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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Misty Garden (from “Suchness”)

Home > Video > OE – Misty Garden (from “Suchness”)
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Language:

  • English
  • 日本語
Categories: Suchness. Tags for Video: Ambient and Soundscape.

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

– Keyword for this track –

Ambient, Soundscape, Reflective, Hopeful, Mysterious, Unstable, Floating, Sparse, Sporadic, Psychedelic, Atmospheric, Relaxing, Dreamy, Slow, Soft, Zen, New Age, Drone, Bell, Healing, Yoga Music, Japan, Asia, Oriental
BPM: 100

– About “Suchness” –

Tatsuya Oe, an electronic music master who is also known as Dark Model and Captain Funk, completes a concept album under the name of OE. “Suchness” consists of ten “Kankyo-Ongaku” (ambient music) compositions, which are inspired by the Japanese view of nature and Zen philosophy. Immerse yourself to the OE’s world of weaving musical notes and “ma (a silence and void)” into exquisite soundscapes.

Album details: https://s.tatsuyaoe.com/2XJpDsK

– Album Info –

Artist Name: OE
Album Title: “Suchness”
Release Date: May 29th (Fri), 2020
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
UPC Code: 195269000790

-Streaming Services / Downloads –

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2XJpDsK

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - Misty GardenOE – Misty Garden (Visualizer) OE - SuchnessOE – Suchness (Visualizer) OE - YozakuraOE – Yozakura (from “Suchness”) OE - Suchness Album PreviewOE – Suchness – Album Preview OE - Yama No HibikiOE – Yama No Hibiki (Visualizer)

Tatsuya Oe Updated: September 8, 2023

Microblog

No Title
2 March 2026

昨年末に「今年はAIチャットによくお世話になった」と書いてまだ2か月だが、このところめっきり使う頻度が減り、サブスクもやめた。期待できる答えが返ってくる分野が意外と限られている(コーディングとか)ことが分かったので、それ以外のことを真剣に聞くだけ時間の無駄と思うようになったというのが近い。Redditとかでは「ChatGPT最近、マジでムカつくし、うざい」などと言われているが、機械相手に感情的になるくらいなら、電源を切って外に出よう。

Thundercat – It Is What It Is(それが現実だ/仕方ない) https://youtu.be/lqDs_quhy0I

No Title
1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

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