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OE “Compositions in Blue” Released on April 3rd, 2023

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Home > Topics > OE > OE “Compositions in Blue” Released on April 3rd, 2023
Categories: OE. Tags: Release and Digital distribution. Formats: Video.

The Embodiment of OE’s Contemporary Style

Following the January release of “Suchness 2,” Tatsuya, under the moniker of OE, presents his latest creation, “Compositions in Blue.” This album, a quintessential OE, is a testament to the evolution of his style from “Here and You” to “New Classics Vol.1 & 2.” Influenced by contemporary music and minimalism, the tracks are infused with catchy melodies and human touches, making the album not only unique but also highly accessible to a wide audience.

Contents

  • The Embodiment of OE’s Contemporary Style
  • OE “Compositions in Blue” Tracklist
  • Album Description
  • Album Info & Credit
  • Downloads & Streaming Services (To be updated)
  • Note for Sync Licensing

OE “Compositions in Blue” Tracklist

OE - Compositions in Blue 1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)


Album Description

In Dark Model’s “Impulse,” Tatsuya displayed his new direction, trying to incorporate his influences, such as prog rock and contemporary music, into up-to-date electronic sound. While this album, under the moniker of OE, has common ground with “Impulse,” compared to its epicness, “Compositions in Blue” feels more sophisticated and delicate. “Mobius,” which opens the album, is a dance track featuring female spell-like chants and rhythmic handclaps. “Reincarnation,” a larger-than-life tune with elegant orchestration and choir, is reminiscent of Tatsuya’s compositions as Dark Model. “Doublespeak” and “Circularity Part 1 & 2” may be the album’s best part and embodiment of OE’s minimalist style. Some compositions in contemporary music distance or bore listeners with their stiffness and monotony. On the other hand, these tracks, with catchy melodies and colorful song structures, successfully bring them into a wonderland of rhythmic and tricky sounds.

Album Info & Credit


Artist Name: OE
Album Title: “Compositions in Blue”
Release Date: April 3rd (Mon), 2023
Format: Digital (No physical release)
Cat No: MEOE-1019
UPC Code: 198015863229
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
Art Direction: Passion Yoko

Downloads & Streaming Services (To be updated)

Worldwide

Apple Music / iTunes US
Amazon US | JP | UK | FR | GR | IT | ES | CA
Bandcamp
7digital
Spotify
Youtube Music (Streaming)
Tidal
Deezer
Napster
Qobuz
Pandora

Japan

AWA
Music.jp
dwango.jp
Recochoku (incl. Hi-Res)
Mora (Hi-Res)
e-onkyo music (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Line Music
Tower Records Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)

Note for Sync Licensing

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from License Form.

Tatsuya Oe Music License Form


You might also be interested in:
    OE - Composition in LightOE “Compositions in Light” Out on August 2, 2024 OE-New Classics Vol.1 & 2Updated: OE “New Classics Vol.1 & 2” Out on April 20th, 2018 OE - SuchnessOE’s New Album “Suchness” Out Now OE - Seisei Ruten (Suchness 4)OE “Seisei Ruten (Suchness 4)” out on March 1st, 2024 OE - Letting Go (Suchness 6)OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025
ReleaseDigital distribution
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Microblog

No Title
27 March 2026

一時期、エピクテトスの言葉に深く感動して読み耽っていたけれど、今はそのドライすぎる視点に「もう少し夢を見てもいいんじゃない?」と感じる部分がある。奴隷という過酷な境遇にいた彼には必要な強さだったのかもしれないが、その哲学を突き詰めると「宝くじが当たっても外れても、僕の幸福には無関係だ」なんて言う、寂しい人になってしまいそう。さて、そろそろ創作に本腰を入れたいので、マイクロブログはしばらく不定期更新とさせていただきます!

エピクテトス『語録 要録』 (中公クラシックス W 92) https://amzn.to/485V4Cr

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。書くこと、創ることは自己成長の手段であるという、彼の姿勢には強く同感する。自作への評価は光栄だが、僕にとって過去作は「当時の内なる声を形にした、全力の結晶」のようなもの。常に脱皮し、「今の内なる声」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

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