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Music Placements for TV programs & Promos – 2020 Q2 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q2 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Jun 29, 2020
Nickelodeon - Spongebob Squarepants

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

History “Forged in Fire”
History - Forged in Fire

Nickelodeon “Spongebob Squarepants”
Nickelodeon - Spongebob Squarepants

Amazon Original “Inside Jokes”
Amazon Original - Inside Jokes

Comedy Central “Comedy Central Stand-Up”
Comedy Central -  Stand-Up

Showtime “Hoops U”
Showtime - Hoops U

HLN (CNN) “On the Story with Erica Hill”
HLN - On the Story with Erica Hill

Viceland “Moltissimo”
Viceland - Moltissimo

FOX Sports “Speak for Yourself”
Fox Sports - Speak for Yourself with Colin Cowherd

and many more placements.


You might also be interested in:
    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
6 November 2026

アルバムのミックスダウンを追い込み、16曲を通し聴き。「なかなか良いじゃないの」と浸っていた11曲目、ふとファイル名を見て愕然とした。…これ、3週間前にアートワーク用に作った暫定版だ!その後、細部を詰めて取り組んできた作業の成果に、本人が全く気づいていなかったという事実。 ここは前向きに、「前のミックスの時点で、すでにほぼ完璧に仕上がっていたということだ」という、あふれんばかりの自己肯定感で突っ走ることにします(笑)。

自己肯定感が高い人の4大特徴が明らかに! – STUDY HACKER https://studyhacker.net/self-esteem-high

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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