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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > Ambient
OE - Goraikou

OE – Goraikou (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient track that features harmonics of electric guitar, high-tone percussion sounds, and panoramic synth drone sounds.

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OE - Bamboo Forest

OE – Bamboo Forest (Visualizer)

Jan 14, 2022

Zen-oriented, floating, and atmospheric soundscape that features sparse and low synth pads and deeply-echoed percussion sounds.

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OE - Yama No Hibiki

OE – Yama No Hibiki (Visualizer)

Jan 14, 2022

This is a sparse, mysterious, and psychedelic soundscape consisting of floating sequences of metallic bell & chime sounds on the dark low drones.

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OE - Jizo Cried

OE – Jizo Cried (Visualizer)

Jan 14, 2022

Zen-oriented and atmospheric soundscape that features sporadic sequences of Japanese plucky strings (Koto-esque) & metallic sounds, and sparse synth pad sounds.

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OE - Misty Garden

OE – Misty Garden (Visualizer)

Jan 14, 2022

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

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OE - Suchness

OE – Suchness (Visualizer)

Jan 14, 2022

This sparse, spiritual soundscape consists of sporadic sequences of high-tone bell/hang drum sounds and low drones.

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OE - Cloud Sea

OE – Cloud Sea (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient/post-rock track that features plucks and harmonics of electric guitar and gentle synth pad sounds.

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OE - Let Them Come, Let Them Go

OE – Let Them Come, Let Them Go (Visualizer)

Jan 14, 2022

This Zen-oriented, quiet, and atmospheric soundscape consists of sporadic, unpredictable sequences of bell sounds, strings chords, and Koto plucks on the sparse low drones.

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OE - Yozakura

OE – Yozakura (Visualizer)

Jan 14, 2022

Zen-oriented, dreamy, and dramatic soundscape that features synth bells, Japanese chimes, and dark synth pad sounds.

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Tatsuya Oe Updated: February 19, 2022

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Microblog

No Title
19 September 2026

僕は実用品ではない新世代の陶芸や工芸作品に強く惹かれる。クラフトマンシップや確かな技術に裏打ちされた「目の前にある物質そのものの圧倒的な美」に出会うと、アーティストとエンジニアの境界線などほぼ無意味に思えてくる。対して、伝統的なアートや工芸の世界では、作家の生き様や思想、歴史的文脈、権威付けといった「物語(ナラティブ)」に重きを置く。我々が鑑賞してきたのは「作品」ではなくて「人間」なのかもしれない。

Lacquer Sculpture: Floating Forms by 村本真吾 https://youtu.be/M31fYglvxBY

No Title
14 September 2026

数多くのアスリートを勝利に導いたジオ・ヴァリアンテは、タイガー・ウッズらスーパーアチーバーを例に「最高のパフォーマンスを引き出すメンタル法則!」を熱く語る。チクセントミハイの「フロー理論」からニーチェ、フロイトまで賢人の知恵を紹介した揚げ句に、彼はこう締めるのだ。「結局ね、本を読んで、仲間と質の高い会話をして、ゴルフの打ちっぱなしをしてる今の生活が一番幸せなんですよ。お金かからないし。」そこに行くんかい(笑)。

No.1 Performance Psychologist: The Secret to High Performance and Excellence https://youtu.be/JOh-9iaPcGU

No Title
12 September 2026

先日書いた「沈黙する」と同じく、「待つ」力や「聴く」力は、人間が持つ、それでいて忘れられがちな知性だと思う。ただ、せっかちな僕はこの「待つ」のが下手だ。何でも先手先手で取り掛かろうとして、かえって時間の無駄や回り道をすることがある。そんな中、鷲田清一さんの著書『「待つ」ということ』に出会ったが、納得できる話やエピソードが満載で引き込まれた。特にこのページでも紹介されている「幸福を小刻みに」という話に共感。

鷲田清一氏記念講演「待つことの意味」- 京都府保険医協会 https://bit.ly/4iKnYhZ

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