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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model First Album CD Repressed & Restocked

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Home > Topics > Dark Model > Dark Model First Album CD Repressed & Restocked
Categories: Dark Model. Tags: CD Distribution.
Dec 23, 2017
Dark Model_First Album CD

CD copies of Dark Model’s first album were repressed and restocked. If you are interested in handling this title at your store, please contact Alliance Entertainment Corporation or CD Baby.

Alliance Entertainment Corporation: https://www.aent.com/
CD Baby Reseller Program: https://store.cdbaby.com/reseller

Dark Model / Dark Model

CD Cat No: MECD-1004 (Digipak)
UPC (Bar Code): 888174704340

Tracklist

1. Dance of Wrath (Ikari No Mai) 1:38
2. Fate 3:03
3. Close to Infinity 5:17
4. Broken Arrows 3:54
5. Onibi (Demon Fire) 2:56
6. Hope Is Never Gone 4:36
7. Candle in the Desert 3:39
8. Ran (Resistance) 2:19
9. Double Cross 4:14
10. Prayer for the New Moon 2:52
11. Moment of Truth 2:53
12. Judgment Day 3:15
13. Abandoned 2:27
14. I Will Return 5:17
15. Farewell to the Moon 2:41
16. Oath (Dubstep Remix) 4:23
℗ © 2014 Model Electronic & Tatsuya Oe (NexTone / JASRAC)

CD Store Links

Amazon.com
Amazon.co.jp
Amazon in other countries: UK/France/Italy/Germany

f.y.e (US)
CD Universe
CD Baby
Music Stack


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CD Distribution
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
24 February 2026

白地に黒の四角が2個あった時、その間が徐々に狭くなって一つに見えてしまう仕掛けがあるとする。どこまで差が小さくなったら一つに融合して見えるかを測った時、2.1kHz(少し高めの音)を聞きながらその仕掛けを見た被験者は、その差の見極めが鋭くなったという。音で視力がよりクリアになったりぼやけたりするというのは、とても興味深い。私たちの五感は独立しているのではなく、脳の中で複雑に響き合い、一つの世界を作り上げている。

Captain Funk – Girlfriend #disco #funk #housemusic #uplifting https://www.youtube.com/shorts/zdsgFdOcIKg

No Title
23 February 2026

ジェームズ・クリアーは「環境は習慣を作る”見えない手”だ」と言い、自制心の強い人は、実は「自制心を使わなくても済む仕掛け/仕組み/ルーティーン」を作るのが上手い人のことだと説いた。離れた部屋で眠るギターを手に取るには強い意志が要るが、視界に入る場所に置かれたギターには、自然に手が伸びる。成長のための負荷を「良い摩擦」として残し、目的達成や成長を留まらせる「悪い摩擦」を減らす。仕組みや環境を見直し、アップデートしていこう。

「やる気」は過大評価されている。より大事なのは「環境作り」の方だ。 https://jamesclear.com/power-of-environment

No Title
22 February 2026

ドキュメンタリー「イマジニアリング」を見て再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

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