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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > Indie-Rock
Tatsuya Oe - May 2003 on stage

OE – CG Movie for “Here and You” Release Tour

Feb 22, 2022

A 55-min CG animated movie for OE “Here and You” release tour in 2002. OE and Paradise Jam worked together on “music live performance in sync with visuals.”  

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Diplegia (OE Version)(Visualizer)

OE – Diplegia (OE Version) (Audio Visualizer)

Jan 29, 2022

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances.

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OE - Hollow Stone (Remix)(Visualizer)

OE – Hollow Stone (Remix) (Audio Visualizer)

Jan 29, 2022

A bittersweet, slowly-building Post-Rock-based tune that consists of layers of minimalistic guitar sounds, piano, and half-time electronic beats.

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OE -Dismissed (Visualizer)

OE- Dismissed (Audio Visualizer)

Jan 29, 2022

Melancholic and bittersweet acoustic electronic ballad track that features robotic vocals, filled with psychedelic and fantastical atmosphere.   

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OE - Life (Visualizer)

OE – Life (Audio Visualizer)

Jan 29, 2022

Bright, romantic, and groovy midtempo indie-pop track that features male scats, rhythmic acoustic guitar strums, and Brazilian percussion.

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OE - Ain’t Knockin’ at Your Door (Visualizer)

OE – Ain’t Knockin’ at Your Door (Audio Visualizer)

Jan 29, 2022

This groovy, quirky, and 70s/80s-influenced synth-pop/indie pop-rock track features melodic vocoder vocals, acoustic guitar strums, and piano riffs on the funky electronic drums.

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OE - Idle Curiosity (Visualizer)

OE – Idle Curiosity (Audio Visualizer)

Jan 29, 2022

An upbeat, quirky Indie Rock/Math Rock track that features minimalist guitars and piano on the odd-beat rock drums.  

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OE - Rambler and Canter

OE – Rambler and Canter (Audio Visualizer)

Jan 29, 2022

A groovy, warm, and story-building post-rock track featuring a catchy whistling melody, minimalist marimba, and multiple guitar arrangements.  

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OE - The Glow

OE – The Glow (Audio Visualizer)

Jan 29, 2022

Upbeat indie-electronica/post-rock track with catchy vocoder vocals, minimalist acoustic guitar strum, and breakbeats-style drums.    

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12Next »

Tatsuya Oe Updated: February 22, 2022

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  • Captain Funk Joins Ganban Night Special feat. Space Cowboy

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Microblog

No Title
11 March 2026

僕は動物を飼ったことがないが、子豚に関しては本気で飼いたいと思っていた時期がある。人間や羊、犬など身近な哺乳類には群れる習性があるが、実は種全体で見れば単独行動派が大半らしい。また、集団の作り方も動物によって千差万別だ。かつてチャーチルは「私は豚が好きだ。犬は我々を見上げ、猫は我々を見下すが、豚は我々を対等に扱ってくれる」と語ったという。その言葉が真実なのか、いつか豚に直接聞けたらと思っている。

“I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” https://bit.ly/3NvPYbK

No Title
10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

No Title
10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

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