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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Ran (Resistance)

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Home > Topics > Dark Model > Dark Model – Ran (Resistance)
Categories: Dark Model and New Tracks.
May 3, 2014
Dark Model 2014

This is the next preview from Dark Model’s full album which will be released on May 16th, 2014. “Ran” is not the past form of “Run” but means “Resistance,” “Rebellion,” or “Riot” in Japanese (i.e. “乱”).

As the title says, this is an Intense, shocking and apocalyptic Orchestral Electronica track which features a rousing choral/choir sound and massively pounding electronic beats.

For details of Dark Model’s first album, please refer to the album page.

BPM: 85
Keywords for this track:
Orchestral, Choir, Aggressive, Apocalyptic, Doomsday, Religious, Gothic, Intimidating, Electronica, Furious, Intense, Rousing, Epic, Dramatic, Glitch, Industrial, Drop, Emotional

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Tatsuya Oe Updated: November 14, 2017

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Categories in Topics

Microblog

No Title
26 November 2025

「上達は真似から始まる」というのは、語学やスポーツの習得だけでなく、作曲や芸術のような創造的な活動にもよく当てはまる。でも、なぜ人は「真似したい」と思うのだろう。集団への帰属意識や憧れ、求愛、承認欲求など様々な理由があるはずだ。オウムのスノーボールが踊り始めたのは最初、飼い主の動きを真似たからだろうが、今では14の振付を自分で創り、習得している。オウムに元々踊る特性があるのか、彼が「師匠を真似て、そして超えた」のかは分からない。

Snowball (TM) – Another One Bites The Dust https://youtu.be/cJOZp2ZftCw

No Title
25 November 2025

先日作ったYouTubeのMERチャンネルに『Shakedown』をアップしました。このブログを読んで下さっている皆さんの中で、ごく初期の『Twist & Shout』位しか知らないという方はいないと思いますが、他の名義も含めModel Electronic Recordsのリリース作品を100曲以上聴いた方はまだ少ないかもしれません。自主管理の音源は豊富にあるので、様々な角度から動画を披露し、この音楽の世界をより多くの方に楽しんでいただけたら嬉しいです。

MER – Shakedown (from "Anti-Crime Breaks") https://youtu.be/tINu7dGjs7Y

No Title
24 November 2025

楽曲の放送や配信へのライセンスに関するガイドラインを更新しました。コロナ禍の影響もあると思うが、日本では音楽の権利処理に関する改正が著しく、海外とは独立した動きをしているので、それぞれを正確にキャッチアップするのは大変。この手の話は海外の場合、現場を切り盛りしている実務家が率先してゲームに参加するのに対し、日本では役人の答弁や弁護士のコメントが目立つ。彼らは必要不可欠な存在だが、使用料をもらう側でも支払う側でもない。

Topics: 楽曲ライセンスガイドを全面リニューアルしました https://l.tatsuyaoe.com/music-license-update

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