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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Starry Messenger (Suchness 3) – Album Medley

Home > Video > OE – Starry Messenger (Suchness 3) – Album Medley
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      • Metropolis
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      • Early Techno Works 9697
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      • Compositions in Light
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Language:

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Categories: Starry Messenger. Tags for Video: Ambient and Soundscape.

“Floating through the cosmos, listening to the night sky”

Tatsuya Oe, also known as Dark Model and Captain Funk, will release “Starry Messenger (Suchness 3),” a new sequel of his “Kankyo-Ongaku” (ambient music) series under the name of OE. “Suchness” albums will take you to a “zen garden of sound,” floating into the time and space consisting of “ma (a silence and void)” and sequences of panoramic sounds. This release, “Starry Messenger,” collects calm and reflective music pieces with cosmic and nocturnal atmosphere.

Release date: Feb 2nd, 2024
Album details: https://www.tatsuyaoe.com/discography/album/oe-starry-messenger-suchness-3/

Keywords: Ambient Music, Kankyo Ongaku, New Age Music, Japanese Music, Electronica, Healing Music, Zen Music, Yoga Music, Environmental Music, Post-rock

– Tracklist –

1. Aurora Lights
2. Starry Messenger
3. The Great River
4. Bonfire and the Moon
5. Dawn Prayer
6. Evening Thoughts
7. Nocturnal Hope

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2024 Model Electronic
Release Date: Feb 2nd (Fri), 2024
Format: Digital
Product No: MEOE-1025
UPC Code: 198026900326


You might also be interested in:
    OE - Suchness Album PreviewOE – Suchness – Album Preview OE - Suchness 2 Album PreviewOE – Suchness 2 – Album Sampler (Preview) OE - Compositions in Light[Album Medley] OE – Compositions in Light OE - Misty GardenOE – Misty Garden (from “Suchness”) OE - YoakeOE – Yoake (from “Suchness 2”)

Tatsuya Oe Updated: November 21, 2024

Microblog

No Title
1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

No Title
27 February 2026

ロン・ハワード監督による、マペット作家ジム・ヘンソンのドキュメンタリーを見た。想像以上にエネルギッシュで、多忙な創作人生に驚かされる。 幼少期に親しんだ『セサミ・ストリート』に対し、『ダーク・クリスタル』や『ラビリンス』、『ストーリーテラー』といったダークファンタジーは、当時「やんちゃなファンク青年」(笑)だった僕は夢中にはなれなかった。ただ、この時代のジムなしでは、ギレルモ・デル・トロやジェームズ・キャメロンなどの異才が頭角を現さなかったかもしれない。

Jim Henson Idea Man | Official Trailer https://youtu.be/iyGFV6VIxkI

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