• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • YouTube Shorts
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Tatsuya Oe Interview on Geek Magazine (Feb 08)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Media/Press > Interview > Tatsuya Oe Interview on Geek Magazine (Feb 08)
Categories: Interview. Tags: Magazines & Books and United States.
Feb 3, 2008
Geek Magazine - Feb 2008

Tatsuya’s short interview with Andrez Bergen was published on the latest Geek Monthly (Geek Exchange) (not on the web but the print edition). Please check out the article!


You might also be interested in:
    Billboard bizTatsuya Oe Interview about Music Licensing Business for Billboard biz (US) Metropolis magazine-logoCaptain Funk (Tatsuya Oe) Interview on Metropolis Magazine, Tokyo Impact magazine-Dec 2009Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians” Captain Funk-interview at J-Pop World thumbnailCaptain Funk (Tatsuya Oe) Interview with J-Pop World Exclusive Interview on Under The Gun Review
Magazines & BooksUnited States
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: July 1, 2015

Video

  • MER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s)MER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s)

Today’s Popular Topics

  • Day by Day (Microblog)
  • Dark Model – Abandoned
  • Dark Model – Ran (Resistance)
  • Projects
  • FAQs about Licensing Our Music
  • Tatsuya Oe Biography
  • [Album Medley] OE – Compositions in Light
  • Captain Funk Joins Ganban Night Special feat. Space Cowboy

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • 2 Remixes of Captain Funk “Hey Boy, Hey Girl” by Playmodel2 Remixes of Captain Funk “Hey Boy, Hey Girl” by Playmodel
  • Dark Model – Onibi (Demon Fire)Dark Model – Onibi (Demon Fire)
  • Captain Funk “Heavy Metal” & “Heavy Mellow” Digital distribution infoCaptain Funk “Heavy Metal” & “Heavy Mellow” Digital distribution info
  • Dark Model – Labyrinth (from “Saga”)Dark Model – Labyrinth (from “Saga”)
  • Dark Model Official Website LaunchedDark Model Official Website Launched

Categories in Topics

Microblog

No Title
12 March 2026

中学生の頃、当時人気のあった音楽雑誌に「たとえて言えばライオネル・リッチーは五木ひろし、ダイアナ・ロスは美空ひばり」という記事を見て、その比較の強引さに度肝を抜かれた。今考えると、それは単に「国民的人気歌手」だと言いたいだけで、音楽性やミュージシャンシップの話ではなかったと思う。 同様に、JBを北島三郎さんと並べるのもミスリーディングだ。ただし、いつ聴いても「まつり」の破壊力には畏れ入る。何か、のっけからスラップベース鳴ってない?

まつり 北島三郎 https://youtu.be/N87ikbj_1vo

No Title
11 March 2026

僕は動物を飼ったことがないが、子豚に関しては本気で飼いたいと思っていた時期がある。人間や羊、犬など身近な哺乳類には群れる習性があるが、実は種全体で見れば単独行動派が大半らしい。また、集団の作り方も動物によって千差万別だ。かつてチャーチルは「私は豚が好きだ。犬は我々を見上げ、猫は我々を見下すが、豚は我々を対等に扱ってくれる」と語ったという。その言葉が真実なのか、いつか豚に直接聞けたらと思っている。

“I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” https://bit.ly/3NvPYbK

No Title
10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Ami Suzuki-Dolce
Captain Funk Composed A Song For Ami Suzuki’s Album “DOLCE”

Composer/producer CAPTAIN FUNK contributed “The WeekeND” to Ami Suzuki’s album Dolce (released Feb 2008), an ’80s synth-pop/funk track.

Close