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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Exclusive Interview on Under The Gun Review

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Home > Topics > Dark Model > Exclusive Interview on Under The Gun Review
Categories: Dark Model and Interview. Tags: United States and Websites.
Jun 28, 2014

Tatsuya had an exclusive interview with Under The Gun Review, one of the Technorati‘s top 10 music blogs. While they mainly discussed the debut album of Dark Model, he talked additionally about my background, influences, and other projects such as Captain Funk. As this may be a rare interview of Tatsuya’s, we hope you will visit the interview page and enjoy the article.

We’d like to thank the interviewer Brian Lion and the website so much for having me. We hope you will visit the page and enjoy the article.

UTG INTERVIEW: Tatsuya Oe Discusses Dark Model’s Debut LP, Past Projects

Also, Dark Model’s first album scored 9.5/10 on the magazine.

“Tatsuya Oe has created one of the best electronic music efforts in recent memory and easily one of the most grandiose and memorable of 2014. The fact that his self-titled album as Dark Model is merely a debut should be nothing short of intimidating to all other producers within the world of EDM.”

Album Review: https://www.underthegunreview.net/2014/07/07/review-dark-model-dark-model/

Dark Model_Interview_on_Under_The_Gun_Review_0626_sm


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United StatesWebsites
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Tatsuya Oe Updated: December 12, 2025

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Microblog

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18 March 2026

先日、心理学者ニール・ワインスタインが提唱した「ノンスクリーナー/スクリーナー」という概念を知った。周囲のノイズに敏感で集中を削がれやすい人と、雑音下でも素早く適応できる人の分類だ。僕はこのマイクロブログやお金の計算、語学の勉強ならカフェでも平気だが、作曲/創作やプログラミングは自宅でないと捗らない。個人の「気質」「傾向」の問題もあるが、一人の人間でも「何の作業をどの位の深さで行うか」によって随分違いがありそうだ。

環境心理学: 人間と環境の調和のために https://amzn.to/4uQp3Z8

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最近はニュースを見る機会を最小限に絞っている。誰に対しても何の意見も持たないくらい無関心になりたいのだが、「究極の無関心と鋼のメンタリティ」の領域にはまだ遠い。そんなことを考えていて、ふと『ザ・デイリー・ショー』のジョン・スチュアートを思い出した。彼のトークは今も天才的で、かつてのように思慮深い。けれど、アメリカと世界があまりに冷え切ってしまった今では、そのジョークの背後にも、「もはや打つ手なし」という虚しさが漂ってきてしまう。

Jon Stewart Invites Panel of Trumps to Debate Iran War | The Daily Show https://youtu.be/a2aYd-XHzsI

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15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

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