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OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025

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Home > Topics > OE > OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025
Categories: OE. Tags: Release, Suchness, and Digital distribution. Formats: Video.

Be Like Water in Flow

OE “Letting Go,” the sixth album in OE’s Zen-inspired Suchness project, features downtempo music like no other. The gentle rhythmic beats, atmospheric electronic sounds, and traditional Japanese tonal elements blend seamlessly to create immersive soundscapes for deep introspection. Now, release yourself and let it drift away.

Contents

  • Be Like Water in Flow
  • OE “Letting Go (Suchness 6)” Tracklist
  • Album Info & Credit
  • Album Description
  • Downloads & Streaming Services

OE “Letting Go (Suchness 6)” Tracklist

OE - Letting Go (Suchness 6) 1. Bamboo Sprouts
2. Gone in the Sky
3. Watatsumi
4. Solitary Walker
5. Howling Echoes
6. Starry Messenger (Beat Mix)
7. Tree Spirit
8. Silent Valley
9. Stone Stairs (Beat Mix)
10. Quiet Slumber
11. Moon Piper


Album Info & Credit


Artist Name: OE
Album Title: “Letting Go (Suchness 6)”
Release Date: October 3rd (Fri), 2025
Format: Digital (No physical release)
Cat No: MEOE-1033
UPC Code: 057829436459
Genre: Downtempo / Ambient / Electronic
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)
Art Direction: Passion Yoko

Album Description

In Letting Go, Tatsuya continues his exploration of mindfulness and being present in the moment through music. Suchness, a term originating from Buddhism, refers to the state of awareness and acceptance of the present moment. This mindfulness practice is characterized by focused attention and an open, non-judgmental awareness of one’s surroundings. Drawing on his heritage as a Japanese artist, Tatsuya delves deeper into expressing this essence through sound, inspired by his unique connection to nature and the world around him.

In this album, Tatsuya merges traditional Suchness compositional techniques—layering and subtracting sparse, aleatoric sounds—with contemporary rhythmic elements. The deliberate, meditative pace, punctuated by moments of silence and voids, fosters an acute awareness of the present. It’s like observing the smallest details under a microscope or sensing subtle changes in your environment—heightened awareness in slow motion.

This approach encourages patience, non-judgment, and mindfulness, prompting the listener to be fully present with the sound. By blending rhythmic grooves with his traditional style, Tatsuya creates a fresh perception of time in music: zeroing in on what you are hearing, and flowing effortlessly with the sound.

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You might also be interested in:
    OE - Moment of Now (Suchness5)OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025 OE - Seisei Ruten (Suchness 4)OE “Seisei Ruten (Suchness 4)” out on March 1st, 2024 OE - SuchnessOE’s New Album “Suchness” Out Now OE - Suchness 2OE “Suchness 2” will be released on Jan 14th, 2023 OE - Starry Messenger (Suchness 3)OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024
ReleaseSuchnessDigital distribution
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2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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職業としての「アーティスト」の仕事の大部分は宣伝、ライブ、マネジメントなどのコミュニケーション、つまり「人」。作品創りは必要条件であっても、決して十分条件ではない。人に左右される部分を減らすシステムも工夫次第で可能だが、結局は「作品を創るだけ」では職業として成り立たない。それは芸術家に限らず、板金工も農家も、みうらじゅんさんも同じ。職業とは他人から規定されるものではなく、自分で創り上げていく「環境」なのだと思う。

「ない仕事」の作り方 (文春文庫) | みうらじゅん https://link.amazon/B05aGXHeP

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