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Home > Electroacoustic
OE - rqm (Visualizer)

OE – rqm (Audio Visualizer)

Jan 29, 2022

This melancholic electroacoustic/soundscape track expresses transitional anxiety and disturbing feelings. Multi-layers of high-tone metallic sequences unpredictably intertwine and build up a gloomy, sinister atmosphere towards the climax.  

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OE - y/q (Visualizer)

OE – y/q (Audio Visualizer)

Jan 29, 2022

Experimental, electronic soundtrack work featuring a series of synthesized or modulated voice sounds and fragmented noises, which sounds even funny.

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OE - 276EC2 (Visualizer)

OE – 276EC2 (Audio Visualizer)

Jan 29, 2022

An electroacoustic/music concrete piece including a wide range of sounds such as metallic FM sounds, swirling noises, raindrops, metallic percussion, shocking hits buzzing & flanging effects, swooshes, bubble foley sounds, and modulated roars.

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OE - :-&

OE – :-& (Audio Visualizer)

Jan 29, 2022

Fast-changing and unpredictable electroacoustic/music concrete track where various sounds & noises such as metallic glitches, voices, and fragments of electronic beats, come and go with a breakneck speed.  

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OE - f2;5 (Visualizer)

OE – f2;5 (Audio Visualizer)

Jan 29, 2022

Quirky, tense, and unpredictable electroacoustic/music concrete track that includes metallic noises, fragments of electronic beats, and silences (“ma”).  

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OE - New Classics Vol.2 Album Sampler

OE – New Classics Vol.2 – Album Preview

Mar 8, 2018

“New Classics vol.2” delves into the contemporary, edgy, and experimental side. This album was nominated for the 17th Annual Independent Music Awards in the Dance/Electronica Album category.  

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Tatsuya Oe Updated: January 31, 2022

Video

  • OE – Mobius (from “Compositions in Blue”)OE – Mobius (from “Compositions in Blue”)

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  • OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025
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  • Music & Sound Design for Uniqlo “Body Tech” TV CommercialMusic & Sound Design for Uniqlo “Body Tech” TV Commercial

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Microblog

No Title
17 March 2026

最近はニュースを見る機会を最小限に絞っている。誰に対しても何の意見も持たないくらい無関心になりたいのだが、「究極の無関心と鋼のメンタリティ」の領域にはまだ遠い。そんなことを考えていて、ふと『ザ・デイリー・ショー』のジョン・スチュアートを思い出した。彼のトークは今も天才的で、かつてのように思慮深い。けれど、アメリカと世界があまりに冷え切ってしまった今では、そのジョークの背後にも、「もはや打つ手なし」という虚しさが漂ってきてしまう。

Jon Stewart Invites Panel of Trumps to Debate Iran War | The Daily Show https://youtu.be/a2aYd-XHzsI

No Title
15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

No Title
14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

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