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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Mercury and Venus (Visualizer)

Home > Video > OE – Mercury and Venus (Visualizer)
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Language:

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Categories: Compositions in Blue. Tags for Video: Ambient and Electronica.

OE – Mercury and Venus

– Keywords for this track –

Introspective, Chill, Floating, Thoughtful, Hazy, Ethereal, Relaxing, Pulsating Synth, Atmospheric

– About “Compositions in Blue” –

“The Embodiment of OE’s Contemporary Style”

Tatsuya completed his new work as OE immediately following the January release of “Suchness 2.” This album, “Compositions in Blue,” may be called classic OE, in the vein of what had developed from “Here and You” to “New Classics Vol.1 & 2.” While strongly inspired by contemporary music/minimalism, the tracks, embedded with catchy melodies and human touches, successfully combine uniqueness and accessibility.

Album details: https://s.tatsuyaoe.com/46d6WA6

Apple Music/iTunes
Amazon Music US
Amazon Music JP
Bandcamp
Spotify
Youtube Music
NetEase Cloud

Keywords: Electronic Music, Contemporary Music, Minimalism, IDM, Electronica

– Tracklist –

1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2023 Model Electronic
Release Date: April 3rd (Mon), 2023
Format: Digital
Product No: MEOE-1019
UPC Code: 198015863229

– Note for Sync Licensing –

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from this page.


You might also be interested in:
    OE - DoublespeakOE – Doublespeak (Visualizer) OE - Still WaterOE – Still Water (Visualizer) OE - VortexOE – Vortex (Visualizer) OE - Circularity Part2OE – Circularity, Part 2 (Visualizer) OE - Circularity Part1OE – Circularity, Part 1 (Visualizer)

Tatsuya Oe Updated: June 24, 2023

Microblog

No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

No Title
4 February 2026

AIや機械学習の普及で、フィールドワーク(野外調査)をしない研究者が増えているという。開花時期の予測や鳥の移動パターンの観察など、データサイエンスが可能にする領域は多く、テクノロジーの貢献は大きい。ただ、それが現場経験の価値を失わせるわけではない。「自然に触れずして自然を研究する」ことに、ワクワクを感じ続けられるかは、その人の取り組み方や動機次第だと思う。音楽も同じようなところがある。

「私はめったに外に出ません」AI時代に野外調査を見捨てる科学者達(Nature) https://www.nature.com/articles/d41586-025-04150-w

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