• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Knowledge Base
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Credits & Awards

Home > Tatsuya Oe Biography > Credits & Awards

Artists and bands (excerpt):

-Music production, Collaboration and Remix-
James Brown, Diana Ross, Chic, Simon LeBon, Ron Sexsmith, Serge Gainsbourg, Hotei, Radiopilot, Dune, Zoobombs, Digikid84, Yoshihide Otomo, Puffy, Tommy February, Anna Tsuchiya, Ami Suzuki, Yasuyuki Okamura, Naruyoshi Kikuchi, Denki Groove, Original Love, FPM, Ken Ishii, etc

-Toured with-
David Bowie (as Groove Syndicate), Kraftwerk, Holger Czukay, Space Cowboy, Atomic Hooligan, Freddy Fresh, etc

TV Commercial/Corporate branding campaign/Worked with (in the US/EU/Asia, excerpt):

(Regarding recent music placements, please refer to “Recent Placements” and “Commercial Reels” page.)

Verizon, Microsoft, ASUS, Intel, Lexus, Toyota, Honda, Audi, Chrysler, Delta Air Lines, De Beers, Cartier, Vivienne Westwood, Nordtrom, Bergdorf Goodman, PepsiCo, Burger King, KFC, Philip Morris USA, Forever 21, Macy’s, Hollister Co., Uniqlo, Skechers, Reebok, Adidas, Oakley, Burton, Quiksilver, Specialized, Fox Head, Patagonia, People.com, ELLE, Wallpaper* Magazine, LinkedIn, Skype Technologies, Zagat, Sony, Panasonic, Canon, Bose Corporation, House of Marley, Energizer, DTC (Diamond Trading Company), Unilever, Mitsubishi Motors, Lancome, Shiseido, Pola, Bain & Company, Zoff, Pfizer, Coloplast, Tennis Australia, Blizzard Entertainment, SEGA, Konami, 21st Century Museum of Contemporary Art, etc.

Agencies/Creative Boutiques: Saatchi & Saatchi, McGarryBowen, Grey, Hakuhodo DY Holdings, Dentsu, J. Walter Thompson, Swell NY, Mr. X Inc, City Room Creative, 507×286 Productions, Huddle Media, Strive Kommunikationsdesign, Open, GT Inc, Ultra Supernew, Noriyuki Tanaka Activity, BB Media, Taiyo Kikaku, etc.

TV music placements (excerpt):

ABC, NBC, CBS, FOX Network, Oprah Winfrey Network, Syfy, ESPN, Discovery Channel, National Geographic, MTV, VH1, Bravo TV, TLC, Telemundo, A&E, History Channel, Discovery Channel, Esquire Network, Fuse, HGTV, Sundance TV, BBC, and All Japanese TV Networks (NHK, NNN, ANN, JNN, TXN, FNN)

Film/Animation/Game (excerpt):

Sony/Columbia Pictures “Money Monster” International Trailer, “Elysium” Trailer, Millenium Entertainment “The Paperboy” Promo, Lionsgate Entertainment “The Inevitable Defeat of Mister & Pete,” “Vaters Garten – Die Liebe meiner Eltern,” Monday (“Twist & Shout” as the theme song. 50th Berlin International Film Festival “International Film Critics Association Award” & “FIPRESCI Award” winner, director:SABU), Table & Fishman (director:Osamu Kobayashi, Studio4c), Dance Battle VS (Sony PS3 Game, US), Tekken, etc

Awards & Nominations:

–The Finalist Award of New York Festivals

–Silver Prize of The Tokyo Interactive Ad Awards

–Official Honoree of Webby Awards (“Best use of Animation or Motion Graphics” & “Consumer Electronics”)
(as to music/sound design of Panasonic “Experience Color”, with Business Architects Inc.)

– Nominee of the 14th (2015) Annual Independent Music Awards “Best Dance/Elecronica Album” (as Dark Model)

– Winner of the 16th (2017) Annual Independent Music Awards “Best Dance/Elecronica Album” (Dark Model “Saga”)


You might also be interested in:
    Default ThumbnailCommercial Reels and Music Placements Tatsuya Oe (Dark Model/Captain Funk/OE)Tatsuya Oe Biography
Tags:

Tatsuya Oe Updated: May 12, 2018

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing
  • FAQs about Licensing Our Music
  • Licensing Guide (Knowledge Base)
  • How to Work with Performing & Mechanical Rights Organizations
  • Licensing Our Music

Language:

  • English
  • 日本語

Playlists

All Playlists

Today’s Popular Topics

  • Day by Day (Microblog)
  • Licensing Guide (Knowledge Base)
  • Tatsuya Oe Biography
  • Model Electronic Records
  • Dark Model’s “Stripped Mixes” Released on Nov 7th, 2025
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • Store Lists
  • Commercial Reels and Music Placements

Microblog

No Title
27 October 2025

先日、日米の充実感やストレスの質の違いについて書いたけれど、インドについては?中国は?ブラジルは?と聞かれると、まったく答えられない。世界の3分の2以上の人たちが何を話しているのかも聞き取れない。音楽はまだしも、彼らの間でどんなスポーツが熱いのかも把握していない。というわけで、インドでは国民的スポーツであるカバディの試合を立て続けに見て、この地球には自分が経験したことのない熱狂が、まだ山ほどあることを思い知らされている。

PKL(プロ・カバディ・リーグ)予選 – Puneri Paltan vs Dabang Delhi https://youtu.be/QzYxNO3BAP0

No Title
27 October 2025

「たかが…されど…」という言い方には違和感がある。「たかが」で物事を深刻にとらえすぎず、執着しないよう自分に言い聞かせておきながら、「されど」で未練や割り切れなさを表す。この曖昧さや心の揺らぎ、余韻は、ある意味とても詩的で情緒的なのかもしれないけれど、結局誰も幸せにしない気がする(笑)。暴論かもしれないけれど、全部「たかが」で生きた方がストレスが少なく、本当に大切な時間と人を大切にして、充実した人生を送れるのではと思うのです。

ビル・ヒックス『(人生は)ただの乗り物』 https://youtu.be/KgzQuE1pR1w

No Title
26 October 2025

すべての場所がそうとは限らないが、アメリカでは普通に暮らしていても警戒心が強くなる。とはいえ不安だらけでお先真っ暗というわけではなく、仕事でも遊びでも「動けば動いただけ報われる」充実感を得られることが多い。日本は治安や医療で質の高い平和を実現しているが、「運命は自分の手で変えられる」と思える風土があるとは言いがたい。ストレスの質が異なる複数の世界を知ることは、結果的にストレスの量を相殺し、自分の可能性を広げることにつながる。

エリック・ホッファー『大衆運動 新訳版』 https://amzn.to/47rL8Cm

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2025 Tatsuya Oe / Model Electronic. All rights reserved.