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Home > Ambient
OE - Goraikou

OE – Goraikou (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient track that features harmonics of electric guitar, high-tone percussion sounds, and panoramic synth drone sounds.

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OE - Bamboo Forest

OE – Bamboo Forest (Visualizer)

Jan 14, 2022

Zen-oriented, floating, and atmospheric soundscape that features sparse and low synth pads and deeply-echoed percussion sounds.

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OE - Yama No Hibiki

OE – Yama No Hibiki (Visualizer)

Jan 14, 2022

This is a sparse, mysterious, and psychedelic soundscape consisting of floating sequences of metallic bell & chime sounds on the dark low drones.

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OE - Jizo Cried

OE – Jizo Cried (Visualizer)

Jan 14, 2022

Zen-oriented and atmospheric soundscape that features sporadic sequences of Japanese plucky strings (Koto-esque) & metallic sounds, and sparse synth pad sounds.

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OE - Misty Garden

OE – Misty Garden (Visualizer)

Jan 14, 2022

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

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OE - Suchness

OE – Suchness (Visualizer)

Jan 14, 2022

This sparse, spiritual soundscape consists of sporadic sequences of high-tone bell/hang drum sounds and low drones.

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OE - Cloud Sea

OE – Cloud Sea (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient/post-rock track that features plucks and harmonics of electric guitar and gentle synth pad sounds.

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OE - Let Them Come, Let Them Go

OE – Let Them Come, Let Them Go (Visualizer)

Jan 14, 2022

This Zen-oriented, quiet, and atmospheric soundscape consists of sporadic, unpredictable sequences of bell sounds, strings chords, and Koto plucks on the sparse low drones.

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OE - Yozakura

OE – Yozakura (Visualizer)

Jan 14, 2022

Zen-oriented, dreamy, and dramatic soundscape that features synth bells, Japanese chimes, and dark synth pad sounds.

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Tatsuya Oe Updated: February 19, 2022

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  • Dark Model – Phantasm (Visualizer)Dark Model – Phantasm (Visualizer)

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Categories in Topics

Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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