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Music Placements for TV programs & Promos – 2020 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Dec 23, 2020
Daily Show with Trevor Noah

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

Comedy Central “Daily Show with Trevor Noah”
Daily Show with Trevor Noah

Netflix “Comedians in Car Getting Coffee” (4 Episodes)
Comedians in Car Getting Coffee

CNN (HLN) “True Crime Live”
True Crime Live

Vice “Needles & Pins”
Needles & Pins

Paramount Network “Bar Rescue”
Bar Rescue

Comedy Central “Drunk History”
Drunk History

MTV “Ex on the Beach”
Ex on the Beach

VH1/Logo TV “Rupaul’s Drag Race”
Rupaul's Drag Race

TLC “Say Yes to the Dress”
Say Yes To the Dress

Destination America “Buying Alaska”
Buying Alaska

ABC “ESPN on ABC College Football”
ESPN College Football

ABC “ESPN on ABC X Games”
ABC - XGames

Gloob (Brazil) “D.P.A. Detetives Do Predio Azul”
Detetives Do Predio Azul

and many more placements.


You might also be interested in:
    Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Categories in Topics

Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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