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Music Placements for TV programs & Promos – 2020 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Dec 23, 2020
Daily Show with Trevor Noah

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

Comedy Central “Daily Show with Trevor Noah”
Daily Show with Trevor Noah

Netflix “Comedians in Car Getting Coffee” (4 Episodes)
Comedians in Car Getting Coffee

CNN (HLN) “True Crime Live”
True Crime Live

Vice “Needles & Pins”
Needles & Pins

Paramount Network “Bar Rescue”
Bar Rescue

Comedy Central “Drunk History”
Drunk History

MTV “Ex on the Beach”
Ex on the Beach

VH1/Logo TV “Rupaul’s Drag Race”
Rupaul's Drag Race

TLC “Say Yes to the Dress”
Say Yes To the Dress

Destination America “Buying Alaska”
Buying Alaska

ABC “ESPN on ABC College Football”
ESPN College Football

ABC “ESPN on ABC X Games”
ABC - XGames

Gloob (Brazil) “D.P.A. Detetives Do Predio Azul”
Detetives Do Predio Azul

and many more placements.


You might also be interested in:
    Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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