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Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)

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Home > Topics > Dark Model > Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)
Categories: Dark Model and Music Placement. Tags: United States, Sync License, Oath, Advertising, and Videos.
Sep 7, 2012
2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"

Dark Model’s 2 tracks “Fate” and “Oath” were sync-licensed and featured in “2013/2014 Lexus ES” advertising campaign in the United States.

Dark Model’s music is supposed to be featured in these movies.
– “2014 Lexus ES Overview”
– “2014 Lexus Smooth Quiet Ride”
– “2014 Lexus Full Episode Player”

Note (May 2014): “Fate” was newly mixed and included in Dark Model’s debut album. For details of Dark Model’s first album, please refer to the album page.


(Updated, Jul 2017) This version of “Oath” is available on iTunes/Apple Music, Spotify, etc. For details, please visit this article.

Topics ““Oath (Original Mix)” is now available on Apple Music and Spotify”



You might also be interested in:
    Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 – Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) Xbox Forza Sports feat. Dark Model "Oath"Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5” Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 –
United StatesSync LicenseOathAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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『スター・ウォーズ』を創る時のルーカスは、完全に客観的な「神の視点(CENがフル稼働した状態)」にいる。しかし、現実の予算や人間関係に悩まされる瞬間、さすがのルーカスの脳も一瞬で「主観の檻(扁桃体)」にハイジャックされてしまう。 この主観に対し、クリエイティビティを使って「負のナラティブや雑音(Chatter)」を上書きする力―それはフィクションを作る以上の訓練が必要だが、創作以上に大切なことかもしれない。

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僕がお風呂でよく流しているディスコファンク系のラジオから、Alton Edwardsのこの曲が聴こえてくる。とてもキャッチーなシンセ・ブギーだが、実は知ったのは割と最近だ。UK産でアルバムリリースのないアーティストだったため、当時の日本にはあまり入ってこなかったのだろう。六本木の「ウィナーズ」あたりなら12インチが置いてあったかもしれないが、上京したての大学生だった僕は、一人で深夜の六本木にフラっと立ち寄るほどの肝が据わっていなかった。

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『世界の調律: サウンドスケープとはなにか』R.マリー・シェーファー https://amzn.to/4uSPDiR

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