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Music Placements for TV programs & Promos – 2024 Q1 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2024 Q1 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, and Sync License.
Apr 29, 2024
Late Show with Stephen Colbert

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2020 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CBS “The Late Show with Stephen Colbert”
Late Show with Stephen Colbert

HBO Max “Legendary” EP1 – Welcome to my House
HBO MAX - Legendary

HBO MAX “Ambient Swim” S1.EP1 – Tradigital
HBO MAX - Ambient Swim

HBO MAX “Generation Hustle”
HBO MAX - Generation Hustle

Netflix “Los Carcamales”
Netflix - Los Carcamales

TruTV “Big Trick Energy”
TruTV - Big Trick Energy

BYUtv “All-Round Champion”
BYUtv - All-Round Champion

Discovery Channel “Diesel Brothers”
Discovery - Diesel Brothers

History “Lost Car Rescue”
History - Lost Car Rescue

HGTV “Gut Job”
HGTV - Gut Job

Vice TV “Criminal Planet”
Vice TV - Criminal Planet

ABC “ESPN: Saturday Night Football”
ESPN - Saturday Night Football

ABC “ESPN: Duke’s Mayo Classic”
ESPN - Duke's Mayo Classic

Nickelodeon “Paw Patrol” (Promo)
Nickelodeon - Paw Patrol

Nickelodeon “Blaze and the Monster Machines” (Promo)
Nickelodeon - Blaze and the Monster Machines

and many more placements.


You might also be interested in:
    CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – HBO-Last Week Tonight with John OliverMusic Placements for TV programs & Promos – 2018 Q4 –
TV CommercialUnited StatesSync License
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

No Title
26 January 2026

人間は物語を自分本位に紡いでしまう性質がある。それが時に独善となり、自分を苦しめる。ヴィクトール・フランクルの説く「生きる意味」が、いつしか自分を縛る「執着(べき論)」に変貌する瞬間だ。ここでアルバート・エリスは「その解釈は認知的にゆがんでいないか? 自分を助ける考えか?」と自問し、主観の暴走を食い止めることを提唱する。フランクルとエリスは対照的に見えて、実は「解釈という刃」を使いこなすための、表裏一体の考え方だと思う。

Dark Model – Vigilant Eyes (Short Edit) #orchestralmusic #glitch #epicmusic https://youtube.com/shorts/sq3Qo5_d_FQ

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