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Exclusive Interview on “The Little Big Beat Book” (UK)

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Home > Topics > Media/Press > Interview > Exclusive Interview on “The Little Big Beat Book” (UK)
Categories: Interview and Captain Funk. Tags: Magazines & Books.
Jul 18, 2018
The little big beat book
The Little Big Beat Book

Oe contributed an exclusive interview to “The Little Big Beat Book,” authored by a British DJ/writer Rory Roy and published by New Haven Publishing Ltd. Looking back on the Big Beat era in the late 90’s, he discussed how the Japanese club music scene was as well as Captain Funk’s “Bustin’ Loose EP” which had been acclaimed by top-notch Big Beat DJs such as Fatboy Slim and Freddy Fresh.

The official street date is the 10th of September 2018. The author has been working on a lot of promotions including an interview with Craig Charles for his BBC6 Funk & Soul Show, which will be broadcast on the 15th September – he will play a 30 minute DJ Mix on the show including ’Twist and Shout’ by Captain Funk.

“The Little Big Beat Book” on Waterstones (UK)

Publisher: New Haven Publishing Ltd
ISBN-10: 1912587092
Amazon US

Here is a sample of the contributors to this book (except for Tatsuya Oe/Captain Funk).

Fatboy Slim (Norman Cook), The Prodigy (Liam Howlett and Keith Flint), Chemical Brothers manager Robert Linney, Damian Harris (AKA Midfield General – Founder of Skint Records), Mark Jones (Founder of Wall of Sound), Jon Carter, Bassbin Twins, Propellerheads, Wiseguys (‘Ooh La La’), Freestylers, Derek Dahlarge, Bentley Rhythm Ace, Stephen Hall who ran Junior Boys Own Record Label (Chemical Brothers’ First Label), Cut La Roc, Dub Pistols, John Mekon, Robin Turner (Heavenly Social Founder and Promoter), Gareth Hansome (Big Beat Boutique Founder and Promoter), Justin Robertson (from Lionrock), Lindy Layton (Beats International ‘Dub Be Good To Me’), Howie B, Freddy Fresh, Fuzz Townsend, Apollo 440 (‘Stop The Rock’ and ‘Lost in Space’), Simon Shackleton, Mr. Scruff, Jadell, Nick Faber, Robert Luis, Kidda, Max Sedgley, Aldo Vanucci, Gramma Funk (‘I See You Baby’), Alex Hardee from CODA Agency (Liam Gallagher’s Agent), etc.


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Magazines & Books
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Tatsuya Oe Updated: September 11, 2018

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19 October 2025

Amazon Musicのジャズの新曲を紹介するプレイリストでは、僕もまだ知らないエッジの効いたアーティストにしばしば出会い、触発される。それに加えて毎日複数のジャズ・ラジオ局をチェックしているので、制作や自分の曲を聴いている時以外の大半の時間はジャズを聴いていることになる。ただ、ジャズ、しかもインストゥルメンタルを聴く人は、今や随分少数派なんだろうなと、子供の頃にテレビで見た日本のジャズフェスティバルの賑わいから感じた次第。

Home Stretch (Aurex Jazz Fest '80, Japan, Sept. 7, 1980) https://youtu.be/x88It39PrKk

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先日の「無信論」ではないけれど、僕は医者でも弁護士でもカウンセラーでも、「断言する専門家」の言葉は信用しないことにしている。特に人の生死に関わる医療の分野で断言するのは危険な行為だが、扇動的で極端な主張ほどよく売れるのが世の常。専門家がどれほど自信満々に言い放っても、当然ながら、僕らが失った命やお金、幸せの責任は負ってくれない。自分で学んで、選択肢を増やし、決断する力をつけることが何よりも大事。

高山知朗『治るという前提でがんになった 情報戦でがんに克つ』 https://amzn.to/4nhsUcG

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経営やマーケティングの専門家らしき人たちは「戦略」という言葉を好む。「戦術」なんて些末なものより戦略が大事だと説く。これは胡散臭い(笑)。机にじっとして講釈を垂れるのが仕事の人ならそれでも体裁は保てるかもしれないが、現実の世界では戦術を生み出し実行しない限り何も進まない。戦術から戦略を学ぶことはあっても、戦略から何かを学ぶことはない。「準備せよ、狙え、撃て」ではなく、「準備せよ、撃て、狙え」。まず動かなければ狙いは定まらない。

「”戦略”は過大評価されている。実行こそ命。」 https://www.alanprushan.com/blog/strategy-is-overrated

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