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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Dewdrops (Visualizer)

Home > Video > OE – Dewdrops (Visualizer)
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Language:

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Categories: Suchness. Tags for Video: Ambient and Soundscape.

This is a sparse, atmospheric, and spiritual soundscape with panoramic synth pads, sporadic synth bells & chimes, and floating guitar drones.

– Keyword for this track –

Ambient, Soundscape, Reflective, Sparse, Atmospheric, Relaxing, Dreamy, Slow, Soft, Zen, New Age, Drone, Bell, Healing, Yoga Music, Japan, Asia, Oriental
BPM: 70

– About “Suchness” –

Tatsuya Oe, an electronic music master who is also known as Dark Model and Captain Funk, completes a concept album under the name of OE. “Suchness” consists of ten “Kankyo-Ongaku” (ambient music) compositions, which are inspired by the Japanese view of nature and Zen philosophy. Immerse yourself to the OE’s world of weaving musical notes and “ma (a silence and void)” into exquisite soundscapes.

Album details: https://s.tatsuyaoe.com/2XJpDsK

– Album Info –

Artist Name: OE
Album Title: “Suchness”
Release Date: May 29th (Fri), 2020
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
UPC Code: 195269000790

-Streaming Services / Downloads –

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2XJpDsK

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - Bamboo ForestOE – Bamboo Forest (Visualizer) OE - Jizo CriedOE – Jizo Cried (Visualizer) OE - SuchnessOE – Suchness (Visualizer) OE - Let Them Come, Let Them GoOE – Let Them Come, Let Them Go (Visualizer) OE - Yama No HibikiOE – Yama No Hibiki (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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