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Amazing “Hey Boy, Hey Girl (Digikid 84 Remix)” Out Now

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Home > Topics > Captain Funk > Amazing “Hey Boy, Hey Girl (Digikid 84 Remix)” Out Now
Categories: Captain Funk and Model Electronic. Tags: Release, Remix, Hey Boy Hey Girl, France, and Digital distribution.
Jan 20, 2009
Digikid84 logo

(Apr 3. 2013 Updated) Digikid84’s remix of Captain Funk “Hey Boy, Hey Girl” is included in Captain Funk “Sunshine” and “Chronicles 2007-2013, Vol. 2” albums. We hope you will visit new album pages on “Music.” 

TatsuyaOe.com “Sunshine” album page:https://www.tatsuyaoe.com/music/projects/captain-funk/captain-funk-sunshine/

TatsuyaOe.com “Chronicles 2007-2013, Vol. 2” album page:https://www.tatsuyaoe.com/discography/album/captain-funk-chronicles-2007-2013-vol-2/

Amazon.com MP3 page


(Original article, Jan 20, 2009)

We’ve just released an amazing new version of “Hey Boy, Hey Girl” remixed by DIGIKID84 at our online shop “Club Model Electronic”. DIGIKID84 is a promising musician/DJ from France. We’re really satisfied with his original and 80’s influenced approach.

You can enjoy this remix at his myspace page as well.

https://myspace.com/digikid84


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    Playmodel logo2 Remixes of Captain Funk “Hey Boy, Hey Girl” by Playmodel Captain Funk "Hey Boy, Hey Girl" for Korea ReleaseCaptain Funk “Hey Boy, Hey Girl feat. Meri Neeser” is Out Today in Korea! Meri Neeser and Captain Funk (Tatsuya Oe)“Hey Boy, Hey Girl” has reached 10,000 plays on Captain Funk myspace Digikid84 "Timelapse Session" EP including Captain Funk's "You Got to Groove" remixCaptain Funk Remixed Digikid84’s “You Got The Groove” Captain Funk "Chronicles 2007-2013, Vol. 1 &2"Captain Funk “Chronicles 2007-2013, Vol. 1 & 2” Out Today
ReleaseRemixHey Boy Hey GirlFranceDigital distribution
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Tatsuya Oe Updated: July 29, 2018

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先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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1 November 2026

職業としての「アーティスト」の仕事の大部分は宣伝、ライブ、マネジメントなどのコミュニケーション、つまり「人」。作品創りは必要条件であっても、決して十分条件ではない。人に左右される部分を減らすシステムも工夫次第で可能だが、結局は「作品を創るだけ」では職業として成り立たない。それは芸術家に限らず、板金工も農家も、みうらじゅんさんも同じ。職業とは他人から規定されるものではなく、自分で創り上げていく「環境」なのだと思う。

「ない仕事」の作り方 (文春文庫) | みうらじゅん https://link.amazon/B05aGXHeP

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