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[Album Medley] OE – Early Techno Works 9697

Home > Video > [Album Medley] OE – Early Techno Works 9697
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Categories: Early Techno Works 9697. Tags for Video: Deep House, Techno, and 90S.

“Found and Reconstructed”

“Early Techno Works 9697” is a rare collection that primarily features unreleased tracks crafted in 1996, when Tatsuya was fully immersed in music production, and 1997, just before his debut as Captain Funk with the album “Encounter with….”

The album includes techno and house tracks, ranging from the ones mastered newly from the final recordings in his DAT tapes to the ‘reconstruction mixes.’ These mixes, with their new arrangements, maintain the ’90s dance music atmosphere that Tatsuya has expertly captured in all his tracks. It’s a journey back in time, a nostalgic connection to the music of the past.

Album details: https://l.tatsuyaoe.com/OEearly9697

Keywords: Late 90s, Techno Music, House Music, Electronic Music, DJ, Electro Funk

– OE “Early Techno Works 9697” Tracklist –

1. Warning (Reconstruction Mix)
2. Don’t Stop Now
3. Across the Ocean
4. Metro Cruiser
5. Rattlesnake
6. Rolla Costa! (Reconstruction Mix)
7. Terminal Velocity
8. Crash and Burn
9. Neuroscience
10. Eruption
11. Wormhole
12. In the Mood


You might also be interested in:
    OE - Sky HighOE – Sky High Sunshine - Deluxe Edition[Album Medley] Captain Funk – Sunshine (Deluxe Edition) MER - Soul Funk Ska Moods_ Groovy Ska and Rocksteady Mixes (Album Sampler)[Album Medley] MER – Soul Funk Ska Moods: Groovy Ska and Rocksteady Mixes [Album Medley] MER - Cyber City Connection[Album Medley] MER – Cyber City Connection: Urban Synthwave and Electro Funk OE-Compositions in Blue Medley[Album Medley] OE – Compositions in Blue

Tatsuya Oe Updated: September 20, 2024

Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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