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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Exclusive Interview on Under The Gun Review

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Home > Topics > Dark Model > Exclusive Interview on Under The Gun Review
Categories: Dark Model and Interview. Tags: United States and Websites.
Jun 28, 2014

Tatsuya had an exclusive interview with Under The Gun Review, one of the Technorati‘s top 10 music blogs. While they mainly discussed the debut album of Dark Model, he talked additionally about my background, influences, and other projects such as Captain Funk. As this may be a rare interview of Tatsuya’s, we hope you will visit the interview page and enjoy the article.

We’d like to thank the interviewer Brian Lion and the website so much for having me. We hope you will visit the page and enjoy the article.

UTG INTERVIEW: Tatsuya Oe Discusses Dark Model’s Debut LP, Past Projects

Also, Dark Model’s first album scored 9.5/10 on the magazine.

“Tatsuya Oe has created one of the best electronic music efforts in recent memory and easily one of the most grandiose and memorable of 2014. The fact that his self-titled album as Dark Model is merely a debut should be nothing short of intimidating to all other producers within the world of EDM.”

Album Review: https://www.underthegunreview.net/2014/07/07/review-dark-model-dark-model/

Dark Model_Interview_on_Under_The_Gun_Review_0626_sm


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United StatesWebsites
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Tatsuya Oe Updated: December 12, 2025

Video

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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