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Captain Funk (Tatsuya Oe) Interview with J-Pop World

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Home > Topics > Media/Press > Interview > Captain Funk (Tatsuya Oe) Interview with J-Pop World
Categories: Interview and Captain Funk. Tags: United States and Websites.
Nov 29, 2008
Captain Funk-interview at J-Pop World thumbnail

Tatsuya had an interview with “J-Pop World (https://www.j-popworld.com/),” American website dedicated to promoting Japanese music and related artists from around the world. They talked a very wide range of topics, from his musical background, his thoughts about remix & collaboration, to recent activities and future visions at Tatsuya’s label Model Electronic. It is very rare for him to have such a long, deep interview like this (and he enjoyed it very much).

We would like to thank and give a shout-out to the interviewer Mark for his interest in Tatsuya’s music and, above all, his deep knowledge of Japanese pop music!

Captain Fun (Tatsuya Oe) interview page:https://www.j-popworld.com/Interviews/Captain_Funk.php
Hope you’ll read and enjoy, it’s rare to talk about the detail like this.

About J-Pop World (quote from the website):
J-Pop World is dedicated to promoting Japanese music and related artists from around the world. We try to highlight Japanese groups who are making an effort to grow a fan base in English-speaking countries, as well as highlight international groups who are heavily influenced by Japanese music and culture.

Captain Funk-interview at J-Pop World


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United StatesWebsites
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Tatsuya Oe Updated: June 25, 2015

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15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

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13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

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Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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