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Music Placements for TV programs & Movies – 2021 Q2 –

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Home > Topics > Music Placement > Music Placements for TV programs & Movies – 2021 Q2 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Jun 14, 2021
The Space Between

These are examples of television networks’ (incl. cable & satellite providers) programs, movies, and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2021 as we often receive their reports with some delay.

-Movie Promo-

Paramount Pictures “The Space Between” TV Spot (starring Kelsey Grammer, William Fichtner, Julia Goldani Telles)

The Space Between

-TV Programs & their promos/trailers-

VH1 “Love And Hip Hop Hollywood”
Love And Hip Hop Hollywood

Vice “Most Expensivest”
Most Expensivest

CNN (HLN) “Unmasking A Killer”
Unmasking a Killer

Viceland “Epicly Later’d – Spike Jonze”
Epicly Later'd

CMT “Brojects in the House”
Brojects

FOX “MLB Walk Off Stories”
MLB - Walk off Stories

Nickelodeon “The Loud House”
The Loud House

Paramount Network “Cops”
Cops

Investigation Discovery “People Magazine Investigates”
Investigation Discovery-People Magazine Investigates

and many more placements.


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    Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 –
TV CommercialUnited StatesSync License

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Tatsuya Oe Updated: June 29, 2024

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13 September 2025

AI研究者・認知科学者として知られるゲイリー・マーカスは、AIの進化の行方について数年前から強い警鐘を鳴らしてきた。炎上好きな彼ゆえ、その発言はある程度割り引いて受け止めるのが賢明だが、日本のIT界には「あえて現状を疑い、問題を突きつける」論客が少ない。いずれにしても、AIビジネスが「誰のテストステロン(男性ホルモン)が一番か」とばかりに、まるでカジノの度胸試しのようになっている現状こそ、まさにバブル(=行き過ぎ)だとも言える。

ゲイリー・マーカス『AIバブルのピーク』 https://garymarcus.substack.com/p/peak-bubble

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Mac OSが今で言うクラシック環境だった頃、とても個性的で、しかも重宝し、しかも殆ど誰も知らない(笑)音声合成ソフトがあった。数年に一度はそのソフトを再び使いたくなるのだが、Basilisk IIというエミュレーターとMac OS 7.5.3のディスク(!)などを用意して下準備をしなければならないため、毎回思い立っては即座に挫折する。OE『Physical Fiction』や『New Classics Vol.2』に収録されている曲でよく用いた。

OE 『New Classics, Vol. 2』 https://amzn.to/3HZTRDc

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先日、池上彰さんが「嫌いな言葉は『真実』」と話しているのを見て、すぐに思い出したのは、トランプが設立したSNS「トゥルース・ソーシャル」だった。「真実と虚偽は顔が似ている。我々は欺瞞を拒む根性がないばかりか、むしろ自ら進んで罠に飛び込んでいく。虚しいことに、巻き込まれるのが好きなのだ。」モンテーニュがこう説いたのは、16世紀半ば。

『モンテーニュ よく生き、よく死ぬために』(講談社学術文庫) https://amzn.to/48e2e8F

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