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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > Indie-Rock
Tatsuya Oe - May 2003 on stage

OE – CG Movie for “Here and You” Release Tour

Feb 22, 2022

A 55-min CG animated movie for OE “Here and You” release tour in 2002. OE and Paradise Jam worked together on “music live performance in sync with visuals.”  

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Diplegia (OE Version)(Visualizer)

OE – Diplegia (OE Version) (Audio Visualizer)

Jan 29, 2022

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances.

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OE - Hollow Stone (Remix)(Visualizer)

OE – Hollow Stone (Remix) (Audio Visualizer)

Jan 29, 2022

A bittersweet, slowly-building Post-Rock-based tune that consists of layers of minimalistic guitar sounds, piano, and half-time electronic beats.

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OE -Dismissed (Visualizer)

OE- Dismissed (Audio Visualizer)

Jan 29, 2022

Melancholic and bittersweet acoustic electronic ballad track that features robotic vocals, filled with psychedelic and fantastical atmosphere.   

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OE - Life (Visualizer)

OE – Life (Audio Visualizer)

Jan 29, 2022

Bright, romantic, and groovy midtempo indie-pop track that features male scats, rhythmic acoustic guitar strums, and Brazilian percussion.

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OE - Ain’t Knockin’ at Your Door (Visualizer)

OE – Ain’t Knockin’ at Your Door (Audio Visualizer)

Jan 29, 2022

This groovy, quirky, and 70s/80s-influenced synth-pop/indie pop-rock track features melodic vocoder vocals, acoustic guitar strums, and piano riffs on the funky electronic drums.

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OE - Idle Curiosity (Visualizer)

OE – Idle Curiosity (Audio Visualizer)

Jan 29, 2022

An upbeat, quirky Indie Rock/Math Rock track that features minimalist guitars and piano on the odd-beat rock drums.  

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OE - Rambler and Canter

OE – Rambler and Canter (Audio Visualizer)

Jan 29, 2022

A groovy, warm, and story-building post-rock track featuring a catchy whistling melody, minimalist marimba, and multiple guitar arrangements.  

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OE - The Glow

OE – The Glow (Audio Visualizer)

Jan 29, 2022

Upbeat indie-electronica/post-rock track with catchy vocoder vocals, minimalist acoustic guitar strum, and breakbeats-style drums.    

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12Next »

Tatsuya Oe Updated: February 22, 2022

Video

  • OE – Life (Audio Visualizer)OE – Life (Audio Visualizer)

Today’s Popular Topics

  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • Model Electronic Records
  • FAQs about Licensing Our Music
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
  • Dark Model Music on “Elysium (starring Matt Damon, Jodie Foster, etc)” First Footage Reel
  • Licensing Our Music (for International Users)
  • Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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