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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Captain Funk – Pacific (Audio Visualizer)

Home > Video > Captain Funk – Pacific (Audio Visualizer)
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Language:

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Categories: Oceans. Tags for Video: Jazz-Funk, 80s, Electronic Funk/Synth Funk, and Smooth-Jazz.

This dramatic and breezy Electronic Jazz-Funk/Nu-Disco features groovy bass lines, sophisticated octave piano riffs, funky guitar strums, guitar & vibraphone solos, and panoramic synth sounds.

BPM: 118
Keywords for this track: Electronic, Nu-Disco, Jazz Funk, Smooth Jazz, Energetic, Bright, Romantic, Refreshing, Summery, Breezy, Positive, Groovy, Hopeful, Sophisticated, Synth, Bass, Piano, Electronic Beats, Electric guitar, Uptempo, Elegant, Gorgeous, Jazz Fusion, AOR, 80s, Tropical

– About the album “Oceans” –

Tatsuya Oe, who has achieved much acclaim as Dark Model over the past five years, has now released his new album under his longest-standing moniker, Captain Funk. “Oceans” takes you on a breezy and uplifting voyage through 10 instrumental tracks in the style of futuristic funk, electronic jazz, and tropical dance music.

“Oceans,” the first fully-instrumental album under the moniker of Captain Funk, begins with the cinematic electro “Big Blue,” followed by “Running,” a brisk AOR/yacht rock-esque electro house track. “Pacific,” dramatic and upbeat disco funk and “Voyager,” a driving fusion/jazz-oriented track, are the highlights of the album. Laid-back synth funk tracks such as “Dolphins” and “Night Dive” will make a nice addition to the recent “future funk” scene. Chilling “Underwater” and smooth-jazzy “Rakuen” featuring nylon guitar sounds, which change the flow of the album, contribute to enriching the whole story. “Back to the Island,” the closing melodic house track featuring reggae-type (ska-stroke) synth riffs, lets us bask in the afterglow of summer.

Album Details: https://s.tatsuyaoe.com/3mHS73p

– Album info –

Release Date: June 28th, 2019
All music composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2019 Model Electronic & Tatsuya Oe (NexTone / JASRAC)
Product No: MECD-1008
UPC (Bar Code): 888295907156

– Streaming and Downloads –

Apple Music
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Details & other links: https://s.tatsuyaoe.com/3mHS73p

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    Captain Funk - Rakuen (Visualizer)Captain Funk – Rakuen (Audio Visualizer) Captain Funk - Running (Visualier)Captain Funk – Running (Audio Visualizer) Captain Funk - Night Dive (Visual)Captain Funk – Night Dive (Audio Visualizer) Captain Funk - Voyager (Visualizer)Captain Funk – Splash (Audio Visualizer) Captain Funk - Back to the Island (Visualizer)Captain Funk – Back to the Island (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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