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Exclusive Interview on “The Little Big Beat Book” (UK)

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Home > Topics > Media/Press > Interview > Exclusive Interview on “The Little Big Beat Book” (UK)
Categories: Interview and Captain Funk. Tags: Magazines & Books.
Jul 18, 2018
The little big beat book
The Little Big Beat Book

Oe contributed an exclusive interview to “The Little Big Beat Book,” authored by a British DJ/writer Rory Roy and published by New Haven Publishing Ltd. Looking back on the Big Beat era in the late 90’s, he discussed how the Japanese club music scene was as well as Captain Funk’s “Bustin’ Loose EP” which had been acclaimed by top-notch Big Beat DJs such as Fatboy Slim and Freddy Fresh.

The official street date is the 10th of September 2018. The author has been working on a lot of promotions including an interview with Craig Charles for his BBC6 Funk & Soul Show, which will be broadcast on the 15th September – he will play a 30 minute DJ Mix on the show including ’Twist and Shout’ by Captain Funk.

“The Little Big Beat Book” on Waterstones (UK)

Publisher: New Haven Publishing Ltd
ISBN-10: 1912587092
Amazon US

Here is a sample of the contributors to this book (except for Tatsuya Oe/Captain Funk).

Fatboy Slim (Norman Cook), The Prodigy (Liam Howlett and Keith Flint), Chemical Brothers manager Robert Linney, Damian Harris (AKA Midfield General – Founder of Skint Records), Mark Jones (Founder of Wall of Sound), Jon Carter, Bassbin Twins, Propellerheads, Wiseguys (‘Ooh La La’), Freestylers, Derek Dahlarge, Bentley Rhythm Ace, Stephen Hall who ran Junior Boys Own Record Label (Chemical Brothers’ First Label), Cut La Roc, Dub Pistols, John Mekon, Robin Turner (Heavenly Social Founder and Promoter), Gareth Hansome (Big Beat Boutique Founder and Promoter), Justin Robertson (from Lionrock), Lindy Layton (Beats International ‘Dub Be Good To Me’), Howie B, Freddy Fresh, Fuzz Townsend, Apollo 440 (‘Stop The Rock’ and ‘Lost in Space’), Simon Shackleton, Mr. Scruff, Jadell, Nick Faber, Robert Luis, Kidda, Max Sedgley, Aldo Vanucci, Gramma Funk (‘I See You Baby’), Alex Hardee from CODA Agency (Liam Gallagher’s Agent), etc.


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Magazines & Books
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Tatsuya Oe Updated: December 12, 2025

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No Title
18 August 2026

この数か月、西洋以外の音楽を色々聴いてきた。声楽的には単声(モノフォニー)構造のものが多いのだけれど、リズムに関しては実に複層的で、一聴しただけではつかめないポリリズムや変拍子のものに沢山出会う。しかもそれが大衆音楽として普通に浸透している。意外な発見は、中東では音楽やダンスの発展において、「結婚式」がとても大事な役割を果たしてきたということ。日本はともかく、世界は踊りに踊りまくってるのだった。

Fidan & Volkan / Grup NIWAN ILHAN ICLEK https://youtu.be/KDUb3NwXLGw

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「沈黙は検索できない」と何度か書いたことがある。沈黙こそ人間に残された最高の知性ではないか。言葉や音の間にある空白をコントロールすることは、表現の本質だ。あえて黙るという選択をコンピュータが「無意味」と捉える限り、シンギュラリティが来ても人間の知性を超えることはないだろう。情報のノイズが溢れる今ほど、「黙る」ことの価値が高まっている時代はないと思う。そして、黙る行為は人間が機械に将来を奪われない防衛策にもなる。

Let Them Come, Let Them Go (Beat Mix) https://youtu.be/JGJLVkR7844

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90年代半ば、AIではなくAL(人工生命)や複雑系、カオス理論に魅せられ、浅い理解ながら本を読みあさっていた時期がある。現在それらの研究はデータサイエンスやネットワーク科学等に吸収・再編成されたが、当時の複雑系の世界は文字通り混沌とし、遊びと研究の境目もない熱気があった。そのムーブメントの中心にあったのが「サンタフェ研究所」だ。まだ健在だったとは。遊びと研究とビジネスが同義な世界、大好き(笑)。

Inside a real genius club: the Santa Fe Institute https://youtu.be/3KeqjT2xyM0

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