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Panasonic’s Campaign “Experience Color” Won Multiple Awards

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Home > Topics > Music Production > Panasonic’s Campaign “Experience Color” Won Multiple Awards
Categories: Music Production, Music Placement, and Awards/Charts. Tags: TV Commercial and Advertising.
Aug 16, 2007
NewYorkFestivals-2007-award-Tatsuya-Oe

Panasonic’s “Viera” global branding movie “Experience Color” won several prizes and awards. Tatsuya participated in this project for its music composition and sound design. (Total production: Business Architects Inc. )

New York Festivals
The Finalist Award of “World’s Best Advertising”
(Category: “Websites/Microsites/Online Advertising: Product and Service | Home Entertainment”)

Certificate page on New York Festivals

Webby Awards
Official Honoree (Category: Websites “Best use of Animation or Motion Graphics”)
Official Nominee (“Consumer Electronics”)

2007 Official Honorees page on Webby Awards

Tokyo Interactive Ad Awards (TIAA)
Silver Prize (Category: Product site)

Awards page on TIAA






You might also be interested in:
    Museum of Contemporary Art Tokyo Space for your futureMusic Composition for Museum of Contemporary Art Tokyo’s TV Commercial Tatsuya composed music for Uniqlo Premium Down TV commercialTatsuya composed music for Uniqlo “Premium Down” TV commercial Sony Ericssion W44S-TV CommercialMusic Composition for Sony Ericssion’s Mobile Phone “W44s” TV Commercial The 17th Independent Music Awards NomineesOE “New Classics Vol. 2” Nominated for the 17th Independent Music Awards Music Placements for TV, Film & Advertising – Autumn 2013 –
TV CommercialAdvertising
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Tatsuya Oe Updated: August 19, 2017

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Microblog

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

No Title
26 January 2026

人間は物語を自分本位に紡いでしまう性質がある。それが時に独善となり、自分を苦しめる。ヴィクトール・フランクルの説く「生きる意味」が、いつしか自分を縛る「執着(べき論)」に変貌する瞬間だ。ここでアルバート・エリスは「その解釈は認知的にゆがんでいないか? 自分を助ける考えか?」と自問し、主観の暴走を食い止めることを提唱する。フランクルとエリスは対照的に見えて、実は「解釈という刃」を使いこなすための、表裏一体の考え方だと思う。

Dark Model – Vigilant Eyes (Short Edit) #orchestralmusic #glitch #epicmusic https://youtube.com/shorts/sq3Qo5_d_FQ

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