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Testimonials

Home > Tatsuya Oe Biography > Testimonials

(Japanese version is here)

Regarding reviews and comments about Dark Model’s first album, please refer to the album page.

“Captain Funk, or in other words Tatsuya Oe is in my honest opinion the best music producer / composer in Japan. Infinite creativity, expanding to all horizons of composition including commercials, Thus, I gladly accept our priceless friendship and fantastic talent. Recommend anyone seeking out of the box music themes or personal projects including feature films (other) to contact him on my behalf.”

Andrew Trovaioli
Brand Strategist at Enigma Digital, also known as the writer of “Lenny Kravitz: Rock and Roll Is Dead”

“In short, he’s a modern Renaissance man.”

Mark Frieser
Contributing writer of Billboard biz, founder/CEO of Sync Summit
Article

“Say the words “remix” and “Japan” and one name rises to the top. Tatsuya Oe aka “Captain Funk” has been at the cutting edge of Japanese electronic and new wave music since launching his musical career back in the 1990s.”

Andrew Smith
J-Pop World
Article

“Tatsuya Oe is one of the most inspired musicians I’ve met over the past 15 years, and continually surprises me with his flexibility and talent. He’s also been a pleasure to work with in a business-sense and is one of the nicest people I’ve met in Japan.”

Andrez Bergen
Tokyo Correspondent at Impact Magazine
Journalist, Author, Musician & Photographer at IF? Media

“One of Japan’s most demanded DJs/remixers, Captain Funk has firmly established his credentials as a recording artist with his second album “Songs of the Siren””

Steve McClure
Former Asia Bureau Chief of Billboard Magazine
Article

“What a f***ing insane record! I love it. Can I have two more copies so I can play A1, B1, B2 without forgetting?”

Norman Cook
Music producer/DJ aka Fatboy Slim
Article (Japan Times)

“Captain Funk will make you believe!”

Ministry of Sound Magazine

“Japan might not have the numbers when it comes to superstar music producers and artists but they sure do turn out some of the most interesting producers around. After a few hours of conversation we found Captain Funk to be no exception.”

Brent Csutoras
Movement Magazine
Article

“Great Stuff…would love to be able to come to Tokyo and work with you. Keep up the good work.”

Steve Brown
Music Producer (Elton John, George Michael, Freddie Mercury, Manic Street Preachers, etc.)

“Tatsuya is one of the best! His music and talent are so fresh, I’m proud to collaborate with him!”

Fréderic Gindre
Gindre Booking (David Carretta, Front 242, Grandmaster Flash, etc. France)

“For Tatsuya Oe, a.k.a. Captain Funk, being a club DJ has always been about more than spinning someone else’s music in a sweaty basement.”

Don Crispy
Metropolis
Article

“Sailing into the uncharted waters of dance music”

Mainichi Daily News

“What his dominant niche is may be anyone’s guess.”

Yomiuri Shimbun / Daily Yomiuri
Article

“Unpredictable”

Dan Grunebaum
Metropolis
Article

“Japan’s legend”

Riot Riot Electrique Records (Germany)


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Tatsuya Oe Updated: July 28, 2020

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  • Day by Day (Microblog)
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Microblog

No Title
17 January 2026

「(広告や商業)デザインは自分を消すことだ」という意見があると聞く。僕の生業では、表現から自分を消したら終わり。ただ、万が一その手の仕事をするならば、商品やサービスを実際に使う生活者(エンドユーザー)にとってその表現が「善かどうか」で判断したい。現実的にはお金を払うクライアントがOKを出してくれれば仕事として成立するが、課題を解決し、本当にハッピーにしなければいけない相手はその先にいる。「自分問題」はそもそも課題の次元にはない。

「アート対デザイン: 2つのクリエイティビティの違いを明確にする(英語)」 https://artincontext.org/art-vs-design/

No Title
17 January 2026

阪神・淡路大震災から31年。あの日、仕事場へ着くと皆がテレビに釘付けで、画面越しに戦慄が走った。1月17日の早朝に地震が発生してから、実家と連絡がついたのは数日後の夜だったと記憶している。両親は家具の下敷きになりかけながらも無事だった。東京にいた僕は安否を案じることしかできなかったが、震災はその後の自分の生き方を確実に変えた。

阪神・淡路大震災31年、犠牲者へ深い祈り https://youtu.be/OGSRQ_0fZQo

No Title
15 January 2026

AI 特集の番組で、タモリさんが 「人間性(を賛美すること)そのものが胡散臭い」と語っていた。案の定、出演者の誰もその発言の真意を確かめようとしなかった。ヴィクトール・フランクルは「過剰自己観察」という言葉で、自意識過剰がもたらす心身の疲労や機能不全を説明したが、人は「自分の前に鏡を置き、自分のことばかり考える」傾向がある。AIと人間のやり取りは、まさにこの「自己観察(言語化)の無限ループ」に陥る可能性をはらんでいる。

過剰自己観察/反省除去 – ヴィクトール・フランクル・ロゴセラピー研究所 https://themeaningseeker.org/dereflection/

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