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Music Placements for TV programs & Promos – 2020 Q2 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q2 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Jun 29, 2020
Nickelodeon - Spongebob Squarepants

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

History “Forged in Fire”
History - Forged in Fire

Nickelodeon “Spongebob Squarepants”
Nickelodeon - Spongebob Squarepants

Amazon Original “Inside Jokes”
Amazon Original - Inside Jokes

Comedy Central “Comedy Central Stand-Up”
Comedy Central -  Stand-Up

Showtime “Hoops U”
Showtime - Hoops U

HLN (CNN) “On the Story with Erica Hill”
HLN - On the Story with Erica Hill

Viceland “Moltissimo”
Viceland - Moltissimo

FOX Sports “Speak for Yourself”
Fox Sports - Speak for Yourself with Colin Cowherd

and many more placements.


You might also be interested in:
    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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29 June 2026

『スター・ウォーズ』を創る時のルーカスは、完全に客観的な「神の視点(CENがフル稼働した状態)」にいる。しかし、現実の予算や人間関係に悩まされる瞬間、さすがのルーカスの脳も一瞬で「主観の檻(扁桃体)」にハイジャックされてしまう。 この主観に対し、クリエイティビティを使って「負のナラティブや雑音(Chatter)」を上書きする力―それはフィクションを作る以上の訓練が必要だが、創作以上に大切なことかもしれない。

内なる声の活かし方 | イーサン・クロス(TED Talk) https://youtu.be/xb0nLpdWttA

No Title
28 June 2026

僕がお風呂でよく流しているディスコファンク系のラジオから、Alton Edwardsのこの曲が聴こえてくる。とてもキャッチーなシンセ・ブギーだが、実は知ったのは割と最近だ。UK産でアルバムリリースのないアーティストだったため、当時の日本にはあまり入ってこなかったのだろう。六本木の「ウィナーズ」あたりなら12インチが置いてあったかもしれないが、上京したての大学生だった僕は、一人で深夜の六本木にフラっと立ち寄るほどの肝が据わっていなかった。

Alton Edwards – I Just Wanna Spend Some Time With You https://youtu.be/coZEkKsKirg

No Title
26 June 2026

マリー・シェーファーの『世界の調律』は、サウンドスケープを理解する上での大古典。彼は「人類が最初に聴いた音は水(海)の音だ」と言う。一方、僕らは鼻息や心臓が脈打つ音、そしておならの爆発音まで、「自分の身体が出す音」からは終生逃れられないよなあ……。そんなことを考えていたら、それを極めて格調高く、アカデミックかつ哲学的に伝えようとしたのが、かのジョン・ケージだったらしい。上品すぎて今頃気づいたわ(笑)。

『世界の調律: サウンドスケープとはなにか』R.マリー・シェーファー https://amzn.to/4uSPDiR

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