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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Testimonials

Home > Tatsuya Oe Biography > Testimonials

(Japanese version is here)

Regarding reviews and comments about Dark Model’s first album, please refer to the album page.

“Captain Funk, or in other words Tatsuya Oe is in my honest opinion the best music producer / composer in Japan. Infinite creativity, expanding to all horizons of composition including commercials, Thus, I gladly accept our priceless friendship and fantastic talent. Recommend anyone seeking out of the box music themes or personal projects including feature films (other) to contact him on my behalf.”

Andrew Trovaioli
Brand Strategist at Enigma Digital, also known as the writer of “Lenny Kravitz: Rock and Roll Is Dead”

“In short, he’s a modern Renaissance man.”

Mark Frieser
Contributing writer of Billboard biz, founder/CEO of Sync Summit
Article

“Say the words “remix” and “Japan” and one name rises to the top. Tatsuya Oe aka “Captain Funk” has been at the cutting edge of Japanese electronic and new wave music since launching his musical career back in the 1990s.”

Andrew Smith
J-Pop World
Article

“Tatsuya Oe is one of the most inspired musicians I’ve met over the past 15 years, and continually surprises me with his flexibility and talent. He’s also been a pleasure to work with in a business-sense and is one of the nicest people I’ve met in Japan.”

Andrez Bergen
Tokyo Correspondent at Impact Magazine
Journalist, Author, Musician & Photographer at IF? Media

“One of Japan’s most demanded DJs/remixers, Captain Funk has firmly established his credentials as a recording artist with his second album “Songs of the Siren””

Steve McClure
Former Asia Bureau Chief of Billboard Magazine
Article

“What a f***ing insane record! I love it. Can I have two more copies so I can play A1, B1, B2 without forgetting?”

Norman Cook
Music producer/DJ aka Fatboy Slim
Article (Japan Times)

“Captain Funk will make you believe!”

Ministry of Sound Magazine

“Japan might not have the numbers when it comes to superstar music producers and artists but they sure do turn out some of the most interesting producers around. After a few hours of conversation we found Captain Funk to be no exception.”

Brent Csutoras
Movement Magazine
Article

“Great Stuff…would love to be able to come to Tokyo and work with you. Keep up the good work.”

Steve Brown
Music Producer (Elton John, George Michael, Freddie Mercury, Manic Street Preachers, etc.)

“Tatsuya is one of the best! His music and talent are so fresh, I’m proud to collaborate with him!”

Fréderic Gindre
Gindre Booking (David Carretta, Front 242, Grandmaster Flash, etc. France)

“For Tatsuya Oe, a.k.a. Captain Funk, being a club DJ has always been about more than spinning someone else’s music in a sweaty basement.”

Don Crispy
Metropolis
Article

“Sailing into the uncharted waters of dance music”

Mainichi Daily News

“What his dominant niche is may be anyone’s guess.”

Yomiuri Shimbun / Daily Yomiuri
Article

“Unpredictable”

Dan Grunebaum
Metropolis
Article

“Japan’s legend”

Riot Riot Electrique Records (Germany)


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Tatsuya Oe Updated: July 28, 2020

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Licensing Our Music (for International Users)
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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  • Day by Day (Microblog)
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Microblog

No Title
18 March 2026

先日、心理学者ニール・ワインスタインが提唱した「ノンスクリーナー/スクリーナー」という概念を知った。周囲のノイズに敏感で集中を削がれやすい人と、雑音下でも素早く適応できる人の分類だ。僕はこのマイクロブログやお金の計算、語学の勉強ならカフェでも平気だが、作曲/創作やプログラミングは自宅でないと捗らない。個人の「気質」「傾向」の問題もあるが、一人の人間でも「何の作業をどの位の深さで行うか」によって随分違いがありそうだ。

環境心理学: 人間と環境の調和のために https://amzn.to/4uQp3Z8

No Title
17 March 2026

最近はニュースを見る機会を最小限に絞っている。誰に対しても何の意見も持たないくらい無関心になりたいのだが、「究極の無関心と鋼のメンタリティ」の領域にはまだ遠い。そんなことを考えていて、ふと『ザ・デイリー・ショー』のジョン・スチュアートを思い出した。彼のトークは今も天才的で、かつてのように思慮深い。けれど、アメリカと世界があまりに冷え切ってしまった今では、そのジョークの背後にも、「もはや打つ手なし」という虚しさが漂ってきてしまう。

Jon Stewart Invites Panel of Trumps to Debate Iran War | The Daily Show https://youtu.be/a2aYd-XHzsI

No Title
15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

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