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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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MER – Shakedown (Visualizer)

Home > Video > MER – Shakedown (Visualizer)
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Language:

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Categories: Anti-Crime Breaks. Tags for Video: Jazz-Funk and Funk-Rock.

This thrilling Cinematic Funk/Soul Jazz track features catchy melodies and stabs by funky brass & woodwind sections with funky wah guitar, growling bassline, and tight jazz funk drums.

– Keywords for this track –
Jazz Funk, Cinematic Funk, Break Beats, Big Beat, Crossover, Soul Jazz, Wah Guitar, Energetic, Impactful, Powerful, Gritty, Dramatic, Uplifting, 70s, Driving, Brass/Horn Section, Trumpet, Saxophone, Strings Section, Raw, Captain Funk, Tatsuya Oe, Chase Music, Spy Music, Crime Action Movie
BPM: 125

– About “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks ” –

Model Electronic Records, led by Tatsuya Oe (aka Dark Model / Captain Funk / OE), releases a new album under the moniker of MER. “Anti-Crime Breaks” is a collection of thrilling and badass jazz-funk and breakbeat tracks reminiscent of soundtracks from the late 70’s crime action and detective movies. Get your adrenaline pumping with this energetic funk music, which is way more than just “retro.”

Album details: https://s.tatsuyaoe.com/3eIhdKY

Artist Name: MER
Album Title: “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks”
Release Date: August 23, 2021
Format: Digital
Product No: MER-3006
UPC Code: 755491208199
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)

– Streaming and Downloads –

Apple Music
Amazon US
Spotify
Bandcamp
Details & other links: https://s.tatsuyaoe.com/3eIhdKY

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    MER - EmergencyMER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s) MER - Brooklyn MamaMER – Brooklyn Mama (Visualizer) MER - Undercover ManMER – Undercover Man (Visualizer) MER - The FugitiveMER – The Fugitive (Visualizer) MER - Justice CityMER – Justice City (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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