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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Ran (Resistance)

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Home > Topics > Dark Model > Dark Model – Ran (Resistance)
Categories: Dark Model and New Tracks.
May 3, 2014
Dark Model 2014

This is the next preview from Dark Model’s full album which will be released on May 16th, 2014. “Ran” is not the past form of “Run” but means “Resistance,” “Rebellion,” or “Riot” in Japanese (i.e. “乱”).

As the title says, this is an Intense, shocking and apocalyptic Orchestral Electronica track which features a rousing choral/choir sound and massively pounding electronic beats.

For details of Dark Model’s first album, please refer to the album page.

BPM: 85
Keywords for this track:
Orchestral, Choir, Aggressive, Apocalyptic, Doomsday, Religious, Gothic, Intimidating, Electronica, Furious, Intense, Rousing, Epic, Dramatic, Glitch, Industrial, Drop, Emotional

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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    Dark Model 2014Dark Model – Close to Infinity Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption Dark ModelDark Model – Revenge Seeker (Complete Version) Dark Model 2014Dark Model – Dance of Wrath (Ikari No Mai) Dark Model 2014Dark Model – Broken Arrows
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Tatsuya Oe Updated: December 12, 2025

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  • Dark Model – “Driving Orchestral Electro Mix” MovieDark Model – “Driving Orchestral Electro Mix” Movie

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Microblog

No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

No Title
4 February 2026

AIや機械学習の普及で、フィールドワーク(野外調査)をしない研究者が増えているという。開花時期の予測や鳥の移動パターンの観察など、データサイエンスが可能にする領域は多く、テクノロジーの貢献は大きい。ただ、それが現場経験の価値を失わせるわけではない。「自然に触れずして自然を研究する」ことに、ワクワクを感じ続けられるかは、その人の取り組み方や動機次第だと思う。音楽も同じようなところがある。

「私はめったに外に出ません」AI時代に野外調査を見捨てる科学者達(Nature) https://www.nature.com/articles/d41586-025-04150-w

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