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Testimonials

Home > Tatsuya Oe Biography > Testimonials

(Japanese version is here)

Regarding reviews and comments about Dark Model’s first album, please refer to the album page.

“Captain Funk, or in other words Tatsuya Oe is in my honest opinion the best music producer / composer in Japan. Infinite creativity, expanding to all horizons of composition including commercials, Thus, I gladly accept our priceless friendship and fantastic talent. Recommend anyone seeking out of the box music themes or personal projects including feature films (other) to contact him on my behalf.”

Andrew Trovaioli
Brand Strategist at Enigma Digital, also known as the writer of “Lenny Kravitz: Rock and Roll Is Dead”

“In short, he’s a modern Renaissance man.”

Mark Frieser
Contributing writer of Billboard biz, founder/CEO of Sync Summit
Article

“Say the words “remix” and “Japan” and one name rises to the top. Tatsuya Oe aka “Captain Funk” has been at the cutting edge of Japanese electronic and new wave music since launching his musical career back in the 1990s.”

Andrew Smith
J-Pop World
Article

“Tatsuya Oe is one of the most inspired musicians I’ve met over the past 15 years, and continually surprises me with his flexibility and talent. He’s also been a pleasure to work with in a business-sense and is one of the nicest people I’ve met in Japan.”

Andrez Bergen
Tokyo Correspondent at Impact Magazine
Journalist, Author, Musician & Photographer at IF? Media

“One of Japan’s most demanded DJs/remixers, Captain Funk has firmly established his credentials as a recording artist with his second album “Songs of the Siren””

Steve McClure
Former Asia Bureau Chief of Billboard Magazine
Article

“What a f***ing insane record! I love it. Can I have two more copies so I can play A1, B1, B2 without forgetting?”

Norman Cook
Music producer/DJ aka Fatboy Slim
Article (Japan Times)

“Captain Funk will make you believe!”

Ministry of Sound Magazine

“Japan might not have the numbers when it comes to superstar music producers and artists but they sure do turn out some of the most interesting producers around. After a few hours of conversation we found Captain Funk to be no exception.”

Brent Csutoras
Movement Magazine
Article

“Great Stuff…would love to be able to come to Tokyo and work with you. Keep up the good work.”

Steve Brown
Music Producer (Elton John, George Michael, Freddie Mercury, Manic Street Preachers, etc.)

“Tatsuya is one of the best! His music and talent are so fresh, I’m proud to collaborate with him!”

Fréderic Gindre
Gindre Booking (David Carretta, Front 242, Grandmaster Flash, etc. France)

“For Tatsuya Oe, a.k.a. Captain Funk, being a club DJ has always been about more than spinning someone else’s music in a sweaty basement.”

Don Crispy
Metropolis
Article

“Sailing into the uncharted waters of dance music”

Mainichi Daily News

“What his dominant niche is may be anyone’s guess.”

Yomiuri Shimbun / Daily Yomiuri
Article

“Unpredictable”

Dan Grunebaum
Metropolis
Article

“Japan’s legend”

Riot Riot Electrique Records (Germany)


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Tatsuya Oe Updated: July 28, 2020

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Licensing Our Music (for International Users)
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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  • Day by Day (Microblog)
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  • Captain Funk – Boogie Electricland (Live)
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Microblog

No Title
7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

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