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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Misty Garden (from “Suchness”)

Home > Video > OE – Misty Garden (from “Suchness”)
  • Videos
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      • Driving Orchestral Electro Mix
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      • Early Techno Works 9697
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Language:

  • English
  • 日本語
Categories: Suchness. Tags for Video: Ambient and Soundscape.

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

– Keyword for this track –

Ambient, Soundscape, Reflective, Hopeful, Mysterious, Unstable, Floating, Sparse, Sporadic, Psychedelic, Atmospheric, Relaxing, Dreamy, Slow, Soft, Zen, New Age, Drone, Bell, Healing, Yoga Music, Japan, Asia, Oriental
BPM: 100

– About “Suchness” –

Tatsuya Oe, an electronic music master who is also known as Dark Model and Captain Funk, completes a concept album under the name of OE. “Suchness” consists of ten “Kankyo-Ongaku” (ambient music) compositions, which are inspired by the Japanese view of nature and Zen philosophy. Immerse yourself to the OE’s world of weaving musical notes and “ma (a silence and void)” into exquisite soundscapes.

Album details: https://s.tatsuyaoe.com/2XJpDsK

– Album Info –

Artist Name: OE
Album Title: “Suchness”
Release Date: May 29th (Fri), 2020
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
UPC Code: 195269000790

-Streaming Services / Downloads –

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2XJpDsK

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - Misty GardenOE – Misty Garden (Visualizer) OE - SuchnessOE – Suchness (Visualizer) OE - YozakuraOE – Yozakura (from “Suchness”) OE - Suchness Album PreviewOE – Suchness – Album Preview OE - Yama No HibikiOE – Yama No Hibiki (Visualizer)

Tatsuya Oe Updated: September 8, 2023

Microblog

No Title
15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

No Title
14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

No Title
13 March 2026

凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

Speaker Port Plugs: Could They Solve Bass Issues in Your System? – YouTube https://youtu.be/xMVWaFeJImM

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