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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Mercury and Venus (Visualizer)

Home > Video > OE – Mercury and Venus (Visualizer)
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Categories: Compositions in Blue. Tags for Video: Ambient and Electronica.

OE – Mercury and Venus

– Keywords for this track –

Introspective, Chill, Floating, Thoughtful, Hazy, Ethereal, Relaxing, Pulsating Synth, Atmospheric

– About “Compositions in Blue” –

“The Embodiment of OE’s Contemporary Style”

Tatsuya completed his new work as OE immediately following the January release of “Suchness 2.” This album, “Compositions in Blue,” may be called classic OE, in the vein of what had developed from “Here and You” to “New Classics Vol.1 & 2.” While strongly inspired by contemporary music/minimalism, the tracks, embedded with catchy melodies and human touches, successfully combine uniqueness and accessibility.

Album details: https://s.tatsuyaoe.com/46d6WA6

Apple Music/iTunes
Amazon Music US
Amazon Music JP
Bandcamp
Spotify
Youtube Music
NetEase Cloud

Keywords: Electronic Music, Contemporary Music, Minimalism, IDM, Electronica

– Tracklist –

1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2023 Model Electronic
Release Date: April 3rd (Mon), 2023
Format: Digital
Product No: MEOE-1019
UPC Code: 198015863229

– Note for Sync Licensing –

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from this page.


You might also be interested in:
    OE - DoublespeakOE – Doublespeak (Visualizer) OE - Still WaterOE – Still Water (Visualizer) OE - VortexOE – Vortex (Visualizer) OE - Circularity Part2OE – Circularity, Part 2 (Visualizer) OE - Circularity Part1OE – Circularity, Part 1 (Visualizer)

Tatsuya Oe Updated: June 24, 2023

Microblog

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

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