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OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025

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Home > Topics > OE > OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025
Categories: OE. Tags: Release, Suchness, and Digital distribution. Formats: Video.

Zero in on Now

“Moment of Now,” the fifth album of OE’s Zen-inspired Suchness project, invites you to immerse yourself fully in the present. The gentle rhythmic beats and electronic sounds interweave to highlight moments of silence and emptiness. Now, let’s dive in.

Contents

  • OE “Moment of Now (Suchness 5)” Tracklist
  • Album Info & Credit
  • Album Description
  • Downloads & Streaming Services

OE “Moment of Now (Suchness 5)” Tracklist

OE - Moment of Now (Suchness 5) 1. Watermills
2. Rhythm of the Wind
3. Let Them Come, Let Them Go (Beat Mix)
4. Deer in the Rain
5. Forest Explorer
6. Hello Solitude
7. Cloud Sea (Beat Mix)
8. Glass Moon
9. Hotaru
10. Silver Thaw
11. Midnight Trail
12. Kodama-sama


Album Info & Credit


Artist Name: OE
Album Title: “Moment of Now (Suchness 5)”
Release Date: January 17th (Fri), 2025
Format: Digital (No physical release)
Cat No: MEOE-1032
UPC Code: 198595519950
Genre: Downtempo / Ambient / Electronic
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)
Art Direction: Passion Yoko

Album Description

In “Moment of Now,” the latest album from OE’s soundscape project “Suchness,” Tatsuya explores the concept of truly being present—feeling the present moment through mindfulness. Suchness, the Buddhism-originated term, originally connotes mindfulness: a state of mind characterized by focused attention, awareness, and acceptance of the present moment. Drawing on his background as a Japanese artist, Tatsuya further delves into how this essence can be expressed through his music, inspired by his unique connection to nature and sound.

In this album, he blends traditional methods of composing Suchness music—layering and eliminating sparse and aleatoric sounds and sequences—with contemporary rhythmic elements. Genres like disco often rely on repetitive beats and grooves, which can sometimes pull the audience away from the current moment, guiding them on a long journey through time. But Tatsuya’s choice to slow down the rhythms and tempos carefully reverses that effect entirely. The deliberate-paced, thoughtful beats, through moments of silence and voids, invite heightened awareness of the present, like observing cells under a microscope or noticing subtle changes in our surroundings—slow-motion awareness of now.

This approach fosters patience, non-judgment, and mindfulness, encouraging the audience to be present and conscious of what surrounds them. By merging rhythmic beats with his traditional composition style in this project, Tatsuya creates a new perception of time in music: zeroing in on what you are hearing and focusing intensely on what is happening now.

Downloads & Streaming Services

Worldwide

Bandcamp
Apple Music US | JP
Amazon US | JP | UK | FR | GR | IT
7digital
Spotify
Deezer
Tidal
Qobuz
iHeartRadio
NapsterShazam
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Japan

AWA
Music.jp
Dwango.jp
Recochoku(incl. Hi-Res)
Mora (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Tower Records Music
Line Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)


You might also be interested in:
    OE - SuchnessOE’s New Album “Suchness” Out Now OE - Letting Go (Suchness 6)OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025 OE - Suchness 2OE “Suchness 2” will be released on Jan 14th, 2023 OE - Seisei Ruten (Suchness 4)OE “Seisei Ruten (Suchness 4)” out on March 1st, 2024 OE - Starry Messenger (Suchness 3)OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024
ReleaseSuchnessDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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No Title
7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

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6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

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5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

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