanucci, Gramma Funk (‘I See You Baby’), Alex Hardee from CODA Agency (Liam Gallagher’s Agent), etc.


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Magazines & Books
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Tatsuya Oe Updated: December 12, 2025

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No Title
24 February 2026

白地に黒の四角が2個あった時、その間が徐々に狭くなって一つに見えてしまう仕掛けがあるとする。どこまで差が小さくなったら一つに融合して見えるかを測った時、2.1kHz(少し高めの音)を聞きながらその仕掛けを見た被験者は、その差の見極めが鋭くなったという。音で視力がよりクリアになったりぼやけたりするというのは、とても興味深い。私たちの五感は独立しているのではなく、脳の中で複雑に響き合い、一つの世界を作り上げている。

Captain Funk – Girlfriend #disco #funk #housemusic #uplifting https://www.youtube.com/shorts/zdsgFdOcIKg

No Title
23 February 2026

ジェームズ・クリアーは「環境は習慣を作る”見えない手”だ」と言い、自制心の強い人は、実は「自制心を使わなくても済む仕掛け/仕組み/ルーティーン」を作るのが上手い人のことだと説いた。離れた部屋で眠るギターを手に取るには強い意志が要るが、視界に入る場所に置かれたギターには、自然に手が伸びる。成長のための負荷を「良い摩擦」として残し、目的達成や成長を留まらせる「悪い摩擦」を減らす。仕組みや環境を見直し、アップデートしていこう。

「やる気」は過大評価されている。より大事なのは「環境作り」の方だ。 https://jamesclear.com/power-of-environment

No Title
22 February 2026

ドキュメンタリー「イマジニアリング」を見て再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

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