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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Starry Messenger (Suchness 3) – Album Medley

Home > Video > OE – Starry Messenger (Suchness 3) – Album Medley
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Categories: Starry Messenger. Tags for Video: Ambient and Soundscape.

“Floating through the cosmos, listening to the night sky”

Tatsuya Oe, also known as Dark Model and Captain Funk, will release “Starry Messenger (Suchness 3),” a new sequel of his “Kankyo-Ongaku” (ambient music) series under the name of OE. “Suchness” albums will take you to a “zen garden of sound,” floating into the time and space consisting of “ma (a silence and void)” and sequences of panoramic sounds. This release, “Starry Messenger,” collects calm and reflective music pieces with cosmic and nocturnal atmosphere.

Release date: Feb 2nd, 2024
Album details: https://www.tatsuyaoe.com/discography/album/oe-starry-messenger-suchness-3/

Keywords: Ambient Music, Kankyo Ongaku, New Age Music, Japanese Music, Electronica, Healing Music, Zen Music, Yoga Music, Environmental Music, Post-rock

– Tracklist –

1. Aurora Lights
2. Starry Messenger
3. The Great River
4. Bonfire and the Moon
5. Dawn Prayer
6. Evening Thoughts
7. Nocturnal Hope

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2024 Model Electronic
Release Date: Feb 2nd (Fri), 2024
Format: Digital
Product No: MEOE-1025
UPC Code: 198026900326


You might also be interested in:
    OE - Suchness Album PreviewOE – Suchness – Album Preview OE - Suchness 2 Album PreviewOE – Suchness 2 – Album Sampler (Preview) OE - Compositions in Light[Album Medley] OE – Compositions in Light OE - Misty GardenOE – Misty Garden (from “Suchness”) OE - YoakeOE – Yoake (from “Suchness 2”)

Tatsuya Oe Updated: November 21, 2024

Microblog

No Title
14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

No Title
13 March 2026

凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

Speaker Port Plugs: Could They Solve Bass Issues in Your System? – YouTube https://youtu.be/xMVWaFeJImM

No Title
12 March 2026

中学生の頃、当時人気のあった音楽雑誌に「たとえて言えばライオネル・リッチーは五木ひろし、ダイアナ・ロスは美空ひばり」という記事を見て、その比較の強引さに度肝を抜かれた。今考えると、それは単に「国民的人気歌手」だと言いたいだけで、音楽性やミュージシャンシップの話ではなかったと思う。 同様に、JBを北島三郎さんと並べるのもミスリーディングだ。ただし、いつ聴いても「まつり」の破壊力には畏れ入る。何か、のっけからスラップベース鳴ってない?

まつり 北島三郎 https://youtu.be/N87ikbj_1vo

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