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Music Placements for TV programs & Promos – 2020 Q2 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q2 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Jun 29, 2020
Nickelodeon - Spongebob Squarepants

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

History “Forged in Fire”
History - Forged in Fire

Nickelodeon “Spongebob Squarepants”
Nickelodeon - Spongebob Squarepants

Amazon Original “Inside Jokes”
Amazon Original - Inside Jokes

Comedy Central “Comedy Central Stand-Up”
Comedy Central -  Stand-Up

Showtime “Hoops U”
Showtime - Hoops U

HLN (CNN) “On the Story with Erica Hill”
HLN - On the Story with Erica Hill

Viceland “Moltissimo”
Viceland - Moltissimo

FOX Sports “Speak for Yourself”
Fox Sports - Speak for Yourself with Colin Cowherd

and many more placements.


You might also be interested in:
    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

No Title
29 July 2026

2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

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