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Music Placements for TV programs & Promos – 2020 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2020 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Dec 23, 2020
Daily Show with Trevor Noah

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

Comedy Central “Daily Show with Trevor Noah”
Daily Show with Trevor Noah

Netflix “Comedians in Car Getting Coffee” (4 Episodes)
Comedians in Car Getting Coffee

CNN (HLN) “True Crime Live”
True Crime Live

Vice “Needles & Pins”
Needles & Pins

Paramount Network “Bar Rescue”
Bar Rescue

Comedy Central “Drunk History”
Drunk History

MTV “Ex on the Beach”
Ex on the Beach

VH1/Logo TV “Rupaul’s Drag Race”
Rupaul's Drag Race

TLC “Say Yes to the Dress”
Say Yes To the Dress

Destination America “Buying Alaska”
Buying Alaska

ABC “ESPN on ABC College Football”
ESPN College Football

ABC “ESPN on ABC X Games”
ABC - XGames

Gloob (Brazil) “D.P.A. Detetives Do Predio Azul”
Detetives Do Predio Azul

and many more placements.


You might also be interested in:
    Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

No Title
27 February 2026

ロン・ハワード監督による、マペット作家ジム・ヘンソンのドキュメンタリーを見た。想像以上にエネルギッシュで、多忙な創作人生に驚かされる。 幼少期に親しんだ『セサミ・ストリート』に対し、『ダーク・クリスタル』や『ラビリンス』、『ストーリーテラー』といったダークファンタジーは、当時「やんちゃなファンク青年」(笑)だった僕は夢中にはなれなかった。ただ、この時代のジムなしでは、ギレルモ・デル・トロやジェームズ・キャメロンなどの異才が頭角を現さなかったかもしれない。

Jim Henson Idea Man | Official Trailer https://youtu.be/iyGFV6VIxkI

No Title
26 February 2026

今朝、英語圏のSNSでは「エヌビディアは実際に利益を出している。どこが一体AIバブルなんだ?」という暴論が飛び交っていた。実のところ、株価よりも売上が膨張している状況こそバブルとして深刻だ。「売れているから大丈夫」という主張は、裏を返せば「売れなくなった瞬間に、それを支える理屈が何一つなくなる」という危うさと表裏一体だから。日本をダンスフロアにしてどんちゃん騒ぎをしている海外の機関投資家に要注意。音楽が止まった時、彼らはいない。

エドワード・チャンセラー 『新訳 バブルの歴史』 https://amzn.to/4rBaq9L

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