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Music Placements for TV programs & Promos – 2020 Q2 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q2 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Jun 29, 2020
Nickelodeon - Spongebob Squarepants

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

History “Forged in Fire”
History - Forged in Fire

Nickelodeon “Spongebob Squarepants”
Nickelodeon - Spongebob Squarepants

Amazon Original “Inside Jokes”
Amazon Original - Inside Jokes

Comedy Central “Comedy Central Stand-Up”
Comedy Central -  Stand-Up

Showtime “Hoops U”
Showtime - Hoops U

HLN (CNN) “On the Story with Erica Hill”
HLN - On the Story with Erica Hill

Viceland “Moltissimo”
Viceland - Moltissimo

FOX Sports “Speak for Yourself”
Fox Sports - Speak for Yourself with Colin Cowherd

and many more placements.


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    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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新作のミックスダウンが佳境を迎えている。一つの曲をずっと聴き込んでいると、どうしても耳も頭も近視眼的になっていく。この仕事を長く続けている割に(だからこそ、かな)、僕は「神は細部に宿る」という職人的なエリート意識や美学があまり好きではない。本当の意味で全てのプロセスに責任を持つならば、時間、クオリティ、そしてビジネスを俯瞰するバランス感覚と実行力、そして「モメンタム(勢い)」が不可欠になる。

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昔、フランスのレーベルBarclayのアーティストのリミックスを手掛けた縁で、その後数年間新譜が届くようになった。当時彼らが注力していたのがフェミ・クティで、アルバムもリミックスもDJで重宝した。先日、久々に見た彼のライブ動画に1曲目から度肝を抜かれた。あの「Truth Don Die」が、当時のクラブマーケットに向けたプロダクションを遥かに凌駕する、爆発的な生演奏へと進化していたのだ。最高に血が沸き立つ音楽。

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