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Captain Funk’s New Album “Oceans” Out on June 28th, 2019

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Home > Topics > Captain Funk > Captain Funk’s New Album “Oceans” Out on June 28th, 2019
Categories: Captain Funk. Tags: Release and Digital distribution. Formats: Video.

Tatsuya and Model Electronic will release Captain Funk’s new full-album on June 28th (Fri), 2019 (Digital/CD). “Oceans” takes you on a breezy and uplifting voyage through 10 instrumental tracks in the style of futuristic funk, electronic jazz, and tropical dance music.

Contents

  • “Oceans” Tracklist
  • Album Info & Credit
  • Store links
  • Note for Sync Licensing

“Oceans” Tracklist

Captain Funk - Oceans 1. Big Blue
2. Running
3. Pacific
4. Dolphins
5. Underwater
6. Voyager
7. Splash
8. Night Dive
9. Rakuen
10. Back to the Island


Album Info & Credit


Artist Name: Captain Funk
Album Title: “Oceans”
Release Date: June 28th (Fri), 2019
Format: Digital & Limited CD-R Pro (Digipak)
Product No: MECD-1008
UPC Code: 888295907156
Label: Model Electronic
Physical Distribution: Alliance Entertainment
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
Art Direction: Passion Yoko

Store links

– Digital Downloads / Streaming Services (Updated in May 2020)–

Worldwide

Bandcamp
Apple Music US | JP
Amazon US | JP | UK | FR | GR | IT | ES
7digital
Spotify
Deezer
Napster
Tidal
Akazoo
Qobuz
Yandex Music
Pandora
iHeartRadio
LiveXLive
Shazam (Artist Page)

Japan

AWA
Music.jp
Dwango.jp
Recochoku (incl. Hi-Res)
Mora (Hi-Res)
e-onkyo music (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Line Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)
Xiami Music(蝦米音楽)

– Physical (CD) –

Please note that the format is a Limited CD-R Pro.
Amazon US | JP | UK | FR | GR | IT | ES
Import CDs
Music Stack
f.y.e (US)

Note for Sync Licensing

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from “License Form.”


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ReleaseDigital distribution
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Tatsuya Oe Updated: December 19, 2025

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Microblog

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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