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Panasonic’s Campaign “Experience Color” Won Multiple Awards

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Home > Topics > Music Production > Panasonic’s Campaign “Experience Color” Won Multiple Awards
Categories: Music Production, Music Placement, and Awards/Charts. Tags: TV Commercial and Advertising.
Aug 16, 2007
NewYorkFestivals-2007-award-Tatsuya-Oe

Panasonic’s “Viera” global branding movie “Experience Color” won several prizes and awards. Tatsuya participated in this project for its music composition and sound design. (Total production: Business Architects Inc. )

New York Festivals
The Finalist Award of “World’s Best Advertising”
(Category: “Websites/Microsites/Online Advertising: Product and Service | Home Entertainment”)

Certificate page on New York Festivals

Webby Awards
Official Honoree (Category: Websites “Best use of Animation or Motion Graphics”)
Official Nominee (“Consumer Electronics”)

2007 Official Honorees page on Webby Awards

Tokyo Interactive Ad Awards (TIAA)
Silver Prize (Category: Product site)

Awards page on TIAA






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    Museum of Contemporary Art Tokyo Space for your futureMusic Composition for Museum of Contemporary Art Tokyo’s TV Commercial Tatsuya composed music for Uniqlo Premium Down TV commercialTatsuya composed music for Uniqlo “Premium Down” TV commercial Sony Ericssion W44S-TV CommercialMusic Composition for Sony Ericssion’s Mobile Phone “W44s” TV Commercial The 17th Independent Music Awards NomineesOE “New Classics Vol. 2” Nominated for the 17th Independent Music Awards Music Placements for TV, Film & Advertising – Autumn 2013 –
TV CommercialAdvertising
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Tatsuya Oe Updated: August 19, 2017

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Microblog

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

No Title
27 February 2026

ロン・ハワード監督による、マペット作家ジム・ヘンソンのドキュメンタリーを見た。想像以上にエネルギッシュで、多忙な創作人生に驚かされる。 幼少期に親しんだ『セサミ・ストリート』に対し、『ダーク・クリスタル』や『ラビリンス』、『ストーリーテラー』といったダークファンタジーは、当時「やんちゃなファンク青年」(笑)だった僕は夢中にはなれなかった。ただ、この時代のジムなしでは、ギレルモ・デル・トロやジェームズ・キャメロンなどの異才が頭角を現さなかったかもしれない。

Jim Henson Idea Man | Official Trailer https://youtu.be/iyGFV6VIxkI

No Title
26 February 2026

今朝、英語圏のSNSでは「エヌビディアは実際に利益を出している。どこが一体AIバブルなんだ?」という暴論が飛び交っていた。実のところ、株価よりも売上が膨張している状況こそバブルとして深刻だ。「売れているから大丈夫」という主張は、裏を返せば「売れなくなった瞬間に、それを支える理屈が何一つなくなる」という危うさと表裏一体だから。日本をダンスフロアにしてどんちゃん騒ぎをしている海外の機関投資家に要注意。音楽が止まった時、彼らはいない。

エドワード・チャンセラー 『新訳 バブルの歴史』 https://amzn.to/4rBaq9L

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