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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Captain Funk – Losing My Way (New Mix)

Home > Video > Captain Funk – Losing My Way (New Mix)
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Language:

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Categories: Captain Funk. Tags for Video: Indie-Rock and Electronic Pop.

Video Description

This clip is a music video of Captain Funk “Losing My Way” that is included in the 2000 release “Songs of the Siren”. As for the audio track, I used a new one that was mixed in 2014.

Written & produced by Tatsuya Oe
Animation directed by Osamu Kobayashi

Keywords: Pop Electronica, Indie Rock, Vocal, Uplifting, New Wave

Label & Publishing : Music Mine & Media Factory

CD & MP3 Stores

Note: these releases don’t include the new mix used in the video.

Amazon.co.jp “Songs of the Siren” CD page

iTunes USA “Losing My Way EP” page

iTunes USA “Songs of the Siren” page

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


You might also be interested in:
    Captain Funk "Sunshine" promoCaptain Funk “Sunshine” Album Promo Clip (4 tracks megamix, 90sec) Dark Model "Prayer for the New Moon" videoDark Model – Prayer For The New Moon Dark Model "Abandoned" videoDark Model – Abandoned Dark Model "Farewell To The Moon"Dark Model – Farewell To The Moon Dark Model "Double Cross" videoDark Model – Double Cross

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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