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Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)

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Home > Topics > Dark Model > Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)
Categories: Dark Model and Music Placement. Tags: United States, Sync License, Oath, Advertising, and Videos.
Sep 7, 2012
2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"

Dark Model’s 2 tracks “Fate” and “Oath” were sync-licensed and featured in “2013/2014 Lexus ES” advertising campaign in the United States.

Dark Model’s music is supposed to be featured in these movies.
– “2014 Lexus ES Overview”
– “2014 Lexus Smooth Quiet Ride”
– “2014 Lexus Full Episode Player”

Note (May 2014): “Fate” was newly mixed and included in Dark Model’s debut album. For details of Dark Model’s first album, please refer to the album page.


(Updated, Jul 2017) This version of “Oath” is available on iTunes/Apple Music, Spotify, etc. For details, please visit this article.

Topics ““Oath (Original Mix)” is now available on Apple Music and Spotify”



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    Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 – Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) Xbox Forza Sports feat. Dark Model "Oath"Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5” Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 –
United StatesSync LicenseOathAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

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エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

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Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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Captain Funk – Leaving (Extended Piano Mix)

Captain Funk “Leaving” gets a Tatsuya Oe remix with piano-forward riffs and uplifting house-pop beats at 128 BPM; featured on...

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