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Music Placements for TV programs & Promos – 2020 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Dec 23, 2020
Daily Show with Trevor Noah

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

Comedy Central “Daily Show with Trevor Noah”
Daily Show with Trevor Noah

Netflix “Comedians in Car Getting Coffee” (4 Episodes)
Comedians in Car Getting Coffee

CNN (HLN) “True Crime Live”
True Crime Live

Vice “Needles & Pins”
Needles & Pins

Paramount Network “Bar Rescue”
Bar Rescue

Comedy Central “Drunk History”
Drunk History

MTV “Ex on the Beach”
Ex on the Beach

VH1/Logo TV “Rupaul’s Drag Race”
Rupaul's Drag Race

TLC “Say Yes to the Dress”
Say Yes To the Dress

Destination America “Buying Alaska”
Buying Alaska

ABC “ESPN on ABC College Football”
ESPN College Football

ABC “ESPN on ABC X Games”
ABC - XGames

Gloob (Brazil) “D.P.A. Detetives Do Predio Azul”
Detetives Do Predio Azul

and many more placements.


You might also be interested in:
    Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
21 January 2026

「私が絵を描くのは、共鳴してくれる人を求めているからではない。ただ、私の孤独を表しているだけ」と篠田桃紅さんは語った。孤独とは「埋めるもの」ではなく「結晶化するもの」。欠落ではなく充足であり、それは「自由」の別名なのだ。「自我」や「存在証明」といった強い言葉を避け、「孤独」という表現に留める。そこに、執着を脱した篠田さんならではの「粋(いき)」が宿っている。

篠田桃紅は何をなしたのか?|美術手帖 https://bijutsutecho.com/magazine/news/report/25488

No Title
20 January 2026

「言わぬが花」という言葉は好きではないけれど、我々は沈黙を大切な「知性」の一つとしてきた。でも、GoogleやAIは沈黙を検索することはできないし、機械は沈黙を知性だとは見なさない。無関心や沈黙、さらには「電源を切ること」や「回線を遮断すること」も知性の一つだと思う。こうした態度は、最近では「Attention Sovereignty(注意主権)」とも呼ぶらしい。人間が注意の主導権を奪還することができるかどうかは、つまるところ自分次第。

OE – Hello Solitude (Ambient Visualizer) https://youtu.be/UgXOMNP1Zhs

No Title
19 January 2026

基本的に「音の人」である僕は、世界がますます言語偏重になっていくことを残念に思っている。言語モデル(LLM)が驚くほど沢山の知的タスクをこなせるようになったからといって、「言語化こそが知能の正体」だということにはならない。そこを取り違えると、人間は言葉の奴隷になってしまう。これをどう思うかGeminiに尋ねると、「AIは人間の知性を置き換えるのではなく、人間が持つ知性の“言語化された断面”を極端に肥大化させる装置なのです」。

マイケル・ポランニー「我々は言葉にできることよりも、ずっと多くのことを知っている」 https://www.azquotes.com/author/11748-Michael_Polanyi

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