• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • YouTube Shorts
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Exclusive Interview on “The Little Big Beat Book” (UK)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Media/Press > Interview > Exclusive Interview on “The Little Big Beat Book” (UK)
Categories: Interview and Captain Funk. Tags: Magazines & Books.
Jul 18, 2018
The little big beat book
The Little Big Beat Book

Oe contributed an exclusive interview to “The Little Big Beat Book,” authored by a British DJ/writer Rory Roy and published by New Haven Publishing Ltd. Looking back on the Big Beat era in the late 90’s, he discussed how the Japanese club music scene was as well as Captain Funk’s “Bustin’ Loose EP” which had been acclaimed by top-notch Big Beat DJs such as Fatboy Slim and Freddy Fresh.

The official street date is the 10th of September 2018. The author has been working on a lot of promotions including an interview with Craig Charles for his BBC6 Funk & Soul Show, which will be broadcast on the 15th September – he will play a 30 minute DJ Mix on the show including ’Twist and Shout’ by Captain Funk.

“The Little Big Beat Book” on Waterstones (UK)

Publisher: New Haven Publishing Ltd
ISBN-10: 1912587092
Amazon US

Here is a sample of the contributors to this book (except for Tatsuya Oe/Captain Funk).

Fatboy Slim (Norman Cook), The Prodigy (Liam Howlett and Keith Flint), Chemical Brothers manager Robert Linney, Damian Harris (AKA Midfield General – Founder of Skint Records), Mark Jones (Founder of Wall of Sound), Jon Carter, Bassbin Twins, Propellerheads, Wiseguys (‘Ooh La La’), Freestylers, Derek Dahlarge, Bentley Rhythm Ace, Stephen Hall who ran Junior Boys Own Record Label (Chemical Brothers’ First Label), Cut La Roc, Dub Pistols, John Mekon, Robin Turner (Heavenly Social Founder and Promoter), Gareth Hansome (Big Beat Boutique Founder and Promoter), Justin Robertson (from Lionrock), Lindy Layton (Beats International ‘Dub Be Good To Me’), Howie B, Freddy Fresh, Fuzz Townsend, Apollo 440 (‘Stop The Rock’ and ‘Lost in Space’), Simon Shackleton, Mr. Scruff, Jadell, Nick Faber, Robert Luis, Kidda, Max Sedgley, Aldo Vanucci, Gramma Funk (‘I See You Baby’), Alex Hardee from CODA Agency (Liam Gallagher’s Agent), etc.


You might also be interested in:
    Adnan Kurtov, musician/recording artist/singer from Macedonia.Adnan Kurtov Exclusive Interview (Japanese Edition) Exclusive Interview on Under The Gun Review Tsuchiya Anna-Taste My xxxremixxxxxxx!!!!!!!! Beat Life!Tatsuya remixed Tsuchiya Anna’s “Somebody Help Me” as Captain Funk Rave magazine logoCaptain Funk Interviews with Australian music magazines “SAUCE” & “RAVE” Geek Magazine - Feb 2008Tatsuya Oe Interview on Geek Magazine (Feb 08)
Magazines & Books
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: December 12, 2025

Video

  • OE – Misty Garden (from “Suchness”)OE – Misty Garden (from “Suchness”)

Today’s Popular Topics

  • Day by Day (Microblog)
  • [YouTube Playlist] Sci-fi / Cyberpunk
  • FAQs about Licensing Our Music
  • Tatsuya Oe Biography
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • [Album Medley] Captain Funk – Sunshine (Deluxe Edition)
  • Model Electronic Records
  • MER “Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes” Out on May 23, 2025

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • [Updated] Dark Model “Judgment Day” achieved 6 million streams on NetEase Cloud Music (China)[Updated] Dark Model “Judgment Day” achieved 6 million streams on NetEase Cloud Music (China)
  • OE “Compositions in Blue” Released on April 3rd, 2023OE “Compositions in Blue” Released on April 3rd, 2023
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)[Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
  • Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5”Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5”
  • Music Placement: Dark Model “Broken Arrows” in Mr. X Inc 2016 ReelMusic Placement: Dark Model “Broken Arrows” in Mr. X Inc 2016 Reel

Categories in Topics

Microblog

No Title
21 May 2026

ロックはもちろん、R&Bやヒップホップといったアメリカのメインストリーム音楽は、もはや「レガシー」の域に入っていて、型破りで新鮮な音楽に出会う機会が減ったのは確か。そんな中ゴスペルの世界では、「一体どうなってるの?」と仰天するような曲やクオリティの高い演奏にしばしば出会う。「神への賛美と希望」というメッセージさえブレなければ、すべての音楽スタイルがゴスペルになるという、超絶的な懐の深さがあるのだろう。才能が集まるのも頷ける。

You Are Good – Israel & New Breed https://youtu.be/5KiQDoWo5t4

No Title
19 May 2026

音楽以外で時間を割いているのが語学と数学の勉強。教養のためではなく、実用を目指すからこそ現実とのギャップに気が遠くなる。英語だってそうだったから、習得には膨大な時間がかかるものだと割り切り、気長に取り組むのが大事。しかし、なぜ音楽だけは挫折を感じないのか。作曲を始めた時点で、すでに膨大な量の音楽が自分の中に蓄積され「準備が整っていた」のもあるが、一番には「他人と比較して優劣を考えない」からだと思う。ありがたい。

慶應大学講義 物理情報数学C 複素フーリエ級数からフーリエ変換へ https://youtu.be/VQorJcAoy-Q

No Title
17 May 2026

アルバムのタイトルと収録曲が決定。すべて新曲のCaptain Funkが、新たなスタイルで帰ってきます。ところで、このMaxwellのデビュー作を愛聴していた’96年、僕はまだ会社員。帰宅後に欧州のレーベルに送るためのデモ作りに明け暮れていた。翌年のNY出張で、街の至る所で彼の曲が流れていたのを覚えている。幸い、僕もその年にデビューできたのだから、今思えば運が良すぎた(笑)。30年という年月は長いようで、ほんの一瞬。

Maxwell: Tiny Desk Concert https://youtu.be/Zig0cfRdqsE

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Dark Model - Prelude
Dark Model – Prelude

Prelude opens Dark Model’s album Saga with dramatic, uplifting strings and electronic motion, setting a heroic tone before the brass-heavy...

Close