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Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)

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Home > Topics > Dark Model > Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)
Categories: Dark Model and Music Placement. Tags: United States, Sync License, Oath, Advertising, and Videos.
Sep 7, 2012
2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"

Dark Model’s 2 tracks “Fate” and “Oath” were sync-licensed and featured in “2013/2014 Lexus ES” advertising campaign in the United States.

Dark Model’s music is supposed to be featured in these movies.
– “2014 Lexus ES Overview”
– “2014 Lexus Smooth Quiet Ride”
– “2014 Lexus Full Episode Player”

Note (May 2014): “Fate” was newly mixed and included in Dark Model’s debut album. For details of Dark Model’s first album, please refer to the album page.


(Updated, Jul 2017) This version of “Oath” is available on iTunes/Apple Music, Spotify, etc. For details, please visit this article.

Topics ““Oath (Original Mix)” is now available on Apple Music and Spotify”



You might also be interested in:
    Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 – Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) Xbox Forza Sports feat. Dark Model "Oath"Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5” Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 –
United StatesSync LicenseOathAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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Microblog

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10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

No Title
9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

No Title
7 March 2026

『ピクサーの舞台裏という記録映像を観た。脚本や衣装など、専任の担当者が作った雛形に対し全参加者が意見を出し、それが原案よりも良ければ即座に採用・修正される、徹底的に民主主義的なチームワークが貫かれていて驚く。「最大公約数的なベスト」を追求するのはピクサーの真骨頂だが、近年のディズニー周辺のクリエイションの傾向として「“正しく”作らねばならない」という道徳的/倫理的な規律が強くなりすぎて、現場が窒息しないか心配も少々。

Inside Pixar | Official Trailer | Disney+ https://youtu.be/BmYhYPNbhtw

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