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Home > Electroacoustic
OE - rqm (Visualizer)

OE – rqm (Audio Visualizer)

Jan 29, 2022

This melancholic electroacoustic/soundscape track expresses transitional anxiety and disturbing feelings. Multi-layers of high-tone metallic sequences unpredictably intertwine and build up a gloomy, sinister atmosphere towards the climax.  

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OE - y/q (Visualizer)

OE – y/q (Audio Visualizer)

Jan 29, 2022

Experimental, electronic soundtrack work featuring a series of synthesized or modulated voice sounds and fragmented noises, which sounds even funny.

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OE - 276EC2 (Visualizer)

OE – 276EC2 (Audio Visualizer)

Jan 29, 2022

An electroacoustic/music concrete piece including a wide range of sounds such as metallic FM sounds, swirling noises, raindrops, metallic percussion, shocking hits buzzing & flanging effects, swooshes, bubble foley sounds, and modulated roars.

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OE - :-&

OE – :-& (Audio Visualizer)

Jan 29, 2022

Fast-changing and unpredictable electroacoustic/music concrete track where various sounds & noises such as metallic glitches, voices, and fragments of electronic beats, come and go with a breakneck speed.  

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OE - f2;5 (Visualizer)

OE – f2;5 (Audio Visualizer)

Jan 29, 2022

Quirky, tense, and unpredictable electroacoustic/music concrete track that includes metallic noises, fragments of electronic beats, and silences (“ma”).  

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OE - New Classics Vol.2 Album Sampler

OE – New Classics Vol.2 – Album Preview

Mar 8, 2018

“New Classics vol.2” delves into the contemporary, edgy, and experimental side. This album was nominated for the 17th Annual Independent Music Awards in the Dance/Electronica Album category.  

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Tatsuya Oe Updated: January 31, 2022

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Microblog

No Title
5 August 2026

年齢を重ねるほど好奇心が広がり、学びたいことが増えて忙しくなる。日々の制作に加えて勉強したいことが山積み。だが、そこに焦りはない。制作に1000時間かかるアルバムを100時間で完成できても、そこに楽しさはないのと同じだ。自発的な学びや創作の醍醐味は「過程」にあり、効率やタイパとは全く次元が異なる。やってもやっても終わらない感覚。それは時間が足りない焦りではなく、「終わりなき充実感」の中にいるということだと思う。

R.L.スティーブンソン「希望を持って旅をすることは、目的地にたどり着くことに勝る」 https://www.brainyquote.com/quotes/robert_louis_stevenson_162816

No Title
3 August 2026

Carol Robbinsというハープ奏者が演奏するインスト「Caminhos Cruzados」を聴いていて、タイトル(ポルトガル語で「十字路」)からして、以前どこかで聴いたことがある曲だと思っていたものの、調べるまでには至らなかった。先日、何気なく検索してみたら、トム・ジョビン作曲の超有名曲で、しかも大学時代に毎晩リピートして聴いていたジョアン・ジルベルトのアルバムに収録されていたのだった。もうこれで一生忘れない(笑)。

João Gilberto – Caminhos Cruzados https://youtu.be/D3Hf-725Yk4

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

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