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Dark Model – Inferno Suite (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Inferno Suite (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Apocalyptic and uplifting “Inferno Suite,” which is included in the latest album “Saga,” was composed as a self-contained “suite,” a sequence of short musical dramas. I came up with the rough idea of this track long before I undertook the Saga project. Still, I ended up spending much time solidifying the structures of each piece so that I could incorporate them into a thematic song, in other words, one story. Hopefully, you will feel excited about how the story plays out on this track.

By the way, from the song title, many of you may think I was inspired by Dante Alighieri’s (or Dan Brown’s Dante-inspired) “Inferno.” However, none of these have anything to do with my inferno experience. Do you know a 1974 American action disaster film “Towering Inferno” and The Trammps’ disco hit song “Disco Inferno,” which was featured in a ’77 phenomenal film “Saturday Night Fever”? Both are two of the most memorable and symbolic embodiments of American culture in the ’70s, which gave me vivid impressions as a kid living in Japan. It was much later than those experiences when I knew Dante’s the Divine Comedy.

Here are some reviews which described this track. Hopefully, you will enjoy these articles as well as the music.

“The following track “Inferno Suite” has a choral beginning that really gets listeners into the moody appeal of the piece. The racing, fast beats sets up the pace for the radically massive structure of the entire work. The electronic beats backed by an orchestra is fervent with an energetic vibe and surmounts from the addition of choral layered harmonies.”

(My Nguyen, The Celebrity Cafe)

“Our protagonists have set off from their home to fight evil, rescue the captives and return victorious. The heavy choir ramps up in intensity to highlight the dire nature of their quest.”

(Jon C. Ireson, Music News)

“The next song, “Inferno Suite,” features a larger-than-life choir and electronic bass clocked in a maximum. It’s a track that will easily pump up anyone working out to go the extra mile.”

(Isiah Reyes, Enter the Venture)

“Norwegian black metal band Dimmu Borgir meets Adam Ant in 1982 came to my mind.”

(Susie9mm, MIPR)

(I hadn’t known the band until I read this article.)

BPM: 135 (Various)
Keywords: Choir, Suite, Uptempo, Dramatic, Dark, Heavy, Apocalyptic, Industrial, Percussive
Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark Model - SagaDark Model – Dawn of Resurrection (Anthemic Finale of “Saga”) Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Dark Model - LabyrinthDark Model – Labyrinth (from “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
9 October 2026

先日の話の続き。僕は「価値が価格を生むのであって、逆はない」と思う。価格(お金)は価値の引換券でしかない。それが今は「価格が価格を生み、吊り上げる」だけで、誰もその背後にある意味を直視しようとしない。「インフレ」や「デフレ」という都合の良いラベルは、その本質を問う重みを失わせる。さらに言えば、世の中には「価格化されていない価値」が山ほどある。数字や統計も、現実を切り取った不完全な影絵に過ぎないのだ。

ジョナサン・ハスケル『無形資産が経済を支配する: 資本のない資本主義の正体』 https://link.amazon/B0aYR16th

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8 October 2026

渡米直後、モノやサービスの「価格」と「価値」の乖離に驚く毎日だった。デフレ時代の日本の企業努力や工夫に馴染んでいた自分にとって、価値に対して適正と思える値段の数倍から数十倍を支払うために猛烈に稼がなくてはならない人生は幸せなんだろうか?そんな疑問を抱いていた頃に出会った『メイカーズ』。著者が理想郷として描いた「デジタルと製造/DIYの融合」が実際に開花したのは、アメリカではなく中国その他のアジアの現場だった。

クリス・アンダーソン『MAKERS 21世紀の産業革命が始まる』 https://link.amazon/B0bOuWVyn

No Title
5 October 2026

「Pain is inevitable. Suffering is optional.(痛みは避けがたいが、苦しみはこちら次第)」—2006年のヘラルド・トリビューン紙の記事でアマチュアランナーがこれをマントラ(呪文)として挙げた。同記事で、五輪銀メダリストのリディア・シモンは「マラソンの90%は脳。身体的なものは実は大したことがない」と語る。あの過酷なマラソンですらそうなのだとすれば、まして現実の痛みや苦しみなど…。

マラソンランナーにとって、すべては心(脳)の中にある – New York Times https://bit.ly/4zk5aLv

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