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Home > Indie-Rock
Tatsuya Oe - May 2003 on stage

OE – CG Movie for “Here and You” Release Tour

Feb 22, 2022

A 55-min CG animated movie for OE “Here and You” release tour in 2002. OE and Paradise Jam worked together on “music live performance in sync with visuals.”  

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Diplegia (OE Version)(Visualizer)

OE – Diplegia (OE Version) (Audio Visualizer)

Jan 29, 2022

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances.

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OE - Hollow Stone (Remix)(Visualizer)

OE – Hollow Stone (Remix) (Audio Visualizer)

Jan 29, 2022

A bittersweet, slowly-building Post-Rock-based tune that consists of layers of minimalistic guitar sounds, piano, and half-time electronic beats.

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OE -Dismissed (Visualizer)

OE- Dismissed (Audio Visualizer)

Jan 29, 2022

Melancholic and bittersweet acoustic electronic ballad track that features robotic vocals, filled with psychedelic and fantastical atmosphere.   

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OE - Life (Visualizer)

OE – Life (Audio Visualizer)

Jan 29, 2022

Bright, romantic, and groovy midtempo indie-pop track that features male scats, rhythmic acoustic guitar strums, and Brazilian percussion.

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OE - Ain’t Knockin’ at Your Door (Visualizer)

OE – Ain’t Knockin’ at Your Door (Audio Visualizer)

Jan 29, 2022

This groovy, quirky, and 70s/80s-influenced synth-pop/indie pop-rock track features melodic vocoder vocals, acoustic guitar strums, and piano riffs on the funky electronic drums.

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OE - Idle Curiosity (Visualizer)

OE – Idle Curiosity (Audio Visualizer)

Jan 29, 2022

An upbeat, quirky Indie Rock/Math Rock track that features minimalist guitars and piano on the odd-beat rock drums.  

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OE - Rambler and Canter

OE – Rambler and Canter (Audio Visualizer)

Jan 29, 2022

A groovy, warm, and story-building post-rock track featuring a catchy whistling melody, minimalist marimba, and multiple guitar arrangements.  

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OE - The Glow

OE – The Glow (Audio Visualizer)

Jan 29, 2022

Upbeat indie-electronica/post-rock track with catchy vocoder vocals, minimalist acoustic guitar strum, and breakbeats-style drums.    

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12Next »

Tatsuya Oe Updated: February 22, 2022

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Microblog

No Title
18 June 2026

(3/3) 創作や勉強、瞑想などの「長時間没頭できる習慣」を持つことが、単なる集中力の向上ではなく、「余計な物語工場への侵入を物理的にロックアウトする時間」を確保することにもつながる——そんな視点は、創作に携わる身としてもとても興味深い。もちろん、DMNを全て排除すべし!と言っているわけではなくて、毎日2時間のウォーキングが無理なくDMN時間を作ってバランスを取るのに役立っていると思う。

“Don't believe in yourself, Don't deceive with belief”(『Quicksand』) https://youtu.be/kFN_bEgDE0M

No Title
17 June 2026

(2/3) だからといって、この傾向をコントロールできないわけではない。作曲や勉強、あるいは瞑想など、明確な対象に向けてCEN(中央実行ネットワーク)をフル稼働させているとき、脳の処理リソースはほぼ100%、その対象に注がれる。なぜなら、ナラティブを編むには「過去の記憶を呼び起こし、未来を予測する」という複雑な処理が必要だからだ。つまりCENがしっかり働いている間、DMNは物理的に“物語を紡ぐ余裕”を持てなくなる。

「DMNとCENはシーソーの関係」(12分過ぎ) https://youtu.be/rr3GA_UCHNo&t=728

No Title
16 June 2026

(1/3) 創作として物語を紡いだり、他人の物語に耳を傾けるのは好きだけれど、人間の脳が“勝手に”物語(ナラティブ)を作り出す働きを持つ習性を、時に煩わしく感じることがある。それは、先日少し触れたDMNが活性化している状態だ。もしこの物語生成が常にポジティブな方向に働くなら、人生はさぞ楽しいだろう。しかし現実には、誤解や思い込み、予期不安、ときには妄想といったネガティブな方向へ認知を歪めてしまうことも少なくない。

なぜマインドワンダリングが良くないのか(トレイシー・マークス博士) https://youtu.be/4WXc8mSmU4c

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