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Panasonic’s Campaign “Experience Color” Won Multiple Awards

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Home > Topics > Music Production > Panasonic’s Campaign “Experience Color” Won Multiple Awards
Categories: Music Production, Music Placement, and Awards/Charts. Tags: TV Commercial and Advertising.
Aug 16, 2007
NewYorkFestivals-2007-award-Tatsuya-Oe

Panasonic’s “Viera” global branding movie “Experience Color” won several prizes and awards. Tatsuya participated in this project for its music composition and sound design. (Total production: Business Architects Inc. )

New York Festivals
The Finalist Award of “World’s Best Advertising”
(Category: “Websites/Microsites/Online Advertising: Product and Service | Home Entertainment”)

Certificate page on New York Festivals

Webby Awards
Official Honoree (Category: Websites “Best use of Animation or Motion Graphics”)
Official Nominee (“Consumer Electronics”)

2007 Official Honorees page on Webby Awards

Tokyo Interactive Ad Awards (TIAA)
Silver Prize (Category: Product site)

Awards page on TIAA






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TV CommercialAdvertising
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Tatsuya Oe Updated: August 19, 2017

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Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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