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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Exclusive Interview on Under The Gun Review

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Home > Topics > Dark Model > Exclusive Interview on Under The Gun Review
Categories: Dark Model and Interview. Tags: United States and Websites.
Jun 28, 2014

Tatsuya had an exclusive interview with Under The Gun Review, one of the Technorati‘s top 10 music blogs. While they mainly discussed the debut album of Dark Model, he talked additionally about my background, influences, and other projects such as Captain Funk. As this may be a rare interview of Tatsuya’s, we hope you will visit the interview page and enjoy the article.

We’d like to thank the interviewer Brian Lion and the website so much for having me. We hope you will visit the page and enjoy the article.

UTG INTERVIEW: Tatsuya Oe Discusses Dark Model’s Debut LP, Past Projects

Also, Dark Model’s first album scored 9.5/10 on the magazine.

“Tatsuya Oe has created one of the best electronic music efforts in recent memory and easily one of the most grandiose and memorable of 2014. The fact that his self-titled album as Dark Model is merely a debut should be nothing short of intimidating to all other producers within the world of EDM.”

Album Review: https://www.underthegunreview.net/2014/07/07/review-dark-model-dark-model/

Dark Model_Interview_on_Under_The_Gun_Review_0626_sm


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United StatesWebsites
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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